Phish meets the NFL?
Dogs and cats, living together.
The end of the world as I know it. And I don’t feel fine. How could I? What if you had two overriding passions that eclipsed everything else in your life, including your family (as they’d surely attest), and each passion (or, to be frank, religion) represented the two totally opposite sides of your bipolar psyche, and somehow balanced it into sanity…and, surreally, they then decided to collaborate?
How could this be a good thing? Look at it this way: If your beloved old family physician let drop that he was dating Lady Gaga would it make you feel warm and fuzzy? So: When your favorite Pentagonian/George Patton-inspired sporting corporation, whose 32 franchises are largely symbolized by drunks who take off their shirts in blizzards and then beat people up in the parking lot because they’re wearing apostatic jerseys, enlists, in a marketing moment, your favorite anarchic jam and, which is largely symbolized by a few million stoners who believe in nothing except the axiom “Rules Are Irrelevant”…what else could this mean other than that the universe has collapsed into itself? That The End f Days was upon us?
The specifics: On New Year’s Eve morning, and the following afternoon, ESPN2 will air an NFL Films segment about how Seattle Seahawk fans have adopted a Phish song. Which said event tears a hole in the universe.
Background to this unholy miscegenation: In the Eighties, Phish’s insanely creative and eminently likeable guitarist Trey Anastasio, before formally forming the band, wrote a musical thesis as a senior at Goddard College — a legendarily leftie institution in rural Vermont — called “The Man Who Stepped Into Yesterday.” His work featured a song called Wilson, which has not only endured, for we Phishfanatics, but has taken a rightful place in the band’s pantheon of Pure Phish Songs.
(Full disclosure: A few years ago, when I had to drive to Buffalo to interview a quarterback on assignment — seven hours by way of the New York State Thruway — I structured the trip around the day when I knew that the Jam On channel on Sirius satellite radio would be playing the top 50 Phish songs, from 50 to one. I wanted to hear them all. In order. Wilson cracked the top 10. No, it’s not their best, by any means. It’s no Fluffhead, or Possum, or Chalk Dust Torture, I’ll grant you that. But it’s a pretty cool song.
Well, okay, it’s not a “song,” exactly. Lots of the time, Phish plays “songs” in the manner of a team which might play a game of “baseball,” only in their game, everyone stands wherever they want to after they take the field, facing in whatever direction they prefer, while making up their own rules as the game goes along. And then adopting new rules the next time they play a game.
So anyway. the “song” Wilson includes a refrain wherein, for the last two decades, every Phishfreak in whatever sold-out arena they’re playing sings, in a delightful call-and-response to the band’s cues: “WILLLL-sonnnnn”. If you listen to it, it goes from e-flat to C, I think.
Yes, that arena, from Delaware to Oregon and everywhere in between, will be sold out; the band grossed more than $18 million on this summer’s tour. The last four years’ total: $120 million in ticket sales).
So you can see where this is going, right? Last spring at a solo concert in Seattle, and later at another featuring the whole band at a venue in George, Wa. (Yep; that’s a Phish venue if there ever was one), Trey urged the crowd to start chanting “Wilson” at Seahawk games, in honor of Russell, this year’s quarterback flavor of the season — and, perhaps, for many a season to come.
The ritual caught fire, and now the sound of “WIL-son” can be heard waterfalling out of the stands at CenturyLink Field several times a game: when Wilson takes the huddle for the first time in the game, and again at the beginning of the third, and, throughout the game, interspersed with bits of the song on video board.
So who could blame NFL Films from filming a Phish concert, and filming the CenturyLink chant-ritual, and getting it aired on ESPN 2? Where’s the rub? Why am I Grinching this joyous collaboration?
No. 1: Every man has two sides: The roid-rage/road-rage madman who needs to see athletes try to kill each other legally every Sunday for six months a year, vicariously experiencing what it used to be like to get up in the morning and say to your buddies, “What do you say we attack that tribe over the hill and kill them all? I mean, after we eat raw antelope for breakfast”…
….and the gentle soul who wants to step back, cool out, find his Metroman side and try his damnedest to be a court jester in a land that takes itself way too seriously…and, not incidentally, do so in a place where he might be surrounded by, um, you know, stoned girls.
But nature never intended the two sides to meet. Hence the term “yin/yang” — or, in moderndayspeak, “bipolarism.” Once they overlap, they both lose their power to entrance.
But No. 2 is way more important. In “The Man Who Stepped Into Yesterday,” Trey’s man Wilson is not a man to be admired. In fact, in Anastasio’s college script, the original Wilson is the arch-villain of all time: a greedy, powerlusting fascist who enslaves the peace-loving Communist lizards of a land called Gamehendge, changes the name of their land to Prussia, and steals the book of goodness given to them by their god Icculus. Wilson destroys their forest, builds a castle where he keeps the book, and executes a rebel by hanging. One of the lyrics from the song’s chorus? “Wilson, king of Prussia, I lay this hate on you.”
Basically, young Trey was writing about a monstrous entity spoiling everyone’s fun. But now, as ESPN and NFL Films will have it — with Trey’s worrisome consent — Wilson is an anthem celebrating a football player who, according to the Goodell/Boys Life Magazine metric for what a young man should be, scores off the charts: Russell Wilson is the great-great grandson of a slave, the grandson of a former university president, the son of a Dartmouth graduate, part Native-American, endorses Levis, Nike and Alaska Airlines — and posts bible verses daily on his Twitter account. (As I write, watching him slice and dice the Giants: “A happy heart makes the face cheerful, but heartache crushes the spirit. Proverbs 15:13”) No argument there, Russ. Anyway, you’re just a pawn in this game.
Okay, yes, I have a soft spot for Wilson. But who, given my memories, wouldn’t? The first time I heard Wilson played live was at The Clifford Ball in 1996, Phish’s first multi-day festival, held at the decommissioned Plattsburgh (NY) Air Force Base. I was backstage, doing a story for a slick magazine about the band that had lured me in because they seemed to sell out Madison Square Garden every New Year’s Eve — without ever actually, like, advertising. People kept passing me joints. So Wilson sounded very good that day — as, did, well, everything they played. From AC/DC Bag to Reba to Weekapaug Groove. Even 2001.
Much later that night, lying in my tent, surrounded by 60,000 overly polite Phishkids (although the philosophy major from Oberlin vehemently and almost aggressively disagreed with my assertion that the pan-European Rationalists had it way over the stupid All-Anglo-Empiricists), I couldn’t get the refrain out of my head — until the next morning, when the young woman in the adjacent tent stepped outside into the morning sun wearing nothing but blue jeans, and smiled “Hi,” and went off toward the showers.
That day unfolded as the day before had, in Shangri-La fashion: plentiful hugs, plentiful nugs.
Behind the stage at a picnic table that afternoon, during an interview with the band, the drummer, John Fishman, who wears dresses on stage, told me that this was the only job he had never been fired from. His last job had been cutting out patterns for women’s bathing suits. Then Trey told me he’d briefly considered seeding the festival crowd with ladies of the night imported from New York, but had quickly discarded the idea. After they all left to go back to their trailers, I finished writing in my notebook, then noticed the large roach on the table, and considered leaving it be, in case one of them had left it by mistake. But I quickly discarded the idea.
But you just have to know that ESPN and NFL Films are patting each other on the backs after a few brews, despite their home library of “Eagles” CDs” “What is hip? We are!”
I don’t know if they’ll show the whole song in the TV show, with its true lyrics. I do know that I won’t be watching. Because if this is the beginning of a friendship, it won’t be beautiful to me.
I’d sure hate to have to turn to professional golf and the String Cheese Incident to find new religions. But I sure as hell won’t sit around watching my life’s passions go up in smoke.