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One for the Money

Posted By Alex Belth On June 1, 2009 @ 1:51 pm In Bronx Banter | Comments Disabled


As you may have already heard, Steven Soderbergh will attempt to make the great baseball movie out of Moneyball, Michael Lewis’ seminal baseball book.  Brad Pitt is set to play Billy Beane.  Adapted for the screen by Steve Zaillian (Schindler’s List), Soderbergh is perhaps the ideal director to bring Lewis’ book to the screen.  When he’s not directing A-List star vehicles like Erin Brockovich or Ocean’s 11, Soderbergh makes smaller, more avant-garde movies like Schizopolis and The Limey where he experiments with linear narrative.

Moneyball is a book that, on the surface anyway, seems to be ill-suited for the big screen. But I’ve always felt that it had dramatic potential–a charismatic lead, evocative scene-chewing set pieces like the draft room business. The fact that it is not a traditional story works in Soderbergh’s favor. 

The question is: Can the best baseball book of a generation become the best baseball film of them all?
Bull Durham is the model for most baseball fans in terms of behavior and storytelling,” Soderbergh said recently.  “It seems the most lifelike. But I want to do something that’s even more immersive. I’m standing on the shoulders of [director] Ron Shelton. That was his contribution to the genre. Now it’s my turn….”My clearly stated goal is to set a new standard for realism in that [sports] world.”

Soderbergh has the cooperation of MLB (he can use game footage).  Art Howe, Rick Peterson, David Justice and Jeremy Giambi will play themselves as the director attempts to create a realism never seen in a baseball movie.

This all sounds promising.  But here’s the catch.  Moneyball was hip and timely when it was released in hardcover; now, the material is dated. I wonder how Soderbergh can work around this and create something that is aesthetically exciting, dramatically compelling, and relevant. 

Monty Poole doesn’t think it can work [1]. I have my reservations too, but believe it will be an interesting movie regardless. And since the bar for baseball movies is so low, Moneyball could be worth watching–it could even be the best baseball movie ever filmed–even if it is a fine mess.

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[1] Monty Poole doesn’t think it can work: http://www.insidebayarea.com/unioncity/ci_12488069

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