Please don’t play this song, said no woman ever.
Picture by Bags.
Watching Marshawn Lynch run with the football these days is like watching Jim Brown in short bursts. (Brown ran like Lynch all the time, and that’s why he’s the greatest football player who ever lived.) Watching him in interviews is to see an artist at work — a natural deconstructionist, fashioning a media event to his own intriguing style.
Lynch doesn’t like to talk — and despite all the criticism he’s received, this seems to stem from a genuine reluctance almost bordering on shyness. But he has moved beyond simply not commenting. He now turns the very odd waltz between the reporter and the athlete into something resembling a parody of itself. Lynch was threatened with a half-million-dollar fine if he didn’t show up to take questions from people dressed like carrots at media day. (This, it must be said, is from a league that originally gave Ray Rice a two-game suspension.) So Lynch showed up, and he answered every question with the phrase, “I’m here so I won’t get fined.” To me, this seems a perfectly reasonable answer, and it clearly is the unvarnished truth. However, it was not received that way. All the people who had ginned themselves up beyond all recall to defend Western values against deflated footballs now rose up against Lynch for disrespecting … well … something anyway.
…Lynch owes only an honest day’s play for an honest day’s dollar, something he does with fair regularity, by my calculations. He doesn’t owe me or any mook like me any more than that. He does not owe The Brand any more than that, either. And in a way, that’s what the whole mad week was about. The Brand. The Patriots were accused of offending the league’s brand with deflated footballs. Kraft chose to try to protect his own brand instead of the league’s. And Lynch, god bless him, accused of heresy against all the brands, chose to laugh up his sleeve at the whole idea. In his own way, following his own drummer, Lynch is in rebellion against the tyranny of The Brand, and against all the artificial and corporatized encrustation that has covered all of our sports, and especially the NFL, and especially this one event. He may not be doing this consciously; I think he still just doesn’t like talking to strangers. But he’s striking a genuine blow against a genuine empire.
[Photo Credit: USATSI]
Such a long way…And no, I didn’t lose a bet and I’m not intentionally trying to be mean. Sometimes, a corny old tune just pops in your head and won’t leave you alone.
Food 52 gives Dorie Greenspan’s Custardy Apple Squares. Why the hell not?
If you love movies, it’s hard not to miss him. So, for the past month I’ve been watching Gene Hackman films — not just the iconic ones,2 but also the deep cuts, good and bad. Almost all of them are worth seeing, because Hackman himself is almost always worth seeing, but also because the man had a knack for picking projects that have only gotten more strange with time. I refer to films like Prime Cut, in which Hackman plays a Kansas City gangster named Mary Ann who forces Sissy Spacek to lie naked in a pen at a sex slave farm until Lee Marvin comes along; Cisco Pike, a far-out drug thriller set in early-’70s Los Angeles in which Hackman plays Big Foot Bjornsen to Kris Kristofferson’s Doc Sportello; and Loose Cannons, a confoundingly stupid buddy-cop comedy costarring Dan Aykroyd that has one of the all-time great Netflix plot summaries.
Never mind an oddity like All Night Long.
Or Full Moon in Blue Water:
Hackman for me is the greatest living American actor because — with the exception of the Reverend Frank Scott in The Poseidon Adventure — I always buy what he’s selling. Even when the movie is bad, you believe what Hackman is telling you, right down to the last “heh-heh.”
Hackman’s my favorite.
On my way to work each day I walk by a post office in my neighborhood. I’ve gotten to know a few of the women who work there. Today, I see one them–a sports fan–quick-stepping through the cold to the deli.
She says to me, “Super Bowl this weekend?”
Yes, I tell her and then she said, “Oh, I’ll need to get some frankfurters.”
And it occurred to me right there that I couldn’t remember the last time I heard someone say frankfurters and that it might be some time before I hear it again.
[Photo Via: Found Shit]
I was in my Bronx apartment on the morning of September 11, 2001. I watched on TV like the rest of the country. Eventually, I don’t recall if it was later that day or the following day, or the day after that, I got on the subway and went as far south as I could go–14th Street. I felt the need to get closer. I couldn’t go further downtown so I turned around and walked up 8th Avenue. As I passed the bus terminal at 40th Street I saw Joe Franklin talking on a pay phone. He was alone, a pregnant briefcase resting between his feet. I had been in a daze and the sight of Franklin snapped me out of it for a moment. It was comforting to see him.
“Hey, Joe Franklin” I said to nobody in particular and kept walking. Franklin, a New York fixture for many of us, died the other day. He was 88.
Ernie Banks, scouted by the legendary Buck O’Neill, and best known as Mr. Cub, died yesterday. We salute him with this column that John Schulian wrote for the Chicago Daily News on August 5, 1977.
“Mr. Cub Remembers”
By John Schulian
He works in an office now. How that must hurt, even though the office is at Wrigley Field. When he dreamed as a young man, there was probably never a hint that he would have to stop playing the game that was, and as, his life.
But he did, and now he finds himself growing more and more apart from the new breed of Cubs. He has visited their clubhouse only once in this delicious season. The rest of the time, he has done nothing more than watch the players through his window as they leave the ballpark.
Ernie Banks says he doesn’t mind.
He is the Cubs’ group sales manager and their unofficial host, and he insists that he has all he can do to take care of those jobs. But he still leaves the impression that he would love to have someone tell him the clubhouse isn’t the same without him.
“When I walk in there,” Banks was saying Friday, “I think of where Billy Williams used to sit, and where Ron Santo used to sit, and where Glenn Beckert used to sit. It’s a real emotional jolt for me.”
In less that twenty-four hours, Banks would be playing in the Cubs’ first old-timer’s game with the men who populate his happy memories and the happy memories of fans who go back four decades and more. “It’s hard to believe I’m an old-timer,” he said.
He has already begun a campaign to make Saturday’s crowd forget that he is forty-seven years old and that his final game as an active player was in 1971. On Tuesday, he jogged a mile in Wrigley Field, sweated through a set of calisthenics, and stirred a breeze by swinging a bat big enough to fell an ox.
“Fifty-four inches, forty-eight ounces,” he said. “They don’t allow any bigger bats in professional baseball. You swing this one—just swing it—and you’ll build up the muscles in your forearms.”
Banks followed his self-prescribed regimen until Friday. Then he pronounced himself almost ready to face live pitching for the first time since he smacked a home run in an old-timer’s game in Los Angeles a year ago. What he had to do before that, though, was confer with Lew Fonseca, the attending physician for the Cubs’ hitters.
“Lew Fonseca told me a very important thing,” Banks said. He picked up a thirty-five-inch bat bearing his name from against a file cabinet and took his stance behind his desk. “Lou Fonseca told me not to swing the way I used to. I’ve got to get set when the pitcher takes his sign. Hey, I tried it. It worked beautiful.”
So Banks had the safeguard he was looking for. While he is as courtly as he has been painted, he is also unrepentantly proud of his 512 career homers and his membership in the Hall of Fame. “I want people to remember me the way I was,” he said, “not as someone who couldn’t pick up a grounder or hit the ball out of the infield.”
It is easy to see him as a man-child who may never be able to accept a role in the world outside the white lines of a baseball diamond. After all, he was so bewildered by retirement that he almost left the Cubs organization and returned to Dallas, where he was born. But P.K. Wrigley, the team’s reclusive owner, wouldn’t let that happen. He stepped in and saw to the invention of a job where Banks would spend half his time hustling tickets and the other half wandering around the ballpark, charming the customers.
It was a splendid idea with one possible flaw: The public might see Banks as the Chicago equivalent of wasted old Joe Louis greeting round-the-clock gamblers in a Las Vegas casino. Banks would have not of it Friday, however, as he signed autographs with one hand and guided a camera crew from ABC-TV news on a tour of the bleachers. The best word for his every move was dignified.
“It shouldn’t be any other way,” he said. “The fans respect me and I respect them back.”
Dignity does not translate into stiffness where Banks is concerned. After the Cubs stymied the Mets 5-0, he told everyone who approached his office, “It was Ladies Day and we made all the ladies happy.” When he discovered Dave Lamont, who occupies the desk next to his, had a prospective ticket buyer on the line from Webster, Iowa, Banks shouted, “Tell him we want all of Webster to get behind the Cubs.”
The office litany continued until Banks remembered something more important. “I better hang up my uniform for the old-timer’s game,” he said. “Don’t want any wrinkles in it.”
He reached into a well-worn duffel bag with a peeling identification tag and pulled out his uniform. “These people in Milwaukee made it for me special,” he said. “It’s just like the one I wore when I broke into the big leagues in 1953.”
He held it high and turned around to look at the blue 14 on the back. Then he stood and pulled the top on over his white shirt and striped tied. When he had zipped it up all the way, he spun slowly, modeling it for everyone in the office and wishing perhaps that he could go back to the time when the feel of a big league uniform was brand-new.
[This column can be found in Schulian’s essential collection, Sometimes They Even Shook Your Hand. And for the true story behind Banks’ famous saying, “Let’s Play Two”, dig this from Glenn Stout.]
Photo Credit: John Dominis via It’s a Long Season
The latest on John Sterling, from Michael Kay’s radio show.
[Photo Credit: Julio Cortez/AP]