Jack Curry is known to Yankee fans as one of the faces of the YES Network’s Yankees reporting team, but he wasn’t always a “TV guy.” Prior to joining YES in 2010, Jack enjoyed a decorated career as a sportswriter, most notably at the New York Times. He forged his path without having to go to smaller markets and work his way back east, a rarity for those who work in media, particularly in New York. His full bio can be found here. You can follow him on Twitter @JackCurryYES.

Jack was a staple on the Yankees beat when I covered the Yankees from 2002 through 2006 for yesnetwork.com. At that point of his career, he was one of the Times’s National Baseball Reporters and I was a punk trying to figure out how to become a better reporter and writer, assignment editor, and do all of it without getting in anyone’s way. I recall that Jack was a pillar of professionalism; someone not only I, but also every other writer respected and liked. He’s the same person on camera as he is off camera.

Over a series of conversations and e-mails, Jack and I discussed a number of topics, ranging from what inspired his career choice to the move from print to TV and Internet, and more.

Bronx Banter: At what point did you “know” that you wanted to become a sportswriter? Was there a “eureka” moment while you were at Fordham?

Jack Curry: When I was in the seventh grade, I started a newspaper at my elementary school. It was only two or four pages. But I remember the jolt I felt when everyone at the school was commenting on my articles. It was the first time I had a byline and I loved how that felt. Writers like to know what people think of their writing so I grew to love the idea of being a sportswriter. I hung on to the dream of being a major league player through high school, but that faded. I played high school baseball, but I was a much better writer. I went to one baseball practice at Fordham under coach Paul Blair. It lasted four and a half hours and I missed dinner that night. Even if I had made the team, I would’ve been a backup. So that one practice told me it was time to stop playing baseball and start covering baseball (and other sports). I funneled all of my energy into journalism and broadcasting after that.

BB: Who were the writers that you admired growing up, and how did they influence your reporting / storytelling style?

JC: I grew up in Jersey City, NJ, and the Jersey Journal was the first newspaper I remember reading. They syndicated Jim Murray’s column so it always had a prominent spot in the sports section. But, since I didn’t know anything about syndication as a kid, I just thought Jim Murray was some guy from Jersey City who had the greatest job in the world. He covered all of the biggest sporting events and, man, he could write. I wanted that job. When I finally realize who Jim Murray really was, it didn’t change my thoughts. I still wanted that job. I got the chance to meet Jim Murray at a college football game, which was an absolute thrill. My regret is I didn’t tell him my “connection” to him. I’m guessing he would’ve thought it was pretty cool.

BB: How did you get from the Jersey Journal to the New York Times?

JC: I worked for the Jersey Journal for three summers while I was in college. I’m going to bet that I covered more Little League baseball in those summers than anyone in the state of New Jersey. But I loved it. I loved going to the games and watching which kids cared and which kids were coached well and which kids were so much better or, unfortunately, so much worse than the other players on the field. Trying to get decent quotes out of 11- and 12-year-olds can be more challenging than trying to get decent quotes out of some major leaguers.

After I graduated from Fordham, I worked at the Star Ledger of Newark for about a year. I covered high school sports there, but I wanted to do more than that. I applied for a position in the New York Times’s Writing Program. Basically, the Times hired you to be a clerk for 35 hours a week and then you could use your days off or your hours off to pitch story ideas and to volunteer to cover events, etc. When I was hired as a “writing clerk,” I wrote a lot of stories that appeared without bylines. The Times had some arcane rules about not giving the clerks a byline, which I always thought was nonsensical. When you were hired as a writing clerk, you were told that there was no guarantee you’d ever be a reporter at the Times.

Anyway, once I got my foot in the door, I was on a mission to do anything and everything to stay there. I wanted to do enough so that they had to keep me. I needed to prove to them that I could be a sports reporter there. It took about three years, but I was finally hired as a reporter.

BB: So many sportswriters jump from sport to sport now. I can think of a number of current beat writers from several of the area papers who have shuttled back and forth. What drew you specifically to covering baseball and keeping yourself on that beat?

JC: I covered college basketball and football and the New Jersey Nets at the Times before I started covering baseball in 1990. I wanted to cover baseball. To me, there was no other sport to cover. I was fortunate that the Times recognized that and trusted me with covering a baseball beat. I took over the Yankees beat at the All-Star break of 1991 and have essentially only covered baseball since then. I like basketball and I’ll watch some football, but I would have never been as happy covering those sports as I was in covering baseball.

BB: When I started at YES and began setting the editorial direction of the website, we were trying to do something completely different in our coverage of the Yankees. Our goal wasn’t to compete with the papers, but to be considered legitimate. How did you view YESNetwork.com’s presence on-site in those first few years?

JC: In the early years, I viewed YESNetwork.com’s presence as another entity that was immersed in covering the Yankees. When I first started as a beat writer, you were concerned about the other beat writers and what they were doing. But, with each year, more and more outlets began to cover the team and you had to pay attention to them, too, and see what they were producing.

BB: What struck you about the way YESNetwork.com covered the team, and the games? How, if at all, has that changed since you became a YES Network employee and contributor to the dot.com?

I think YESNetwork.com has tried to be different than the traditional newspaper sports website, as it should be. The Yankees are the brand and there’s obviously an attempt provide as much Yankee content as possible. I think there’s more interaction with the fans, which is another positive. What I’ve tried to do is use the 20-plus years of experience that I have covering this team to offer analysis on players and trends, develop feature stories and, obviously, push to break news.

BB: Describe the events that led YES to call you and offer you the YES job, and what drew you to make the jump to TV on a full-time basis.

JC: After 22 years at the Times, I decided to take the buyout and pursue other opportunities. The timing was good for me. I felt confident about making a career switch in my 40s. I’m not sure if a person can do that in his 50s. I had always had a good relationship with John Filippelli of YES because I had been a guest on “Yankees Hot Stove” since 2005.

Before I even took the buyout, YES was the place where I hoped I would land. Shortly after my departure from the Times became official, I heard from YES. There was mutual interest and I was excited about the chance to transition from print to broadcast. My colleagues at YES, people like Flip, Michael Kay, Bob Lorenz, Ken Singleton, Jared Boshnack, Bill Boland, Mike Cooney, John Flaherty and so many others, all welcomed me and helped make that transition a smooth one for me. I work with a lot of very cool and very talented people.

It’s rewarding to work for and with people you admire and respect and people that you consider your friends.

BB: Peter Gammons and Jayson Stark were among the first two prominent baseball writers who became “multimedia” guys. Later, your former colleague Buster Olney, Ken Rosenthal and Tom Verducci followed. Did it just make sense for you to do the same?

JC: You forgot to mention Michael Kay. Michael had worked for the Post and the News and did clubhouse reporting for MSG. Obviously, he also was a radio announcer before moving to YES. He was the one person who implored me to give TV a try. I will admit that I was resistant. I liked being a baseball writer. There were times where I thought I would end my career as a newspaperman. But I’m very happy to have made the switch. I love what I’m doing at YES. They have given me terrific opportunities in the studio with Bob Lorenz, who is as selfless as any co-worker I’ve ever had. Flip has also trusted me with chances to do work in the booth during games, which have been great experiences.

BB: In the last 10 years — heck, the last five even — so much has changed in how sports are covered on a daily basis. Responsibilities include blogging and tweeting, in some cases web-exclusive video reporting. The beat writer/columnist’s audience is broader than ever. Has that caused you to change your journalistic approach?

JC: My journalistic approach hasn’t changed. I’m trying to find insightful and interesting stories and tell them as adeptly as I can. I’m trying to dig up timely and pertinent information and deliver it as quickly and as accurately as I can. That’s the way I did the job at the Times. That’s the way I do the job at YES. But I am moving faster in telling those stories and chasing that information. Because of Twitter and blogging, we’re all doing that. When I was a beat writer in the early 1990’s, my world revolved around deadlines: 7 PM, 11 PM, 1 AM, etc. I’m on TV now, but, when I write for the website or I tweet, it’s usually about getting it done as quickly as I can, not about getting it done by 7 PM.

BB: Speaking of journalism, you broke the story of Andy Pettitte returning to the Yankees. What was the internal reaction to your scoop?

JC: My bosses at YES were elated that we broke the Pettitte story. I first tweeted about it and wrote a news story that was up on our website five minutes later. About 25 minutes after that, we led our spring training broadcast with the news about Pettitte’s return. Since that story came out of left field, they were thrilled that we led the way.

BB: What was the reaction to the Twitter war that ensued due to ESPN claiming credit for the story?

JC: It doesn’t behoove me to revisit what happened on Twitter after the Pettitte story broke. From a journalistic perspective, that was a very good day for YES. That’s what’s most important.

BB: Is the rapport with former players you used to cover, like Paul O’Neill, John Flaherty, David Cone, and Al Leiter, any different now that you’re on TV, considered an “analyst” like them?

JC: What’s interesting about all of those guys is that I had a great relationship with all of them when they were players, so those relationships have simply carried over. I liked talking baseball with all of those guys when I was a writer. I like talking baseball with all of them now that we’re colleagues.

BB: Which part of your career was, or has been, the most challenging?

JC: The most challenging part of my career were the earliest days at the Times, but, to be honest, those were also some of the most enjoyable days. Like I said, when I first started there, I wasn’t guaranteed anything other than a future of answering phones. I had to show a lot of different editors that I could write and report.

At first, I was going to answer this by saying the most challenging time was being a new beat writer on the Yankees. But, by that point in my career, at least I had become a reporter at the Times. I knew I had made the staff. In the early days, I didn’t know if that would ever happen. I’m glad it did.

[Photo Credits: YESNetwork.com, New York Times, Twitter]