Daily Archives: November 27, 2009

It’s the biggest shopping day of the year, so here are a few of the things that have come into my possession in the past year which the baseball fan on your list might enjoy (or which you may want to ask for yourself):

Yankee Colors photographs by Marvin E. Newman, text by Al Silverman

This is an absolutely gorgeous book of full-color photography from the late ’50s and early ’60s including game action from the 1955-1958 and 1960-1965 World Series, shots from spring training, and looks inside the Yankee locker room. Newman’s photography, which also includes some black and white work, is alternately intimate and breathtaking, and some of the images of the old Stadium are particularly striking, a true revelation even after all of the retrospectives from the last year.

As They See ‘Em by Bruce Weber – I’ll admit I’ve only just started this one, inspired by a recent episode of the MLB Network’s “Studio 42 with Bob Costas” featuring Steve Palermo, Don Denkinger, and Bruce Froemming, but I can already tell it’s a keeper. A very rare look into the insular word of major league umpires, Weber explores an essential, but mysterious aspect of the game with a curious, conversational style.

The 2009 World Series film – This has only been on the market for a week, but it’s a must for any Yankee fan, particularly one that already own the outstanding collection of the World Series films of the Yankees’ championships from 1943 to 2000. If you don’t own the latter, put that on your list as well, or, for you big spenders, go whole-hog with this.

The 2009 World Series box set – This one’s not even out yet (street date: Dec. 15), but MLB does a great job with these sets, and this one is sure to follow suit. Again, for those who don’t already have it, this box of games from the 1996 to 2001 World Series is also a must-have for Yankee fans.

Baseball Prospectus 2010 – I schill, yes, but this book, a valuable guide to the 2010 season, contains three team chapters written by me, three more written by “Bronx Banter Breakdown” regular Jay Jaffe, and several more written by friend-of-the-Banter and co-editor Steven Goldman, not to mention the other talented BP regulars who are contributing. It won’t publish until February, but if you pre-order your copy now, you’ll get it in time for your fantasy draft, or in time to sort through the subs in spring training.

And having schilled for myself, I’d be remiss if I didn’t remind you about friend-of-the-Banter Mark Lamster’s Master of Shadows, which Alex wrote about last month.

Pauline Kael on His Girl Friday:

In 1928 Ben Hecht and Charles MacArthur wrote The Front Page, the greatest newspaper comedy of them all; Howard Hawks directed this version of it — a spastic explosion of dialogue, adapted by Charles Lederer, and starring Cary Grant as the domineering editor Walter Burns and Rosalind Russell as Hildy Johnson, the unscrupulous crime reporter with printer’s ink in her veins. (In the play Hildy Johnson is a man.) Overlapping dialogue carries the movie along at breakneck speed; word gags take the place of the sight gags of silent comedy, as this race of brittle, cynical, childish people rush around on corrupt errands. Russell is at her comedy peak here — she wears a striped suit, uses her long-legged body for ungainly, unladylike effects, and rasps out her lines. And, as Walter Burns, Grant raises mugging to a joyful art. Burns’ callousness and unscrupulousness are expressed in some of the best farce lines ever written in this country, and Grant hits those lines with a smack. He uses the same stiff-neck cocked-head stance that he did in Gunga Din: it’s his position for all-out, unstuble farce. He snorts and whoops. His Burns is a strong-arm performance, defiantly self-centered and funny. The reporters — a fine crew — are Ernest Truex, Cliff Edwards, Porter Hall, Roscoe Karns, Frank Jenks, Regis Toomey; also with Gene Lockhart as the sheriff, Billy Gilbert as the messenger, John Qualen, Helen Mack, and Ralph Bellamy as chief stooge — a respectable businessman — and Alma Kruger as his mother.

And here, direct from the good peoples at Hulu, is the complete movie: