Daily Archives: May 13, 2005

The Yankees’ mini-hot streak will be put to the test tonight as they face Rich Harden in Oakland. The A’s have dropped five straight. Harden sure looked good to me last Sunday, but Ken Arneson assured me that it was one of Harden’s worst performances of the year. Yikes. Hopefully, the Bombers can win the weekend series, then take two-of-three in Seattle before they return to New York to face the Mets. (A week from now, we could be looking at Pedro v. Johnson: mmmm, juicy.)

But let’s not get ahead of ourselves. First up is the tough young, Mr. Harden. After throwing a lot of pitches in his shut out last Saturday, Mike Mussina is back on the hill for the Yanks. It will be interesting to see how he responds.

Just a quick personal note here. Cliff and I want to send our best wishes to Jay Jaffe and his beautiful (not to mention funny!) bride Andra, as they tie they knot in Milwaukee this weekend. Our thoughts are with you guys. Have a beer and a brat for us. Here’s wishing you a long, and happy life together.

Ten days have elapsed since Steve Karsay was designated for assignment. The Yankees have been unable to trade him, leaving them two options: assign him to the minor leagues, or release him. They have chosen the latter. The four-year $22.5 million contract Karsay signed with the Yankees on the sixtieth anniversary of Pearl Harbor calls for him to make $5 million this year, which the Yankees must now pay, along with the $1.5 million buyout on his option for 2006, without hope for getting anything in return.

When the tale of the Giambi-era Yankees is told, Karsay will likely be remembered as a bad signing, a case of the Yankees throwing an unnecessary amount of money at a fragile pitcher to solve a problem that could have been solved less expensively and paying the cost for their reckless behavior, yet another signpost on the fading dynasty’s road to ruin. Upon closer examination, however, Karsay is revealed as merely another victim of Joe Torre’s now notorious push-button method of bullpen management.

When Torre was hired as the Yankee skipper, The Daily News famously dubbed him “Clueless Joe,” and the one statistic most often associated with him was his 4,110 games in a major league uniform, as a player and manager, without a World Series appearance. In fact, in 32 seasons in the majors, Torre had only been to the playoffs once, as the new manager of the 1982 Atlanta Braves. To make matters worse, his was a history of late arrivals.

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In Bill Cosby’s famous “Go Carts” routine, he talked about the importance of having good theme music when racing. Ballplayers love theme music too, as they get to choose four-bar clips that are played when they come to bat in their home parks. Actually, I’m assuming they get to pick their songs. I’m pretty sure they Yankees do anyway. The selections usually are not that interesting: Derek Jeter goes for the latest club hits, Paul O’Neill used to love meat-and-potatoes classic rock cuts. Some guys actually have taste: Chuck Knoblauch appropriately used BDP’s “South Bronx” before his at bats, and David Justice nabbed another 1986 Hip Hop classic, “Eric B is President” by Eric B and Rakim. Other players have a sense of humor–Dave Dellucci goes for the “Godfather” theme down in Texas. (Funny music is so underrated at the ballpark. For instance, a couple of years ago, when Rickey Henderson was on the Mets, he was thrown out trying to steal second one day in Pittsburgh. As he jogged off the field, the organist played “Old Grey Mare.” Wise-ass organists rock.)

Last year, Hideki Matsui used “Get Back” and “Day Tripper” by the Beatles, which I thought was amusing simply because it sounded so out-of-place. But it fit Matsui’s personality well. This year, Matsui is using “The Immigrant Song” by Led Zeppelin, which is outstandingly random. I’m really loving that. It got me to thinking, wouldn’t it be fun to be able to play DJ for your team? So I sat down and came up with a playlist for the Yankees. (Cliff is working on the bench and will have his picks up later today.) Some of the songs are really obvious, used because they have a good opening, others because the title works.

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