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From Ali to Xena: 15
Posted By Alex Belth On July 5, 2011 @ 11:41 am In 1: Featured,Bronx Banter,From Ali to Xena,John Schulian,Newspapermen,Sportswriting,Writers | Comments Disabled
The Seeds of Discontent
By John Schulian
George Solomon made sure I hit the ground running. I covered a couple of Redskins practices- it couldn’t have been much different than covering the Kremlin. Then I took off for Detroit to cover a three-game series with the Orioles, who were very much in the pennant race. And to write two features on them, too, even though I’d never covered a big league game before and they had never laid eyes on me. And I had to cover the Howard University-Wayne State football game, too. My football story was a stinker, but the baseball stuff I could do, partly because I had always followed the game and partly because the Orioles were so easy to get along with. All I remember from that weekend is typing, checking my watch, grabbing cabs, and drinking Vernor’s ginger ale when it was still strictly a Detroit delicacy. It was a trial by fire, and I knew I’d passed when George apologized for not being able to play my Monday feature on Jim Palmer on the front of the section.
It didn’t take George long to figure out that I wasn’t meant to be a beat reporter. It was like I had SHORT ATTENTION SPAN written in neon lights on my forehead. Besides, we had Len Shapiro as the first-string Redskins reporter, and he was terrific-–intrepid, fearless, tireless, all in the face of the paranoid monster that was George Allen. Lenny will tell you today that covering the Redskins, the prize beat in the Post sports department, took years off his life.
I filled in wherever George wanted me, the Redskins, a big NFL game, the NBA. But mostly I wrote features and series. One series was about black dominance in the NBA (to show you how long ago this was) and another was about the NFL psyche. I remember Shirley Povich, a lovely, classy gent whose sports column was an institution at the Post for half a century, coming up to me after part one of the NFL series ran and saying, “This is too good for a newspaper.” I was deeply gratified by the praise, but at the same time I was surprised that Shirley, who had been the Post’s sports editor when he was barely out of his teens, would say something like that. I’d read somewhere that Jimmy Cannon had said nothing was too good for a newspaper. He wasn’t in the same league with Shirley when it came to being gracious, but I think Cannon was right on the money about that one.
I had freedom at the Post and yet I didn’t. Nobody told me what to write, so I could continue trying to figure out what my voice was. That was one of the great things about the sports page in those days: it was a laboratory for writing. As time went on, there would be stylish writing throughout all of the country’s best newspapers, much of it inspired by the Post’s Style section, where there was great work done on society dames, movies, TV, books, and rock and roll. But the Post’s sports section was my new playground, and I was happy to be there.
I would have been even happier if George Solomon had let me turn one of my ideas into a story once in a while. But George didn’t do business that way. He bubbled over with his own ideas, many of them good ones but some clinkers too, and he had the energy level of a hyperactive two-year-old. As a result he didn’t expect you to ever be tired. I remember coming off one of his hellish road trips-–Columbus, Ohio to St. Louis to Milwaukee to Toronto to Cleveland in five hectic, work-filled winter days-–and the first thing he said to me was, “Come on in the office. We’ll talk about what you’re going to do next.” I told him that what I was going to do next was pick up my paycheck and go home and go to bed. And that’s what I did.
It wasn’t long before I realized that I was probably the only writer on the staff who questioned authority. Everybody else was too damned nice. I mean, the place was crawling with good guys -– Tom Boswell, Dave Brady, Ken Denlinger, Paul Attner, Angus Phillips, David DuPree, Gerry Strine, Mark Asher. But I never heard any of them raise their voices. And they had reason to, particularly after the copy desk got through making a hash of their prose. All they’d do, however, was whisper among themselves while they licked their wounds. I couldn’t make myself do that. I marched into George Solomon’s office one day and said, “I’ve had more stories fucked up here in five weeks than I had fucked up in five years in Baltimore.” And that was the God’s truth.
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