Coolin’.

Collage by Tim Jarosz

Joe Paterno died Sunday at age 85. Life and career retrospectives abounded. Wins and losses were mentioned, as were bowl game triumphs, the iconic look he brought to the sidelines every Saturday. Most of all, his contributions to the “student athlete” and the culture he created outside the gridiron and the towering edifice that is Beaver Stadium were discussed.

Not be ignored, though — and it wasn’t — was his role, his actions and his inaction regarding a certain former assistant coach and alleged pedophile. The Onion’s satirical headline spoke volumes: “Joe Paterno Dies In Hospital; Doctors Promise to Tell Their Superiors First Thing Tomorrow”.

Legacies are meant to demonstrate an example to be set for successors. Sounds simple but legacies are complicated. Look at Ty Cobb, Babe Ruth, Pete Rose, Woody Hayes, Bear Bryant, Bobby Knight, Vince Lombardi, Wilt Chamberlain, Mike Tyson, Michael Jordan, Magic Johnson, Tiger Woods, Kobe Bryant, Lawrence Taylor, or most recently, Bill Conlin. Look at any iconic athlete, coach, writer, celebrity or politician whose indiscretions  made them as infamous as their contributions to their chosen fields made them famous. Look at the names I just listed. If we were playing word association, you could probably think of the words racist, drunk, womanizer, gambler, bully, insane, drug addict or kid toucher as quickly as you could think of Hall of Famer, Hit King, 714 home runs, 6 titles or  14 majors. Bryant, winner of 5 NBA titles and still considered in many circles the best player in the sport, was acquitted of the rape charges nine years ago; yet when a philandering husband suddenly buys a lavish gift for his spouse as a means of apologizing, it’s called a “Kobe Special.”

Observing how the media has treated those players and coaches over the years, has there been a reluctance to hold any of them accountable for their actions? In many cases, no. Thus, in reading and listening to the Joe Paterno tributes, I was curious how the media would address Paterno’s role in the Jerry Sandusky scandal in the context of his legacy.

The common refrain was that while we can’t dismiss his management of the Jerry Sandusky situation, we shouldn’t let that cloud our view of the man. If you knew someone who had a reputation of always going above and beyond for others, yet suddenly did the bare minimum and expected that to be enough, what would you think?

In The Nation, Dave Zirin wrote:

…according to our conception of who this man was supposed to be, there was no authority above Joe Paterno. There was instead an expectation that this man of integrity would without hesitation do far more than just fulfill his minimum legal requirements. Is that fair? When it’s your statue on campus and when the buildings bear your name, most would say hell yes.

Howard Bryant wrote one of many commentaries for ESPN.com on Paterno’s death. He brought forth a similar sentiment as Zirin:

…Paterno had too much power with not nearly enough oversight. He was bigger than the school, and the school cowered to him. Paterno gave millions back to Penn State; and as his power grew and grew unchecked over four decades, the university lost the ability to control whether he was benevolent or a tyrant.

It was not a power particularly special to Paterno, but to his industry. The entire culture of the coach deserves deconstruction and revision, for the same can be said in varying degrees of Bryant and Knight, Bowden and Calhoun, Krzyzewski and Boeheim.

When it was time for Paterno to use the power that he had accrued — when he became aware that for years, children allegedly were being molested under the ceiling of the football monument he had built — he did not lead.

Joe Posnanski is writing a book about Joe Paterno. He did not blog about JoePa’s death, but he filed a piece for SI. The last words of the column quote Paterno, who said that “hopes the victims find peace.” Posnanski precedes the quote by writing that Paterno wanted his life measured in totality rather than by “a hazy event involving an alleged child molester.”

Perhaps the most vivid piece of writing about “the hazy event” and Paterno can be found in  this diary. Warning: it’s not for the sensitive. It is heart-wrenching, explicit, and likely represents the anger of many who have sat back and thought “WTF?” regarding Paterno, Sandusky and the events of the past two months.

Jeff MacGregor also posted for ESPN.com, with a take that I’m sure will be used in the Sport Studies curriculum at universities across the country. I’ve written in this space about man, myth, and legend; I did so in my first story on this topic back in November. MacGregor is much better with metaphor:

Joe Paterno was no more and no less than human, and no living man can contend with his own legend. No man can live in his own shadow.

A bronze statue of Joe Paterno standing seven feet high and weighing 900 pounds was swung into place at Penn State on Nov. 2, 2001.

Four months later to the day, March 2, 2002, Mike McQueary stood at Joe Paterno’s door. He had a terrible story to tell.

There’s a poignant scene in “The Deer Hunter” near the intermission when Robert De Niro’s character, Michael  is carrying Steven (John Savage), a badly injured friend, over his shoulder to safety. It is one scene among many makes the film’s title so significant; Michael is carrying Steven the same way he’d carry a deer after shooting it. Steven had become the deer carcass. Similarly, is it not reasonable to believe, based on MacGregor’s closing paragraphs, that four months after his statue was erected at Penn State, that Paterno became the statue?

Paterno told Posnanski he wanted the victims to have peace. The first step could have been taken right then and there. Maybe even sooner. That, for many, is the focal point of any discussion about the late Joe Paterno’s legacy. And in the cumulative analysis of the man, the coach, the academic, the philanthropist, benefactor and humanitarian, we cannot be afraid to hold him accountable for that.

[Photo Credit: Dr Brady]

Another cold winter night in the city.

Sox looking to add pitching. Maybe the Yanks move a pitcher before Opening Day. Prince Fielder’s deal: pro and con.

Have at it.

[Picture by Uros Begovic]

Check out this interview with Stuart Galbraith IV over at DVD Savant.

Check out this cool-ass 1990 interview with Ry Cooder by Jas Obrecht. The talk is Blind Willie Johnson and the Blues:

Q: What’s your attraction to “Dark Was the Ground – Cold Was the Night”?

RC: That’s the most transcendent piece in all American music, the way he used his voice and the guitar. This other tune that I love so much is “God Moves on the Water.” Oh, that thing is like a roller coaster, man. He’s got an energy wave in there that he’s surfing across the face of that tune so mighty! He hits the chorus, and to me it’s like ice skating or downhill racing – it’s an awesome physical thing that happens. But “Dark Was the Night” is the cut – everybody knows that lick. You can throw that lick at anybody nowadays. I threw it up inside Paris, Texas, you know, and everybody relates. And now you play that lick, and everybody knows what it is. It’s like an unspoken word. It’s really amazing. [Legally download these tracks at http://www.archive.org/.]

I’ll really tell you, Blind Willie Johnson is in the ether somewhere. He’s up there in the zone somewhere. But if he played flat . . . And at this point, after talking with you, I’m starting to feel that really would account for it. Because I know that if it was regular, I could be doing it. I can do what he did – I can play those notes now. I mean, I have learned. My co-ordination and understanding have developed to the point where I am capable of executing those passages, but it sounds really different when you play flat.

Here’s Cooder’s version.

Click here for more on Cooder’s recent book of stories about Los Angeles.

A day late, but for you peanut butter freaks out there, dig these recipes for your favorite food over at Serious Eats.

Last week, there was a wonderful essay in The New Yorker by Donald Hall called “Out the Window” (subscription only):

After a life of loving the old, by natural law I turned old myself. Decades followed each other–thirty was terrifying, forty I never noticed because I was drunk, fifty was best with a total change of life, sixty extended the bliss of fifty–and then came my cancers, Jane’s death, and over the years I travelled to another universe. However alter we are, however much we think we know what will happen, antiquity remains an unknown, unanticipated galaxy. It is alien, and old people are a separate form of life. They have green skin, with two heads that sprout antennae. They can be pleasant, they can be annoying–in the supermarket, these old ladies won’t get out of my way–but most important they are permanently other. When we turn eighty, we understand that we are extraterrestrial. If we forget for a moment that we are old, we are reminded when we try to stand up, or when we encounter someone young, who appears to observe green skin, extra heads, and protuberances.

People’s response to our separateness can be callous, can be good-hearted, and is always condescending. When a woman writes to the newspaper, approving of something I have done, she calls me “a nice old gentleman.” She intends to praise me, with “nice” and “gentleman.” “Old” is true enough, and she lets us know that I am not a grumpy old fart, but “nice” and “gentleman” put me in a box where she can rub my head and hear me purr. Or maybe she would prefer me to wag my tail, lick her hand, and make ingratiating dog noises. At a family dinner, my children and grandchildren pay fond attention to me; I may be peripheral, but I am not invisible. A grandchild’s college roommate, pulls a chair to sit with her back directly in front of me, cutting me off from the family circle: I don’t exist.

A few years ago I spoke to the writer Arnold Hano on the phone. He was 90. Profane and funny. He told me that something had been written about him in the local paper and the writer had called him spry. “How come you only hear the word spry when people talk about old people?” he said. “That drives me crazy. C’mere, and watch me stick my foot right up your ass.”

Click here to listen to the New Yorker podcast with Hall.

And click here to read Hank Waddles’ two-part interview with Hano.

[Photo Credit: Matthew Gordon Levandoski]

Check out the  Something to Write Home About series over at the beautiful site, Pictory Mag.

[Photographs by Emily Raw and Larissa Zhou]

Extra points if anyone can guess who sampled this one (no cheating, now).

[Picture by Bags]

Before cell phones and before Purell I never thought twice about using a pay phone. Yeah, I’d look at the receiver before I put it to my ear but don’t recall getting all Felix Unger about it. Now I can’t remember the last time I used a pay phone, can you?

Money Grab.

[Photo Credit: Jonathan Daniel/Getty Image]

Untitled by Morris Barazani (1965)

We are familiar with Nicholson’s greatest performances. Here’s a list of worthy ones that are less celebrated:

The Missouri Breaks, Reds, Heartburn, Hoffa, and The Pledge. There are others, of course. He’s funny in a cameo role in Broadcast News.

But one of my favorite Nicholson movies is The Border. He’s coiled but not a ham. It’s a wonderful performance.  Put it on your Netflix queue.

[Photograph by Annie Leibovitz]

Jorge Posada officially retired today.

Here’s video of Diane Munson from the YES Network:

From Brother Stein:

From a wonderful, in-depth interview with our man Schulian by Pete Croatto, who runs a great site:

Yes, Ali was unspeakably cruel to Frazier in the build-up to their fights, calling him “a gorilla” and, worse, an Uncle Tom. But no one ever said Ali was perfect. He was as flawed and complicated as any other human being, with his mean streak and his public philandering and, for all I know, his snoring. He may not have been a Rhodes scholar, either, which was a point Kram hammered relentlessly. But somehow Ali always managed to find his better self when the occasion demanded it. Rising out of a business in which men are paid to destroy each other—Ali-Frazier III is a classic example—he performed acts of charity, bravery, and self-sacrifice. Some were high profile—opposing the war in Vietnam, championing black pride—while others were small personal gestures, like financing soup kitchens or building homes for poor families. Ali may have been acting on instinct instead of intellect in some cases; in others he may have seen his selfishness morph into something good. Who knows what was going on inside his head? All I can say is that I saw him do far more good than bad, and when he was done, he had become far more than a heavyweight champion. He had become a great man.

It seems anticlimactic to say he was great to cover, too. A writer’s dream. He was funny and irreverent and brash and, when the occasion called for it, humble and sensitive. There weren’t many people in the sports media whose names he remembered—Howard Cosell, naturally, and Dick Young and George Plimpton, whom he called “Kennedy”—and yet the media flocked to him because they knew that when he was around, something was going to happen. He might trade insults with Bundini Brown, the shaman of his entourage, or back up a prediction with a goofy poem. When he took a vow of silence before his first fight with Leon Spinks, he slapped a piece of tape across his mouth—and even then he was more interesting than anyone who was talking.

I could go on and on, but you get my drift. Ali was a once-in-a-lifetime subject for a sports writer, maybe for any kind of writer. I know he was that way for me, and I always prided myself in saying the story came first. But he made me care about him in a way no other athlete did. It was his charm, his courage, his audacity, his greatness in the ring. When I saw Larry Holmes destroy him in Las Vegas, it was like watching an execution. It was the worst night of my life as a sports writer, and I’m sure I’m not the only one who feels that way. I felt bad for myself, of course, because I knew I wouldn’t be writing about him for much longer. But I felt worse for Ali because of the way he’d been beaten. Even though Holmes did what he could to hold back, he had to keep fighting until Ali’s craven manager, Herbert Muhammad, told Angelo Dundee to stop it. By then Ali had been damaged in a way he will never get past. All these years later, the memory still haunts me. Maybe that’s the measure of just how special he was.

[Photo Credit: Thomas Hoepker]

I’ve been eating kale like it’s going out of style lately. Usually, I  saute it in olive oil along with some garlic for a few minutes. Salt n serve.

This salad looks nice. From Food 52.

The Pineda-Montero deal is official. Chad Jennings has the details.

Here’s a nice piece on Pineda by Christian Red in the Daily News.

[Photo Credit: Appleplusskeleton]