Over at Grantland, there is a long, entertaining oral history piece compiled by Alex French and Howie Kahn on “The National,” Frank Deford’s influential, short-lived sports newspaper:
Peter Richmond (Main Event Writer): I had a Nieman fellowship at Harvard when I heard about The National. You’re obliged, if you get a Nieman, to go back to the newspaper you were working at. I worked at the Miami Herald as the national sports correspondent. I’d go to the Super Bowl, the World Series, the NBA Finals. I’d go to prize fights. I had a column. Then I got a free ride at Harvard for a year. In the middle of it, I had heard in the New York Daily News that Frank Deford was rounding up this all-star team for The National. I thought, “Oh my god. I’ve got to get there.”
Charles P. Pierce (Main Event Writer): As soon as I heard about it, I basically hurled myself out a window.
Frank Deford: What was my sales pitch like? It wasn’t a reach, and I wasn’t blowing smoke. I’d say, “This paper is going to be the first of its kind. We’ve got this extraordinary staff and we’ve got a lot of money behind it. Go look up anything you want about Emilio Azcárraga. He’s into this, and these sorts of things have worked all over the world, so why can’t they work in the United States? Then I’d pause and say, “I understand it’s risky. We all know this is new territory. But you’re a sports guy. Don’t you want to be part of this?”
Rob Fleder (Main Event Editor): Here was this great adventure and chance to invent something new. It was clear even before it started, and certainly long before it failed, that you were going to get one chance to try this in your life. This was as close to a frontier as we had.
Pierce: Rob Fleder, who was one of the original founding members of Rotisserie baseball, literally in the Rotisserie restaurant, had seen some of my stuff in New England Monthly. He called and said, “Would you like to come down and talk about this thing we have?” So I went down to New York. They didn’t even have real offices yet. They were in some space with pieces of paper hanging on the door.
For all their fine work, somebody at Grantland should have known how to spell Glenn Stout’s name. Otherwise, this is a terrific read.
And while you are at it, dig Charles Pierce’s memories of “The National”:
Oh, money. Yeah, wait. I should tell this story about money, first. In the spring of 1991, the last spring of our newspaper’s life, I got a call from New York. Mike Lupica was leaving the paper to return to the New York Daily News, a development that surprised approximately nobody. He was taking with him his “Shooting From The Lip” column, the three-dot bullet template invented by the great Jimmy Cannon and subsequently appropriated by almost everyone else in the history of newspapers, including, most notably, in USA Today by Larry — “If it’s Wheatena, I’m all in!” — King. The column had been running in The National every Friday, and it had developed an audience. They wanted to keep the idea under a different name, and someone had mentioned that I’d done a similar kind of thing when I was writing a column at the Boston Herald. So they asked me if I’d do it.
Of course, I told them, but I’d need more money to do it.
How much, they asked.
I had no idea, so I quoted them a figure that I thought probably indicated I was on mushrooms at the time.
They didn’t even blink.
You start this week, they said.