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Good For What Ails Ya

Posted By Alex Belth On January 20, 2012 @ 3:40 pm In 1: Featured,Actors,Arts and Culture,Directors,Million Dollar Movie | Comments Disabled

Feeling blue?


Need a pick-me-up?


Try Charles Simic’s Buster Keaton Cure [4]:

Charlie Chaplin’s bum is at the mercy of a cruel world. Keaton, with his impassive face and a hat flat as a pancake, is a stoic. He confronts one setback after another with serenity worthy of a Buddhist monk. In one short film, “The Goat” (1921) he’s standing on the sidewalk behind two tailor’s dummies, under the impression that they are at the end of a bread line. When he discovers his mistake, he moves on quietly.

Keaton’s movies were a big success in Europe since his type of comedy doesn’t need a translation. I first saw one of his shorts in occupied Belgrade during the Second World War. I liked him instantly. His films are full of remarkable acrobatic stunts. Keaton started out in vaudeville when he was four years old working with his parents, whose comedy act included a lot of roughhousing; he was thrown by his father across the stage and sometimes even at the hecklers in the audience.

Ah, Buster. My hero.


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[1] Image: http://www.bronxbanterblog.com/wordpress/wp-content/uploads/2012/01/tumblr_l32ouz1Jyf1qbhnrvo1_500.png

[2] Image: http://www.bronxbanterblog.com/wordpress/wp-content/uploads/2012/01/optimized-edward-sedgwick-edward-brophy-buster-keaton-cameraman-001.jpg

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[4] Charles Simic’s Buster Keaton Cure: http://www.nybooks.com/blogs/nyrblog/2010/feb/04/the-buster-keaton-cure/

[5] Image: http://www.bronxbanterblog.com/wordpress/wp-content/uploads/2012/01/936full-buster-keaton.jpg

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