Actually, the snow’s stopped for the moment. But it was steady all day and the big stuff is supposed to hit later tonight.
Hope y’all are safe and sound.
I was in my Bronx apartment on the morning of September 11, 2001. I watched on TV like the rest of the country. Eventually, I don’t recall if it was later that day or the following day, or the day after that, I got on the subway and went as far south as I could go–14th Street. I felt the need to get closer. I couldn’t go further downtown so I turned around and walked up 8th Avenue. As I passed the bus terminal at 40th Street I saw Joe Franklin talking on a pay phone. He was alone, a pregnant briefcase resting between his feet. I had been in a daze and the sight of Franklin snapped me out of it for a moment. It was comforting to see him.
“Hey, Joe Franklin” I said to nobody in particular and kept walking. Franklin, a New York fixture for many of us, died the other day. He was 88.
Ernie Banks, scouted by the legendary Buck O’Neill, and best known as Mr. Cub, died yesterday. We salute him with this column that John Schulian wrote for the Chicago Daily News on August 5, 1977.
“Mr. Cub Remembers”
By John Schulian
He works in an office now. How that must hurt, even though the office is at Wrigley Field. When he dreamed as a young man, there was probably never a hint that he would have to stop playing the game that was, and as, his life.
But he did, and now he finds himself growing more and more apart from the new breed of Cubs. He has visited their clubhouse only once in this delicious season. The rest of the time, he has done nothing more than watch the players through his window as they leave the ballpark.
Ernie Banks says he doesn’t mind.
He is the Cubs’ group sales manager and their unofficial host, and he insists that he has all he can do to take care of those jobs. But he still leaves the impression that he would love to have someone tell him the clubhouse isn’t the same without him.
“When I walk in there,” Banks was saying Friday, “I think of where Billy Williams used to sit, and where Ron Santo used to sit, and where Glenn Beckert used to sit. It’s a real emotional jolt for me.”
In less that twenty-four hours, Banks would be playing in the Cubs’ first old-timer’s game with the men who populate his happy memories and the happy memories of fans who go back four decades and more. “It’s hard to believe I’m an old-timer,” he said.
He has already begun a campaign to make Saturday’s crowd forget that he is forty-seven years old and that his final game as an active player was in 1971. On Tuesday, he jogged a mile in Wrigley Field, sweated through a set of calisthenics, and stirred a breeze by swinging a bat big enough to fell an ox.
“Fifty-four inches, forty-eight ounces,” he said. “They don’t allow any bigger bats in professional baseball. You swing this one—just swing it—and you’ll build up the muscles in your forearms.”
Banks followed his self-prescribed regimen until Friday. Then he pronounced himself almost ready to face live pitching for the first time since he smacked a home run in an old-timer’s game in Los Angeles a year ago. What he had to do before that, though, was confer with Lew Fonseca, the attending physician for the Cubs’ hitters.
“Lew Fonseca told me a very important thing,” Banks said. He picked up a thirty-five-inch bat bearing his name from against a file cabinet and took his stance behind his desk. “Lou Fonseca told me not to swing the way I used to. I’ve got to get set when the pitcher takes his sign. Hey, I tried it. It worked beautiful.”
So Banks had the safeguard he was looking for. While he is as courtly as he has been painted, he is also unrepentantly proud of his 512 career homers and his membership in the Hall of Fame. “I want people to remember me the way I was,” he said, “not as someone who couldn’t pick up a grounder or hit the ball out of the infield.”
It is easy to see him as a man-child who may never be able to accept a role in the world outside the white lines of a baseball diamond. After all, he was so bewildered by retirement that he almost left the Cubs organization and returned to Dallas, where he was born. But P.K. Wrigley, the team’s reclusive owner, wouldn’t let that happen. He stepped in and saw to the invention of a job where Banks would spend half his time hustling tickets and the other half wandering around the ballpark, charming the customers.
It was a splendid idea with one possible flaw: The public might see Banks as the Chicago equivalent of wasted old Joe Louis greeting round-the-clock gamblers in a Las Vegas casino. Banks would have not of it Friday, however, as he signed autographs with one hand and guided a camera crew from ABC-TV news on a tour of the bleachers. The best word for his every move was dignified.
“It shouldn’t be any other way,” he said. “The fans respect me and I respect them back.”
Dignity does not translate into stiffness where Banks is concerned. After the Cubs stymied the Mets 5-0, he told everyone who approached his office, “It was Ladies Day and we made all the ladies happy.” When he discovered Dave Lamont, who occupies the desk next to his, had a prospective ticket buyer on the line from Webster, Iowa, Banks shouted, “Tell him we want all of Webster to get behind the Cubs.”
The office litany continued until Banks remembered something more important. “I better hang up my uniform for the old-timer’s game,” he said. “Don’t want any wrinkles in it.”
He reached into a well-worn duffel bag with a peeling identification tag and pulled out his uniform. “These people in Milwaukee made it for me special,” he said. “It’s just like the one I wore when I broke into the big leagues in 1953.”
He held it high and turned around to look at the blue 14 on the back. Then he stood and pulled the top on over his white shirt and striped tied. When he had zipped it up all the way, he spun slowly, modeling it for everyone in the office and wishing perhaps that he could go back to the time when the feel of a big league uniform was brand-new.
[This column can be found in Schulian’s essential collection, Sometimes They Even Shook Your Hand. And for the true story behind Banks’ famous saying, “Let’s Play Two”, dig this from Glenn Stout.]
Photo Credit: John Dominis via It’s a Long Season
The latest on John Sterling, from Michael Kay’s radio show.
[Photo Credit: Julio Cortez/AP]
On the FDR Drive overpass by lower Manhattan’s Houston Street, a group of men begins assembling an hour before nightfall one steamy Thursday in late June. Some come from security, construction, or livery jobs, others from long subway rides or carpools from the Bronx or Spanish Harlem. A few have brought wives and children.
Ranging in age from 19 to 51, short and wide to superbly conditioned, they seem a ragtag group, but for the cleats around their necks, the footballs a few carry, and the insults, bro-hugs and daps they exchange as their number swells to a dozen and they head into the Baruch Projects and its 75-year-old playground. More than 90 minutes of grueling calisthenics and sprints in the shadow of the Williamsburg Bridge, it’s clear this is an elite, disciplined group: These practices are every Tuesday and Thursday night it’s not raining or snowing, 40-plus weeks a year. As twilight falls, passersby ogle the regimented testosterone on field, though not for long: The spectacle of men bonding to face the realities of barrio life is fairly common, and it rarely lasts.
These guys do, because they’re Carver Mobb — the name from Spanish Harlem’s George Washington Carver Projects, where the core half-dozen grew up in the 1970s. A team for 21 years, they’ve been the powerhouse of New York’s half-dozen seven-on-seven rough-touch football leagues for a decade. Essentially two-hand-touch taken to bloodsport level, with two 25-minute halves, a mostly running clock, and referees to nominally control the mayhem, it’s the closest these weekend warriors will come to professional sport, though many are high-caliber athletes. Most played high school ball, but only a half-dozen of the 200-plus devotees I’ll meet made it to college; two were walk-ons for the New York Giants or Jets, one played semi-pro in Coney Island, another plays Arena football.
[Photo Credit: SB Nation]
Welcome back for another intermittent game of Where & When. We hope that the winter hasn’t gotten you too bogged down in slush and cold; if it has, we can try to warm you up with this little challenge:
What I like about this picture is that it’s taken in front of a significant building and a significant landmark, yet we see what surrounds those features, giving a full sense of character to the neighborhood as it was at the time. I believe you’ll be surprised by the location, especially compared to what exists today (clue). I’m not going to give too much on this because those with good wit will be able to find this almost immediately, but again you’ll have to put on your work gloves and your thinking cap for this one (which is always my goal, thus he long intermission between games >;)
So have at it; A large mug of cocoa for the winner (location/date) and rum chocolate candy for the rest. Bonus for identifying the two significant landmarks I mentioned earlier (as they were at the time the picture was taken), double bonus for those whom can identify what buildings are standing in place of the ones pictured here. Hope it doesn’t take you too long to figure out, but also hope you enjoy the journey. Talk with you later, have fun and no peeking at the credit!
Photo Credit: Ephemeral New York
The Orbison family moved to Wink in 1946, when Roy was ten years old, so his father, Orbie Lee, could find work in the oil fields. Though he did eventually get hired on as a rigger, the Orbisons were late to the oil boom party: Wink’s population peaked at around 6,000 in 1929; seventeen years later, when the Orbisons settled in, most of the wells had dried up and the town had shrunk to about 1,500 residents. “It was macho guys working in the oil field, and football, and oil and grease and sand and being a stud and being cool,” Orbison said later. “It was tough as could be, but no illusions, you know? No mysteries in Wink.”
Orbison wasn’t popular; later he said he felt “totally anonymous, even at home.” He started wearing glasses at age four. When he tried out for the Wink Kittens, the junior high version of the Wink Wildcats high school football team, the helmets didn’t have face guards, and his glasses kept falling off. He didn’t make the team.
Growing up is a lonely enterprise, even more so in a town that’s past its prime. Once he made his money, Orbison left for Tennessee, then Malibu. He wasn’t one to rhapsodize about his childhood very often, but once I visited his hometown, I couldn’t help but hear a telltale hint of Wink every time I listened to his songs: that sense of missing out, of having been passed by. An absence, a longing, a loneliness.
I was a big NFL fan growing up but am a casual fan at best now. Still, I’ve watched every Super Bowl since the Rams almost upset the Steelers 35 years ago. I’m sure I’ll watch this year’s game, too, but for the first time that I can remember I’ve entertained thoughts of skipping it because I find both teams so unlikable.
Who are you guys pulling for?