"A New York Treasure" --Village Voice
Category: 1: Featured

Working Stiff

 

Pat Jordan profiles Samuel L. Jackson in the New York Times magazine:

He is on location as much as nine months a year — “I love being on the road,” he said — and the first thing he does in a new town is look for the black community. Sometimes people say, “You’re it.” Sometimes they direct him to black restaurants, music bars or, most important, public golf courses. He plays alone or with strangers. One day in Memphis, he joined a group of 12 black policemen who were about to tee off. One cop said: “Hey, man, you’re Samuel L. Jackson. I like your movies. Now here’s the game. We play for a little something.” Jackson smiled, recalling that game. “Before I know it, I got 16 bets with 12 guys,” he said. “I can’t be thinking, Hey, I’m Samuel L. Jackson. I gotta be thinking of those 16 bets.” (He won 10 of them.)

Jackson told me he has never had an unpleasant experience in public like a lot of actors have who go out in public with bodyguards. “I walk the streets, take the train, it’s real simple. Some actors create their own mythology.” He assumed a self-pitying voice: “Oh, I’m so famous I can’t go places, because I created this mythology that I’m so famous I can’t go places.”

…He goes to theaters where his movies are playing and sits among the audience “to see myself up there.” His “Pulp Fiction” co-star, John Travolta, told me: “Actors go see themselves be someone else because being yourself in real life is not that interesting. I don’t think I’m entertaining.” But Jackson disagreed. “John’s a genuine gentle soul. I love John to death.” Then, speaking in a falsetto, he mocked actors who say, “Oh, I can’t watch myself on screen, it’s too personal.” He dropped the falsetto and began to fulminate like Jules, in ways that can’t be reprinted here. How could anyone expect someone else to pay $12.50 to watch him on screen if he couldn’t watch himself?

 

Observations From Cooperstown: Memories of Moose

Moose Skowron looked like a character out of “Moon Mullins.” Or in a more contemporary sense, he had the appearance of a secondary character in “The Simpsons.” With his lantern jaw, thick jowls, and military crew cut, he possessed the look of a man who could put his fist through your chest and pull your heart out.

Appearances are often deceiving, and they were exactly that with Skowron, who died at 81 on Friday after a battle with lung cancer. Oh, he could be gruff and curt on the outside, but once you opened a conversation with him, you discovered a down-to-earth guy who enjoyed telling stories from his days with the Yankees. And when you’ve played with characters like Mickey Mantle, Hank Bauer, Yogi Berra, and Whitey Ford, or managed for one-of-a-kind legends like Casey Stengel, you’ve got good material to work with.

There were other deceptions with Skowron. Like many fans, I always assumed that Skowron’s nickname came from his size, his power, and his brute physical strength. He was six feet, two inches, 200 pounds, with much of frame wrapped in muscle. Well, the true origins of his nickname had nothing to do with his physical dimensions. When Skowron was a boy, his grandfather gave him an impromptu haircut, which made the youngster look like the Italian dictator, Benito Mussolini. Skowron’s friends called him “Mussolini,” and the family adapted by changing the nickname to “Moose.” By the time he was playing major league ball, everyone was calling him Moose. One of the few exceptions was the Topps Card Company, which always listed him as “Bill Skowron” on his cards.

After signing with the Yankees in 1950, the organization tried him as an outfielder and third baseman, before realizing he lacked the athletic agility needed of those positions. He moved to first base, where he was blocked by players like Johnny Mize and Joe Collins. He finally landed in the Bronx in 1954, when he platooned with Collins, before becoming an everyday player by the late 1950s.

How good was Skowron in his prime? Well, he was very good. From 1957 to 1961, he averaged 20 home runs a season while qualifying for five consecutive American League All-Star teams. During that stretch, he twice slugged better than .500; he also received some support for American League MVP on two occasions.

As a right-handed power hitter, the old Yankee Stadium was hardly made to order for Skowron. But he adapted, developing a power stroke that targeted right-center and right fields, where the dimensions were far more favorable for hitting the long ball. Skowron’s right-handed hitting presence was importance, given that most of their power hitters hit from the left side (including Roger Maris, Berra and the switch-hitting Mantle.) If opposing teams loaded up on left-handed pitching, Skowron could make them pay.

Skowron really had only two flaws in his game. A classic free swinger and bad ball hitter, Skowron could sometimes hit pitches up his eyes, but he could also flail away at other pitches outside of the strike zone. Since he didn’t walk much, his on-base percentage suffered. Skowron’s other weakness involved his health; he simply could not avoid injuries. One time, he hurt his back while lifting an air conditioner. On another occasion, he tore a muscle in his thigh. There were broken bones, too, including a fractured arm that resulted from an on-field collision. With such injuries forcing him to miss chunks of games at a time, he often played 120 to 130 games a season, instead of the 150 to 160 that he would have preferred.

The 1961 season provided contrasts and quandaries for Skowron. On the down side, his slugging percentage and his on-base percentage fell. More favorably, he hit a personal-best 28 home runs while playing in a career-high 150 games. Batting out of the sixth and seventh hole, Skowron provided protection for the middle-of-the-order thumpers, a group that included Maris, Mantle, and Berra.

As he often did, Skowron elevated his play in the World Series. In the 1961 Classic against the Reds, Yet, it was in the 1961 World Series. In five games against the upstart Reds, Skowron slugged .529 with one home run and five RBIs, reached base 45 per cent of the time, and hit a robust .353. Then again, Moose was almost always good in the Series. In 133 at-bats stretched over eight World Series appearances, Skowron hit eight home runs and slugged .519. In Game Seven situations alone, the Moose hit three home runs. If you believe in the existence of clutch, and I do, then Skowron belongs near the top of that list.

Skowron put up another good season in 1962, but his age and the presence of a young player in the system changed his status within the organization. Believing that Joe Pepitone was headed toward superstardom, the Yankees decided to trade Skowron that winter. They sent him to the Dodgers in exchange for Stan Williams, an intimidating veteran reliever who liked to throw pitches up and in as part of his quest for strikeouts.

In some ways, Skowron could not have been traded to a less ideal situation. Newly built Dodger Stadium, which had replaced the Los Angeles Coliseum as the Dodgers’ home, had a ridiculously high mound and outfield measurements that did not favor sluggers like Skowron. He also had to face a new set of pitchers in the National League; outside of World Series competition, Moose had little familiarity with senior circuit pitching. To make matters worse, Skowron did not play first base every day, instead platooning with Ron Fairly. Moose hit a miserable .203 and ripped only three home runs in well under 300 plate appearances.

To the surprise of many, Skowron still had something left for the World Series. Playing against his former Yankee mates, he swatted a home run and batted .385 to help the Dodgers to a four-game Series sweep.

World Series heroics aside, the Dodgers questioned whether Skowron had much left. So they sold him to the Washington Senators. He hit well during a half-season in the Capital City, but when the team fell out of contention, he was sent packing to the White Sox in a mid-season trade. Skowron hit well over the next season and a half, but slumped badly in 1966 before closing out his career in ’67.

Yet, there was much more to Skowron than on-the-field highlights and accomplishments. He made news off the field, sometimes in frivolous ways and sometimes through embarrassing situations. Let’s consider a couple of episodes from the 1960s:

*During the 1963 season, Skowron and several other Dodgers made a guest appearance on the TV show, “Mr. Ed.” Skowron, catcher John Roseboro, center fielder Willie Davis, and Hall of Fame left-hander Sandy Koufax played themselves. In the main plotline of “Leo Durocher meets Mr. Ed,” the talking horse gives batting tips to Durocher, who was billed as the Dodgers’ manager even though he was actually a coach under Walter Alston. Durocher is supposed to relay the tips to a slumping Skowron. Moose and the other Dodgers then watch in amazement as Mr. Ed completes an inside-the-park home run against Koufax. (In a complete aside, Durocher also appeared on an episode of “The Munsters,” and was once again mentioned as the Dodgers’ skipper. Either Alston wanted nothing to do with Hollywood, or someone was trying to send him the message that Durocher was the real Dodgers manager.)

*While training with the Dodgers in Vero Beach, Florida, he decided to make a surprise trip to see his wife at their home in Hilldale, New Jersey. When he arrived at the house, Skowron found his wife in bed with another man. Infuriated by the surprise discovery, Skowron proceeded to pummel his unwanted guest. Shortly thereafter, Skowron was charged with assault, though many were sympathetic to his situation.

Skowron had better long-term success with other relationships, particularly his fellow Yankees. Beloved in the Yankee clubhouse, Moose became especially close friends with Hank Bauer, a rough-and tumble character in his own right. They often made public appearances together, including numerous visits to Cooperstown for Hall of Fame Weekend signings. I remember meeting Skowron and Bauer back in the late 1980s, while I was still working in sports talk radio. They were signing at a table outside one of the many card shops on Main Street. I wanted to interview the two of them, but I was intimidated by Bauer’s raspy voice and Skowron’s rugged appearance. Feeling like a rookie cub reporter, I settled for making a few innocuous remarks to the two ex-Bombers.

It remains one of my regrets. I never did have another chance to interview either Skowron or Bauer. That was a real mistake on my part, losing out on the opportunity to have a real chat with Skowron, one of the game’s great storytellers.

If there is any consolation, some of Skowron’s stories can be found on You Tube, and in the many books that serve as oral histories of the Yankee franchise. This was a guy who was good friends with Mantle and Berra, a guy who knew Whitey Ford, a man who played with Maris, a guy who dealt with the idiosyncrasies of Casey Stengel. Skowron was a man worth listening to, a link to an era that was long ago, but an era that we always want to re-visit.

Moose was a man that we’ll miss.

Bruce Markusen is co-author of the newly revised edition of the book, Yankee World Series memories.

(Photo Credit: Washington Post; Alex Belth.)

[Editor’s Note: Bruce will be on leave for the foreseeable future while he works on a book. We’ll miss his weekly posts and he will drop in occasionally with a Card Corner piece. Meanwhile, we wish him good luck with his project and thank him for being the man.]

Speed the Plow

Check out this considered and well-reported piece by Noam Cohen about Joe Posnanski’s forthcoming biography on the late Joe Paterno in the New York Times:

Mark Kriegel, a sports columnist who has written biographies of Joe Namath and Pete Maravich, was more expansive. “I believe to do a biography, you need to love your subject, but you have to balance that passion,” he said. “On some level you have to love your subject, you have to have the devotion to your subject’s flaws and virtues. You have to care enough to become obsessed with your subject’s flaws.”

Creating distance is important, too. “In some ways that was easier for me with Namath, who didn’t cooperate,” Kriegel said.

…David Garrow, a longtime history professor whose biography of the Rev. Dr. Martin Luther King Jr., “Bearing the Cross,” touched on King’s personal failings, said it was important to challenge your subject, even one as celebrated as King. “We are not in the business of being uplifting — that could be myth, but it ain’t history,” he said. “The lives of saints is not history, it’s myth. I think it is a far more powerfully inspiring story for readers to appreciate the inescapability of human imperfection than to spin myths.”

According to the article, Joe Pos received $750,000 from Simon & Schuster to write the book, scheduled to be published this fall. It is a short turnaround from the events of last year at Penn State. Is that enough time to do the subject justice? We know that Joe Pos is nothing if not prolific. I’m eager to see if he can pull it off.

[Photo Credit: Samuels]

Made to Order

Okay so it wasn’t perfect. The Yankees left 634 men on base and made the game closer than it felt. It felt as if the Yanks were comfortably ahead all afternoon long though they were not. The crowd was subdued, drinking in a sunny and crisp day in the Bronx. But hey, perfection is overrated.

The Yanks scored three runs against Matt Scherzer who had more than a couple of reasons to beef with the home plate umpire Rob Drake on the count of a strike zone the size of a tick’s tuchas. On several occasions not only was Scherzer and his catcher fooled by a called third strike, the Yankee hitter looked caught out there too.

Still, the Yanks scored enough to win on two of the weakest RBI’s you’ll ever see from Alex Rodriguez (if an RBI can ever be weak), a sacrifice fly from Robinson Cano and solo homers from Curtis Granderson and Andruw Jones.

Granderson’s ball was almost caught by Austin Jackson who made a terrific effort.

C.C. Sabathia pitched a fine game, going eight innings. David Robertson pitched a scoreless ninth.

Final Score: Yanks 6, Tigers 2.

The only drag, other than all the runners that the Yanks left on base, came when Nick Swisher left the game with a hamstring injury. It was diagnosed as a low grade strain. After the game, Joe Girardi said Swisher will miss a few days but not go on the disabled list. A relief, for sure.

[Photo Credit: Orion Falls; Seth Wenig/AP]

Recipe for Success: C.C.+The Score Truck=Sunday Gravy

C’mon fellas. Make us happy.

Derek Jeter SS

Curtis Granderson CF

Alex Rodriguez 3B

Robinson Cano 2B

Mark Teixeira 1B

Nick Swisher RF

Raul Ibanez LF

Eric Chavez DH

Chris Stewart C

A call-up and Freddy to the pen. Notes from the one and only Chad Jennings.

Let’s Go Yank-ees!

[Photo Via: Food Addict]

A Hollow Feeling

Is the shortened season to blame for the injuries to Derek Rose and Iman Shumpert? Mike Wilbon thinks so.

[Photo Credit: Kelly Sullivan]

Sundazed Soul

Sundazed groove.

[Photo Credit: Picoose]

Freddy’s Dead (No Shit Henry)

Freddy Garcia almost made it through two whole innings today and gave up six runs in the process. His ship, it be a-sinkin’. The Yanks never recovered. It was a mostly listless day for the home team. They couldn’t do anything against the rookie Drew Smyly who pitched damn well.

The good news? Well, Dave Phelps was solid in three innings of relief, Nick Swisher hit two solo homers (one from either side of the plate), and Curtis Granderson hit a solo shot himself. But even three runs against that pant load Valverde wasn’t enough. Eric Chavez, pinch-hitting, represented the tying run with Raul Ibanez on second, two outs in the ninth. Got under an 0-2 pitch, a flat slider, a pitch to hit. It went as far as the warning track for the third out.

Sombitch.

Something will be done about Garcia who is currently putting out the fire with gasoline. In the meantime, chalk this one up to a No Shit Henry loss.

Final Score: Tigers 7, Yanks 5.

Nothing to see here.

Go away. Come back tomorrow. We’ll be here.

[Images via Tom MannionAnais the Mermaid;

In the Mix

Today gives the first round of the NBA playoffs, including your New York Knicks at the Miami Heat.

Later this afternoon we’ve got Yanks and Tigers at the Stadium.

Derek Jeter DH
Nick Swisher RF
Robinson Cano 2B
Alex Rodriguez 3B
Mark Teixeira 1B
Curtis Granderson CF
Andruw Jones LF
Russell Martin C
Eduardo Nunez SS

Hoping to get something, anything, out of Fab Five Freddy.

Have at it.

Let’s Go Yank-ees! (and Knicks and Rangers.)

[Photo Credit: Thealanka]

Saturdazed Soul

Listening pleasure while you’re doing the chores. A half-an-hour of Wes in Holland.

[Featured Image via Life in 35mm; Painting by Alex Belth: gouache on paper, 1997]

Wild Ending in the Bronx

In last year’s ALDS the Yankees touched up Justin Verlander but lost the game anyway when CC Sabathia blew the lead and Rafael Soriano gave up the winning homer. Tonight’s game spun out in unpleasantly familiar fashion as the Yankees got to Verlander for five extra-base hits and five runs in six innings but Ivan Nova couldn’t make it stand up. Nova was the one starting pitcher that had not submitted a stinker yet this season, but that’s history now.

After five pedestrian innings, Russell Martin presented Nova a surprise lead with a two-run homer off Verlander headed into the sixth. Nova proceeded to back up pedestrian with pus. The Tigers teed off on everything he threw, and the lead was gone in three batters – the big blow a booming double by Austin Jackson. Boone Logan came in and lost a battle to Prince Fielder and the inning ended with Detroit up two, 6-4.

The Yankees bounced back, scratching a run in the seventh and clawing another in the eighth. In between, Joe Girardi got run out of the game for arguing balls and strikes. The umpiring was another unpleasant reminder of the 2011 ALDS.

The stellar Yankee bullpen stepped up to hold the line, the highlight being Mariano’s vintage ninth inning. He broke three bats and struck out a guy looking while touching 93 mph on multiple pitches. In his first few outings, Mariano’s cutter wasn’t moving that much. Now it’s biting like a January wind.

In the ninth inning, the Tigers sent out a flame thrower named Brayan Villareal. He threw the ball so hard and with so much movement that one suspected he’d have trouble throwing three strikes before he threw four balls. He ran the count full to Russell Martin but coaxed a grounder to second. Derek Jeter worked a walk (and ended his fifteen game hitting streak in the process) and when ball four to Curtis Granderson skipped off Mike Avila’s shin guard, he was in motion and made it all the way to third. That brought up Alex Rodriguez, who locked in today with three hits, one of them a homer off Verlander, and his only out three feet short of the center-field wall.

Alex looked very dangerous up there and I was sure he was going to drive in the winning run as he tracked Villareal’s offerings into Avila’s glove. After two balls, Villareal’s third pitch sailed away from Avila. The catcher desperately stabbed his glove at the pitch but he couldn’t snag it. The ball rolled away towards the Yankee dugout. I started celebrating, but when the camera cut to Jeter straining down the line, he was not nearly as close to home plate as he should have been. It looked like he was running in mud and Jeter slid just as the ball arrived. Villareal dropped the ball, but Jeter was safe anyway. The Yankees made a winner of Mariano, 7-6.

Turns out Jeter got a poor read on the passed ball and if it wasn’t for Alex Rodriguez urging him to run, he wouldn’t have made it. Great game for Alex all the way around. And a great win for the Yankees after a few days full of bad news. This is exactly the kind of game the Yanks did not win in last year’s ALDS. Hopefully they’ll have one or two in the bag next time they get there.

I’ve been stewing about Pineda’s injury and Montero’s absence since I heard the news yesterday. Since the trade can’t be undone, it’s wasted energy on my part to continue to be upset about this. But before I let go completely, I want to write now what I was unable to articulate when the trade was made.

It was a dumb trade because the Yankees gave up cost controlled talent with ‘x’ risk attached to acquire cost controlled with ‘y’ risk attached, where ‘y’ was clearly greater than ‘x.’ This is an equation that a desperate team might follow, but not a perennial contender with deep pockets. The Yankees were better served keeping their own cost controlled offensive talent and using their financial might to acquire pitching, which is inherently more risky.

The Yankees chose to ignore all of CJ Wilson, Yu Darvish and Edwin Jackson when they were available. Those guys would have all been risky and expensive acquisitions but if they sucked or got injured, ala Igawa or Pavano, they could go get somebody else. They can spend money over and over again. They can only trade Jesus Montero once. I know that Pineda was more attractive than the expensive free agents because of his age and restricted salary, but that’s not a concern the Yankees should have had at the forefront of their decision making. They walked a tightrope when they could have paid to pave a road.

Let’s not forget the Yankees have to buy offense in the very near future. All the savings they were going to get from Pineda’s presence in the rotation were going to be spent filling second base, two outfield spots, catcher, and third base / DH. Why not just keep Montero and save that money? Why is money saved in the rotation any better than money saved in the lineup? Now of course, there will be no savings from Pineda as the Yankees will have to buy pitching to replace him as well.

It’s a classic case of being too cute for no reason. Even if you liked Pineda better than Montero, surely you liked Darvish and Montero better than Pineda and Ibanez. This is a roster equivalent of Girardi’s first inning intentional walk. If everything worked out, he looks like a smart guy. But he brought catastrophic outcomes into play that did not exist before the walk. By trading away the less risky Montero and acquiring the inherently risky Pineda, the Yankees brought into play a scenario where they get neither Pineda nor Montero and have to pay a shit load of money to replace them both.

I feel bad for the dude. Hope he rehabs and pitches well for the Yankees some day. And I’ll just leave it at that.

 

Photos by Mila Zinkova and AP/Bill Kostroun

 

 

What’s New Pussycat?

The Tigers are in town. Justin, Fielder and Miggy:  Oh My.

Tonight gives Verlander. Ivan Nova counters for the Yanks.

I know it’s the MVP/Cy Young Award winner tonight, still how about a Score Truck sighting, boys?

Derek Jeter SS
Curtis Granderson CF
Alex Rodriguez DH
Robinson Cano 2B
Mark Teixeira 1B
Nick Swisher RF
Raul Ibanez LF
Eric Chavez 3B
Russell Martin C

Never mind the side show (Dear Delmon, thank you for playing, Love, Hymie Town): Let’s Go Yank-ees!

[Photo Credit: Branco and Beautifully Insane]

Moose

I loved to watch Moose Skowron at Old Timer’s Day. I attended three of them at Yankee Stadium and always looked out for him. Tough-looking guy but not really, bent slightly, his uniform baggy. He’d bark at reporters that he didn’t want to fucking talk and then twenty minutes later he’d be holding court in the dugout surrounded by men holding tape recorders and writing on notepads. He played the grouch but it was an act.

Ol’ Moose died this afternoon. He will be missed.

Stolen Kisses

Kiss FM, 98.7 on your radio dial, is going away. Dag. Memories of DJ Red Alert.

Ego Trip has 12 radio promos to jog your memory.

[Image via: UB Massive]

All You Need is Love

If you grew up in New York and are of a certain age the name Pete Fornatale means rock n roll. When I think of the legendary radio disk jockeys of my childhood–Scott Muni, the unbearably sexy Carol Miller–Fornatale’s name is always at the top of the list.

I was sad to hear the news that Pete died today of a sudden illness. He was 66. I am sad for a number of reasons but mostly because Pete’s son is a dear friend.

My love goes out to the Fornatale family. The old man will be missed more than somewhat.

Million Dollar Movie

 

Julie Bloom talks with Maggie Gyllenhaal about sex scenes from a woman’s perspective:

Q: Why is sex still such a complicated thing to tackle on film?

A: I’ve thought a lot about women in movies and sex and sex scenes. The question is why, if half of the adult population is women who have sex, why is it difficult to see? I personally think this doesn’t necessarily account for this movie, but the most interesting sex scenes that I’ve done or seen are the ones that are truthful from a women’s perspective — instead of what I think everybody got used to in the ’80s and ’90s: put on a black Victoria’s Secret demi bra and be lit perfectly and arch your back. That’s supposed to look like sex. But that doesn’t look like sex for most people, and if it does, I think you’re probably missing out on a lot. The more truthful you can be, the sexier it is and the more uncomfortable it can make you sitting next to a stranger in a movie theater.

Q: As an actress, do you look for roles that are more honest about sex?

A: Someone was talking to me about a film-school character trope, these women in their 20s, quirky, happy-go-lucky, don’t-need-anything kind of girl — that romantic comedy fantasy. But the problem with that fantasy — and I’ve been offered so many parts like that — mostly those women don’t have a lot of need. So you see a man kind of go, “This woman doesn’t care what I do.” I think everybody has great need and that’s so complicated. If somebody needs you, if you need them, all of a sudden you’re going to have responsibility and that’s part of what’s so scary about sex to begin with.

Q: What about these scenes makes them work or not?

A: There’s been such a history of sex scenes that don’t speak to me at all. So when you have the opportunity to do a sex scene and still be a real, thinking person in the midst of it, it can be an incredible way of expressing something about who you’re playing and something about the story. Sex on screen can be one of the most compelling ways of telling a story. Not if you stop acting — I think a lot of people stop acting and start pretending that they’re in a soft-core porn. But the women who don’t I get so interested in. It’s something we don’t talk a lot about in our culture and all of sudden there’s a comparable experience, like I had sex in this way and it felt disappointing and lonely or I’ve had sex in this way and experienced a connection I never could have felt any other way. That’s where I get really interested. Even if you’re talking to your friends, are you getting into the absolute deepest intimacies of it? Maybe, but to see someone act it well, it can make you feel like you have a connection to other human beings.

Wonderful insights. Move sex is often plastic and boring. By the numbers. You rarely see people have sex that is dissatisfying–unless it’s being done for laughs. I recently saw “Friends with Benefits” on TV and the sex scenes, between two attractive movie stars, were lifeless. They were filled with quick dialogue that was supposed to be witty and showed off the actor’s sculpted figures, but there was nothing erotic or sensual or credible about any of it.

The Big Ouch

Steven Goldman on Michael Pineda’s season-ending injury. I hope the kid is okay when he returns next year. I was looking forward to watching him pitch. The few times I saw him last year was enough to get me excited. This injury is especially tough because the Yanks gave up such a promising young stud like The Jesus to get Pineda.

This is a bummer, man.

[Image via: Faust Arp]

 

No Relief in the Rotation as Yanks Fall Again in Texas

An early hook has become a regular part of Phil Hughes' starts (Source: AP).

You can never have enough starting pitching. During the offseason, that was Brian Cashman’s mantra as he built a rotation that went seven men deep. Tonight, it was a lesson the Yankees learned the hard way.

After announcing that Michael Pineda would miss the rest of the season with a torn labrum, the Yankees were looking for Phil Hughes to put his stamp on the rotation. However, those hopes were quickly dashed as the enigmatic right hander couldn’t even pitch his way through the third inning. Even more disconcerting than the four runs he allowed in his brief appearance was the continued lack of command that has dogged him since the second half of 2010. On several occasions, Hughes missed Russell Martin’s target by a wide margin, and almost without fail, the Rangers made him pay.

The Yankees scratched their way back into the game with two runs in the top of the fourth inning, but David Phelps, who may have been auditioning for a role in the rotation, didn’t provide much relief. In 2 1/3 innings, the young right hander allowed three runs, including two long balls, which effectively put the game out of reach. In the process, Phelps’ hiccup probably also quieted any outcry to have him take Hughes spot in the rotation.

With Hughes continuing to struggle and Pineda on the shelf, Andy Pettitte’s outing in Trenton took on even greater importance. In five-plus innings covering 81 pitches, the veteran lefty allowed seven hits and four runs, but was still pleased with his outing. However, he did admit that he wasn’t quite ready to return to the big leagues, which means the Yankees will have to hold their breath with Hughes and Freddy Garcia for at least a few more weeks.

Over the first 18 games, the Yankees have only recorded five quality starts, which, over a similar span, is the second lowest total in franchise history.  It probably wasn’t what he had in mind at the time, but, so far at least, Brian Cashman’s pre-season assessment appears to be right on the money. The Yankees most certainly do not have enough starting pitching.

[Featured Image via The Tropical Variation]

I’m Rubber You’re Glue

Phil Hughes is on the mound tonight. The rubber game down in Texas.

Derek Jeter SS
Curtis Granderson CF
Alex Rodriguez 3B
Robinson Cano 2B
Mark Teixeira 1B
Nick Swisher RF
Raul Ibanez LF
Eric Chavez DH
Russell Martin C

Let’s Go Yank-ees!

[Photo Credit: Dina C]

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"This ain't football. We do this every day."
--Earl Weaver