Head on over to Grantland for a long appreciation of the Chipmunks by Bryan Curtis. Nice to see Shecter, Merchant, Isaacs, Vecsey and company celebrated.

The only problem I have with the piece is how Jimmy Cannon is portrayed. It’s not that Curtis is inaccurate in saying that Cannon was tired and bitter by the mid-’60s, or that he was the foil that the Chipmunks needed (too bad there is no mention of Dick Young). Curtis lampoons Cannon’s writing style but I wish it was balanced with a sense of how good Cannon was in his prime. Cannon is seen here as he’s most often remembered these days–an out-of-touch old timer who had become a parody of himself. That’s a shame because while Cannon was sentimental to a fault when he was bad, he was terrific, one of the very best, when he was good.

[Picture by Bags]

Fifty years ago, Roger Maris chased Babe Ruth’s home run record. Of course, he eventually broke it. When he did, this is what the great Leonard Shecter wrote in the New York Post:

Great events of history are over swiftly. A ball, even if it’s the first in the long and noble history of baseball to be hit for a 61st home run, takes only a few heartbeats of time to be propelled from home plate to the outfield seats.

For those who were at Yankee Stadium yestrday, some 24,000 people, it was over all too quickly. It would have been better if the ball leaped in exaltation, turned int he air and wrote a saucy message (like WHEEE!) against the blue sky, dipped nobly and shed a tear over the monument to Babe Ruth in center field.

…Maris swung his most vicious swing and the ball rose in a great arc toward right center field. In years to come millions will swear they were at the Stadium the day Maris hit the home run heard round the world but none among them will be able to say it was less than a perfect home run.

The ball was outlined sharply, whitely, against the sky as it came to the outfield. There were puffs of white clouds in the sky but it was as though they parted to let the ball fly by. It landed perhaps six rows back, about seven seats and a narrow aisle to the right of the bullpen, well to the left of the 344 foot marker. A home run in Babe Ruth’s day, too.

“I was up there wheeling,” Maris said after he had paid his homage to the commercial gods of television. He was calm, in control, the way the President is probably, when he strides into a huge room to face 800 reporters.

This wasn’t the same Maris who jiggled nervously for weeks waiting for the ax to fall on the 154th game. It wasn’t the same Maris who lost sleep, even tufts of his hair in the unbearable pressure cooker of the publicity as he made the run at the 154th game home run record.

It was a Maris who seemed a foot taller now that a terrible load had been taken off him, now that he had the 61 home runs, now that the season was over.

…The people got to their feet and clapped their hands as Maris ran. It wasn’t so much a cheer as it was applause, the kind you get from an audience which has been moved by a great performance.

…The applause and his teammates brought him back out of the dugout, cap off, his hair looking, in the bright day, blonder than it is. He waved his cap once, twice, tried to retreat, was pushed back by the players.

“I thought they wanted me to stay out there all day,” Maris said.

Perhaps they, who have had to get the base hits, understand best the magnitude of Maris’ accomplishment. Put it this way. It’s difficult to hit 61 home run the way it was difficult to run the four minute mile before anybody else had done. Others may now hit 61 but you have to put Roger Maris up there with Roger Bannister. It’s been a great century for Roger.

Three cheers to Jim Bouton, whose classic book, Ball Four, turns 40 (Jay Jaffe had a great post to mark the event over at the Pinstriped Bible last week).

Last weekend, Bouton was honored by the  Baseball Reliquary in California. According to Tom Hoffarth:

When asked how the title “Ball Four” came into being, Bouton explained Saturday how he and editor Leonard Shecter were at the Lion’s Head Tavern in New York, the famous literary bar near Columbia University, having just turned in the finished product into the publisher:

“We went to have a drink to celebrate this piece of cardboard we had just turned in, and we’re thinking, ‘Now what are we going to call the damn thing?’

“We were talking about the need to have a downbeat title. This isn’t a story about how somebody just won the World Series. It’s about struggling, about difficulty. What’s the toughest thing for a pitcher — a knuckleball pitcher in particular — it’s to get the damn ball over the plate. It’s walking guys ….

“So we’re talking about all this, and there was a lady sitting at the bar. She was very drunk. And she was listening to our conversation. And at some point, she leans over and says, ‘Whyyyyy don’t you caaaaall it Baaaaallllll Foooouuuuurrrrrrr?’

“And we said, ‘nawwwww.’

“Finally we couldn’t come up with anything. And I was walking Shecter back to his hotel before I went home to New Jersey, and then Shecter says, ‘You know, Ball Four isn’t a bad title.’ So we owe it all to this woman at the bar.”