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Daily Archives: January 6, 2004

STRAIGHT, NO CHASER

Edward Cossette has been writing about the Internet media vs. the Traditional media over at Bambino’s Curse for some time now. Considering that both Curt Schilling and John Henry visit and make comments on Red Sox websites (like Sons of Sam Horn), this is a story that will continue to unfold during the 2004 season. Apparently, Schilling was on SoSH recently and teed off on the Questec system. Although Cossette is partially thrilled with the intimacy that is created when players connect directly with the fans via a website posting, he raises some pertinent questions about ethics, and journalistic responsibiltiy. Essentially, he makes like Fiorello LaGuardia and asks: Say children, what does it all mean? David Pinto picks up the thread over at Baseball Musings. In all, this is a fascinating subject, and Cossette did a tremendous job of covering it today.

ECKCELLENT

Paul Molitor and Dennis Eckersley were elected to the Hall of Fame this afternoon. Now that Eckersley–most famous as world-class closer for the Oakland A’s–has reached Cooperstown, perhaps the voters will begin to look more kindly on relief pitchers. Still, Bruce Sutter and Goose Gossage, arguably the two most significant relievers of the free agency era, did not make the cut once again.

Eckersley, a demonstrative and volatile performer, has been a nervous wreck of late as he waited to hear if he made it into the Hall. In a report that was published yesterday, he said:

“It’s killing me is what it’s doing…It’s murdering me. Tell me already, so I can deal with it if I don’t. I feel like a little kid, where you’re dangling something in front of me. I can’t even sleep. I’m like a yo-yo.”

Eckersley is as entertaining off the field as he was on it. Terry Pluto covered the swinging salad days of Eck’s career in “The Curse of Rocky Colavito,” while Mike Bryan had an excellent chapter on Eckersley in his book, “Baseball Lives.” Here is an excerpt from Bryan’s book:

People say baseball players should go out and have fun. No way. To me, baseball is pressure. I always feel it. This is work. The fun is afterwards, when you shake hands.

When I was a rookie I’d tear stuff up. Now I keep it in. What good is smashing a light on the way up the tunnel? But I still can’t sleep at night if I stink. I’ve always tried to change that and act like a normal guy when I got home. “Hi, honey, what’s happening?” I can’t. It’s there. It doesn’t go away. But maybe that’s why I’ve been successful in my career, because I care. I don’t have fun. I pitch scared. That’s what makes me go. Nothing wrong with being scared if you can channel it.

I used to hide behind my cockiness. Don’t let the other team know you’re scared. I got crazy on the mound. Strike a guy out, throw my fist around—“Yeah!” Not real classy, but I was a raw kid. I didn’t care. It wasn’t fake. It was me. This wasn’t taken very kindly by a lot of people. They couldn’t wait to light me up. That’s the price you pay.

I wish I was a little happier in this game. What is so great about this shit? You get the money, and then you’re used to the money. You start making half a million a year, next thing you know you need half a million a year. And the heat is on!

Used to be neat to just be a big-league ballplayer, but that wore off. I’m still proud, but I don’t want people to bother me about it. I wish my personality with people was better. I find myself becoming short with people. Going to the store. Getting gas.

If you’re not happy with when you’re doing lousy, then not happy when you’re doing well, when the hell are you going to be happy? This game will humble you in a heartbeat. Soon as you starting getting happy, “Boom.” For the fans—and this is just a guess—they think the money takes out the feeling. I may be wrong but I think they think, “What the hell is he worrying about? He’s still getting’ paid.” There may be a few players who don’t give 100 percent, but I always thought if you were good enough to make that kind of money, you’d have enough pride to play like that, wouldn’t you think? You don’t just turn it on or off.

Eckersley is a good talker. But he’s not as slick as the media-friendly David Cone; he is much closer to Pat Jordan: a straight-shootin’ sombitch. I admire him for his vulnerability and honesty. Bryan’s interview with Eck was conducted during spring training in 1988, with his his greatest years as a relief pitcher ahead of him. But Eckersley was candid about how he felt about life after baseball:

I’ve been very fortunate to pitch for fourteen years in the big leagues. That’s a long time for a pitcher. I’m afraid of life after baseball. Petrified. I’m not ashamed of saying it. I’ll be all right, but nothing will ever compare with this. I will not stay in baseball. I think about commercial real estate and money, big money!

Or maybe I’ll grow up after I get ouf of this fuckin’ game.

Funny that we should be talking about grown-ups with Pete Rose clouding the baseball landscape, but both Mr. Molitor and Mr. Eck are all grown up now, and where they belong: in Cooperstown. Here’s hoping that Blyelven, Ryno, Sutter and the Goose join them soon.

IN THROUGH THE OUT DOOR

I’M NOT OLD SCHOOL OR NEW SCHOOL, I’M OUTTA SCHOOL, I’M DITCHIN’

As the Pete Rose story (a.ka. “The Hustler’s Convention”)hits the streets via the nation’s newspapers this morning, I just wanted to do a quick follow-up on the piece I wrote yesterday. After I posted the article, I had the opportunity to ask a couple of questions to Tim Machman of The New York Sun, who is one of the brightest young baseball writers in the country.

Bronx Banter: Now that the Pete Rose affair has finally come out in the mainstream how will this effect Basball Prospectus’ standing?

Tim Marchman: Honestly, I don’t think it will one way or the other. The most you’re going to see in the mainstream press is that “a website” broke this story a while ago.

BB: Will they be absolved by the mainstream media? Should they be?

TM: I think the mainstream baseball press, insofar as this is an issue to them, will judge this by results and not process. As I understand it, what Will Carroll and Derek Zumsteg reported was to the best of their knowledge true, and met a level of sourcing that would hold up at a newspaper. That doesn’t mean that what their sources told them was accurate, although it seems probable to me that it was. From my angle, they met their obligations as journalists whether or not- and these are two distinct things- a)their sources were accurate and b)what they reported actually occurs the way their sources told them it would. Either, both or neither of this could be true. In regards to a), they had a responsibility to make sure the information met a certain threshold of credibility; I’m quite certain they met it. In regards to b), whether or not events unfold the way they predicted is irrelevant as long as they met their ethical obligations to ensure the information was credible. The world is dynamic. Unfortunately, I think they will be judged by whether or not events unfold in the way they had reason to predict they would, which is of course out of their control.

BB: Do you think BP wants to remain known as “outsiders” or are they trying to get on the inside and are merely running into static trying to do so?

TM: It’s not my place to say how they want to position themselves, but I think a few points hold. First, they’re not a monolithic entity. Joe Sheehan might call up Brian Cashman and get his call returned in five minutes; Will Carroll might call up Brian Cashman later that afternoon and find that he’s out having a root canal. Forever. Second, I think Baseball Prospectus writers occupy a unique niche in that they have a great deal of access, but it’s not neccessarily always on their terms, and I think at least some of that access has been thrust upon them more than they’ve sought it. (The Pete Rose story, if I understand correctly, is a perfect example of this). Anyway, for my money too big a distinction is made between insiders and outsiders. Plenty of good writers on big papers with tremendous access to front offices remain neutral and objective; plenty of self-styled objective analysts rely on conjecture and innuendo. What matters is sound thought.

BB: Was BP in over their heads breaking the story in the first place?

TM: Absolutely not. I think there are certain things they wish they’d known to do, but they did a solid and professional job of breaking an important story.

BB: Was it simply a matter that MLB and the mainstream press were in cahoots, and the story was only going to break when MLB was good and ready
to have it out there?

TM: Yes. Writers with the access that Peter Gammons and Jayson Stark have break stories of this scale on their source’s terms; it’s just how things are done. This is a real problem in sportswriting: is it journalism or is it boosterism? What does it mean when the two best-connected and most influential baseball writers work for an MLB broadcast partner? I don’t mean to impugn Gammons’ or Stark’s integrity, but the appearance of a conflict of interest, in addition to the normal reporter/source dynamic, is troubling. They clearly knew about the story before Will Carroll and Derek Zumsteg; why didn’t they break it? The only reason I can think of is that they were serving the interests of their sources before that of their public. One of the advantages of not relying so heavily on sources is that if a story like this does come your way you can break it without worrying about consequences.

I think Marchman hits the nail on head in saying that too much of a distinction is being made between the outsiders and insiders. Broad labels like this make me inherently uneasy, and yet I’ve used them as a way to start examining the contemporary culture of baseball writing. But Tim is right: What matters is sound thought. And the Internet-based writers don’t hold a monopoly on it, that’s for sure. Gordon Edes, the head baseball writer at The Boston Globe, wrote a wonderfully definitive and thorough piece on the Alex Rodriguez negotiations late last week, which proves that some of the most sound, and responsible work is coming out of a mainstream outlet. If you didn’t catch it, I suggest you go back and take a peak.

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"This ain't football. We do this every day."
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