"A New York Treasure" --Village Voice

"He's a Bi-Racial Angel"

Last month, there was a discussion in the comments section here about two of the Yankees’ current African-American stars: Curtis Granderson and C.C. Sabathia. But no mention, if memory serves, of Derek Jeter who is half-black. In an op-ed today in the Daily News, Glenn Stout gets to the heart of the matter:

Jeter is both the game’s first postracial superstar and the Yankees’ first African-American icon, reaching a status that even Mr. October, Reggie Jackson, was unable to achieve.

No, his biracial heritage alone doesn’t make Jeter any better than either black or white superstars to come before him – but the matter-of-fact embrace of his background even before Barack Obama became our first biracial President is culturally significant and should not be a mere footnote as we celebrate his great achievement.

…From the very first day, Jeter seemed totally at home in pinstripes, the Yankees’ next “Everyman.” Coming of age at a time when racial labels don’t mean as much as they once did, he was the child of a black father and white mother. He neither downplayed that fact nor promoted it. It was simply a part of who he was.

Of course, the emergence of Jeter has been nowhere near as racially important as Jackie Robinson’s breaking the color line. That was a cultural earthquake, this a barely detectable tremor. But for those of biracial heritage, Jeter’s quiet success has spoken loudly precisely because of how little it has been remarked upon – by how little news it has made.

It’s something, isn’t it? But true. Race is virtually never discussed when it comes to Jeter. Go figure.

[Painting by Kevin McGoff]

Beat of the Day

I am not Robo Cop, I’m Chubb Rock.

Star Light, Star Bright

Let’s go Base-ball!

[Photo Credit: Mighty Flynn]

Emotional Rescue

 

Derek Jeter will not be at the All-Star Game (and that’s okay).

[Drawings by Larry Roibal]

Picture That

My man Brad pointed out this wonderful photo gallery of old New York.

Don’t miss it.

Taster's Cherce

Smitten Kitchen gives us sweet cherry pie.

Yes, please.

It Ain't Easy

Tomorrow night, HBO will air an original documentary, “The Curious Case of Curt Flood.” It follows the HBO doc formula but also paints a nuanced portrait of Flood, who was a complicated and troubled man. Stan Hochman thinks the movie is too cynical but I still think it’s worth watching.

Morning Art

Taken by my uncle, on vacation in Barcelona.

New York Minute

It’s boolchit hot, man. Dog Day hot. Do the Right Thing hot. Africa hot. You name it. The city is roasting, man. A regular schvitz-a-thon.

This is why air-conditioning was invented.  Stay inside if you can. Boy, what a day to play hooky and go to the movies. If you’ve got to be out, find a way to cool-out and drink a ton of water.

[Photo Credit: Nivek]

Beat of the Day

Bobby does Bob.

What Do You Know?


Man, Robbie Cano’s old man has some puss, huh?

Nice Derby.

[Photo Credit: New York Post]

Ding Dong Derby

El Sluggo’s will be mashing balls over the fence tonight in Arizona with Chris Berman calling the action. Hide the children.

Happy All-Star festivities to ya.

[Painting by Liam Brazier]

New York Minute

Living at the end of the line alters your relationship with the subway. You rely on it’s presence and emptiness in ways that would not be appropriate in the middle of the city. There is also a level of accumulated filth at the end of the line that probably does not apply there either.

On weekday mornings, after the train empties out, somebody takes to the train with a mop and bucket and slathers chlorine on the floors. The odor is stiff and intense and often, but not always, worse than the filth. At rush hour, the trains are moving in and out too quickly for all of the cars to receive this treatment. So you can weave through the waiting train searching for a car that doesn’t overwhelm you one way or the other.

From Ali to Xena: 17

Friends and Connections

By John Schulian

When I became a sportswriter, it was as though I was inducted into a special lodge filled with lots of guys and a few women who shared my interests, my passions, my problems. I didn’t have to explain to them who Red Smith and Larry Merchant were. They thought it was cool if I slipped an obscure cultural reference into a game story, and they sympathized if an editor boned me on deadline. They even knew when I was looking for a job, sometimes before I did.

I never experienced anything like it during my five years on the city desk in Baltimore, and I say that even though I loved the Evening Sun and still consider many of the people I worked with as friends.  But when I started there, I was a rarity–a single person. Everybody else seemed to be married, with children, and dead-set on becoming middle-aged before they hit 30. Only later did more single people start showing up, bringing with them their passion for rock-and-roll and sports and carrying-on.

With sportswriting, on the other hand, I knew instantly that I belonged. And by the time I left newspapering, I was part of a band of ink-stained gypsies that seemed to turn up at every major event: Red Smith, Jim Murray, Dave Anderson, Blackie Sherrod, Eddie Pope, Furman Bisher, David Israel, Mike Lupica, Bill Nack, Dave Kindred, Leigh Montville, Ray Fitzgerald, Diane Shah, Stan Hochman, Joe Gergen, Pete Axthelm, George Vecsey, Jerry Izenberg. Unfortunately, Tony Kornheiser didn’t fly much, which cut into his traveling, but on those rare occasions when he did go airborne, he had to drink his courage first, which only made his legendary neuroses more fun than ever. Anyway, they were, and are, good folks one and all, and if I forgot to name anybody, the same description applies to them. I was proud to be in their number.

My best friend at the Post was Tom Boswell, even though he had made his peace with those rat bastards on the copy desk. He had better diplomatic skills than I did, for one thing, and he also loved what he was doing. Where I looked at things strictly as a writer, he maintained a fan’s sensibility. He was, and is, very much an enthusiast. I didn’t have a name for it until a year or two ago when I heard Robert Hilburn, the L.A. Times pop music writer for 40-odd years, speak. Here was a guy who was absolutely in love with the music and the artists and the world they lived in, a guy who was as excited by U2 as he had been by Bruce Springsteen and John Lennon. Totally unjaded. Just like Boz. Boz is as fired up about Stephen Strasburg and Bryce Harper as he was about his first Roy Sievers baseball card. He writes like a dream for readers who are on the same wave length as he is. That’s why he’s the biggest sportswriting institution in D.C. since Shirley Povich.

Boz and I were both single and about the same age when we met at the Post. He was finishing up a tour as the prep writer-–you’ve never read better or more imaginative high school coverage-– and he was moving onto the baseball beat, with golf as a sideline. If we were working late, we’d walk across the street to get dinner at the Madison Hotel. This is the same hotel where a Style section writer canoodled with Kathleen Turner when she was the hot-tomato femme fatale in “Body Heat.”  All I remember Boz and me getting there was Reuben sandwiches and an English trifle for dessert. There’s a reason why sportswriters are seldom lean.

Boz was great company, not just full of baseball stats and theories but an endless source of quotes from French philosophers and Emily Dickinson. The only knock on him was his threads–no natural fibers, colors unknown to civilized man. The kindest thing that could be said about his wardrobe was that it didn’t contain white shoes. Then, when I was working in Philly, he shows up wearing a blue blazer, a pink polo shirt, khakis and nice loafers. I knew instantly that he was in love. Only a woman who truly cared about him would have taken the time to dress him at Brooks Brothers. He married her, too.

The other great friend I made in Washington was David Israel, who was then the enfant terrible sports columnist at the Star, the city’s No. 2 paper. He was 23 or 24 and as different from Boz as Mick Jagger is from Tony Bennett. David was all hair and opinions and hot babes and finding out where the party was. I was dating the woman I would marry, so I wasn’t doing any night crawling with him. What we bonded over was writing.

I was looking for a way out of Baltimore when he hit Washington, and I remember my friend Phil Hersh, who was covering the Orioles for the Evening Sun, saying that David had liked a feature I’d written about a stolen pool cue. (My hustler friends again.) David asked if this guy Schulian was a city columnist, and when Phil told him I was a rewrite man, David threw the paper in the air. That’s when I knew he might be a kindred spirit.

He’s six years younger than I am, but he’s always been the best-connected guy I know. Back then he was already friendly with Breslin and Dick Schaap. He’d met them when he was a summer intern at Sport magazine. If I’m not mistaken, it was Breslin who helped him get the column at the Star. David had the chops to handle it, too. He was smart and outrageous and fearless -– he’d knock anybody and anything, and he did it with more style than whoever passes for a newspaper hell-raiser today.

I remember one time in Dallas, after a big Redskins-Cowboys game, the first thing he said to me as we were leaving was, “Did you use the tape?” The Redskins had lost and the tape they’d peeled off littered their dressing-room floor. It was forlorn and bedraggled, perfect for evoking the mood.

“Yeah,” I said. “You?”

“Yeah.”

Just a little thing, but also the kind of thing someone with a writer’s eye looks for.

Anyway, David and I talked a lot about writing, and he went with my girl friend and me to see some concerts, and I hung out with him on the road. Before I knew it, there was talk he might become the Star’s city columnist. He couldn’t have been there much more than a year, but in those days, dying No. 2 newspapers were always taking chances like that. That’s why they were so much fun to read.

David had this plan that if he became the Breslin of D.C., he’d lobby for me to succeed him as the Star’s sports columnist. I would have done it in a heartbeat. But the city column didn’t work out, so David stayed in sports and I stayed at the Post. I wasn’t beside-myself unhappy there or anything, but I knew I could be happier somewhere else. I just wasn’t sure where that was, or if I would ever get a chance to get there.

Then, later that year, David told me his old paper, the Chicago Daily News, was looking for a new sports columnist. The Daily News had been at death’s door since before I read it in grad school, and now its new editor, Jim Hoge, who was already running the Sun-Times, was importing talent for a last stand. David had covered college sports for the News before he became the Star’s columnist, and predictably he had stayed tight with Hoge.

“Tell him I’m his guy,” I said.

“You mean it?” David said.

“Damn right I do.”

Not long afterward, just before the NFL playoffs are about to start, Hoge comes to D.C. on business. He doesn’t have time for a sit-down  with me, but he wants to know if I’ll share a taxi out to National Airport with him. Hell, yes, I will. I don’t know what I said to impress him, but he asked to see my clips. And then I got a call to meet with the Daily News’ sports editor, a folksy, easy-going guy named Ray Sons. And then, wonder of wonders, I was the new sports columnist at the Chicago Daily News.

My first day on the job was Jan. 31, 1977. It was my 32nd birthday. Best one I ever had.

Click here for the full “From Ali to Xena” archives.

Beat of the Day

Patti sings Buddy.

Taster's Cherce

Nicole Franzen wins again.

Show Me Classy, Dave

Growing up in the ’80s, I had a room full of sports posters. Reggie, Dr J, Mike Bossy, and Mean Joe Green were joined over the years by Michael Jordan, Rickey Henderson, and Don Mattingly. It was wall to wall in some areas. But I hated, hated the posed shots. I just wanted in-game action.

Looking back though, those over-the-top poses were hilarious. The one I remember most clearly had Mattingly as a pinstriped hitman:

I recently saw a retrospective at the SI Vault of this style of 80s posters pioneered by John and Tock Costacos. They placed the players in preposterous, larger-than-life scenes. Here’s Dave Winfield’s entry:

I think the Chicago Bears defense in Bermuda shorts is the most priceless misfire. Were you guys into posters?

Three K, Whadda Ya Say?

Some more shots from Derek Jeter Day, 2011.

Here’s my scorecard.

A nerd at work.

And here’s when the wife took over…

“Ambulate to first,” that’s a walk. “Cue P.C. Richards,” that’s a strikeout. “Home Rupton,” that’s when B.J. Upton hit a home run. I like that one, Chris Berman, you paying attention?

And here’s a shot of the crowd when Jeter got his big hit:

Morning Art

A young Richard Diebenkorn channels Edward Hopper

All-Star Break

 

Alex Rodriguez will have surgery today on his right knee and is expected to miss between 4-6 weeks.

It was the wise move but this one is going to hurt. I’m curious to see who the Yankees will pick up as a back-up for Eduardo Nunez.

[Photo Credit: N.Y. Daily News]

 

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"This ain't football. We do this every day."
--Earl Weaver