Daily Archives: January 29, 2009

This one is for Old Yank Fan. Something grimey n good.

Throughout the year, we’ll be spotlighting cards from the 1974, 1979, and 1984 seasons, with an emphasis on former Yankees, but an occasional reference to non-Bombers, too. In this week’s lid lifter, we’ll examine one of the most famous error cards in the history of baseball memorabilia.

In 1979, the Topps Company produced this iconic Bump Wills card, featuring the switch-hitting second baseman as a member of the Blue Jays, even though he was clearly wearing the uniform of the Rangers. In fact, the Rangers never traded Wills to the Blue Jays, not at any time before or during the 1979 season.

So what happened here? In 2002, former Topps president and baseball card icon Sy Berger visited the Hall of Fame in Cooperstown for a 50th anniversary celebration of Topps baseball cards, giving me the opportunity to ask him directly about the reasons behind the Wills “error.” According to Sy, he had received a call from a friend after the 1978 season, telling him that Wills was about to be traded from the Rangers to the Blue Jays as part of a major trade. Although the trade had yet to be announced, the friend assured Berger that it was a “done deal.” Convinced that he had a scoop and figuring that he could release an accurate and updated card ahead of the curve, Berger instructed his production people to attach the name “Blue Jays” to the bottom of the Wills card.

After producing the card during the winter of 1978, Topps issued it to the public in March of 1979, which was then the time that Topps typically released its cards. Unfortunately, like many trade discussions, the Bump Wills trade turned out to be nothing more than rumor. The Rangers kept their hard-hitting second baseman, who remained in Texas for three more seasons before finally being dealt—not to the Blue Jays, but to the Cubs—after the 1981 campaign.

With the trade to Toronto falling through, Topps was left mildly embarrassed. Once Opening Day rolled around and Berger realized that no trade was going to take place, Topps decided to correct the error and release a revised and corrected card, this time showing the name “Rangers” at the bottom of the card. As a result, there are two 1979 Bump Wills cards in circulation. The corrected “Rangers” version is considered the more valuable, since fewer of those cards were produced, making it scarcer than the “Blue Jays” version. The only thing scarcer might be Berger’s relationship with his friend, who had clearly given him some misguided information and had ceased becoming a source of knowledge for the Topps Company.

Although Wills never played for the Yankees, he did have a rumored connection to the team in the early 1980s. After the 1982 season, several reports circulated that the Yankees were seriously considering a blockbuster trade that would have sent Willie Randolph to the Cubs for Billy Buckner. Such a move would have filled a major need at first base (where the Yankees realized that 33-year-old John Mayberry was over-the-hill), but would have created a large void at second base. According to one hot rumor that winter, the Yankees were prepared to replace the departed Randolph with the faster Wills, a free agent who had played out the final year of his contract with the Cubs. The additions of the two former Cubbies would have given the Yankees a hyperactive offensive infield of Buckner, Wills, Roy Smalley at shortstop and Graig Nettles at third base, but the reconfiguration would have created more than a few misadventures defensively. In addition to Smalley’s shortcomings, Wills’ range had started to diminish, while Buckner’s knees were beginning to give him trouble before they would undergo a complete breakdown in Beantown.

Despite the rumors, Wills never did make his way to the Bronx. Finding no offers to his liking from any major league team, including the Blue Jays, Wills took his talents to the Japanese Leagues. That didn’t stop Topps from producing another Wills card in 1983—one that had him right back in Chicago!

Bruce Markusen is the author of seven books on baseball and writes “Cooperstown Confidential” for MLB.com.

Unlike many of my contemporaries, I did not grow up reading Bill James. I wasn’t familiar with James’ Baseball Abstracts until my cousin gave me his collection in 2002, but in many ways, Bill James is the Internet–the outsider, the guy writing in his basement, intellectually curious, irreverent, superior, caustic and funny. The guy who doesn’t have to actually face the athletes, who really doesn’t have any interest in talking to them.

There have been other writers who played a big part in influencing the current generation of baseball writers–from Tom Boswell and Peter Gammons to James’ protogee Rob Neyer and Bill Simmons.

But for me, the early role model was Roger Angell because he was a writer and a fan. Here is Angell discussing his first baseball assignment for the New Yorker in the spring of 1962 (from a wonderful interview conducted by Jared Haynes “They Look Easy, But They’re Hard,” originally published in Writing on the Edge in 1993):

I was in my forties–I was forty-one–and I knew enough to know that I didn’t know a great deal about baseball, even though I was a true-blue fan. I’d followed baseball all my life. But I was wary of talking to players; I felt nervous about that.

…And also, although it was not a conscious plan, I wrote about myself, because I was a fan. It set a pattern for me. I am a fan, I refer to myself as a fan, and I report about my feelings as a fan, and nobody else, to my knowledge, does that. It’s not great thing, but those old restrictions on reporting seemed to say that you can’t put yourself in the piece and you can’t betray emotion. It’s funny, because most of the beat writers are just as much fans as the rest of us, or more so. If you sat up there and didn’t care about baseball in some personal way, it would be a deadly assingment, I think, year after year.

Angell is an editor first and a writer second. So who influenced his approach to writing about baseball?

A great model for me was Red Smith, who was a model for almost every sportswriter. The great thing about Red Smith was that he sounded like himself. His attitude about sports was always clear. He felt himself enormously lucky to be there in the pressbox. He was not in favor of glorifying the players too much–Godding up the players, in Stanley Woodward’s phrase. But was Red Smith in every line. You knew what he had read and what his influences were.

I don’t try to be a literate sportswriter; I try to be myself. It’s as simple as that. Everybody’s got to find what their voice is. You’ve got to end up sounding like yourself if you’re going to write in a way that’s going to reward you when you’re done. If you end up sounding like somebody else, you’re not going to be any good. You won’t get anywhere. Readers are smart. They will pick up whether the tone is genuine or not. Tone is the ultimate thing writers have to think about. You could write on a given subject–a ball game or a national crisis or a family crisis–in twenty or thirty different ways. You only have to pick what you want people to make of this.

Words to live by.  Angell has often said that writing and baseball may look easy but they are both extremely hard. I try to never forget this because neither gets easier with practice.  I can’t get away from the reality with writing because I do it regularly, but it’s more tempting to lose track of how hard it is to play the game.  

I’ll always be grateful to Angell for making this clear.  And for setting a wonderful example of the writer as fan.

Powered by the treif that is the “Bacon Explosion“, here’s the news:

• Tyler Kepner offers up more tidbits from the book, including this gem:

The Yankees should have talked to Tim Raines before signing Carl Pavano. Raines, the former Yankee who was coaching with the White Sox when Pavano signed, had played with Pavano in Montreal. During Pavano’s first Yankees season, Raines told Borzello: “He didn’t want to pitch except for the one year he was pitching for a contract. I’m telling you, he’s not going to pitch for you.”

Of course, by then, the Yankees already had a bad feeling about Pavano — team officials were startled to see him rudely rebuke his mother in April, using a mild curse word. Why? He was angry at his mother for wearing a Yankees’ NY in face paint on her cheek to the game.

• Newsday’s Wallace Matthews has news of a potential “confidentiality agreement” that might be introduced into future Yankee contracts:

The Yankees are considering including a “non-disparagement clause” in future player and managerial contracts in order to prevent any more tell-all books such as “The Yankee Years,” co-written by Joe Torre and Tom Verducci.

Speaking on the condition of anonymity, a Yankee official said yesterday that some members of the front office staff already are required to sign a confidentiality agreement in order to protect “proprietary knowledge of our business model.” The proposed clause is intended to ensure that future books about the Yankees are “positive in tone,” and “do not breach the sanctity of our clubhouse.” …

The Mets are believed to have included similar clauses in their contracts with former manager Willie Randolph and former pitching coach Rick Peterson. Up to now, the Yankees never have included them in the contract of a player or manager.

• Matthews also has some of the fallout from the book, from Yankee insiders:

But the fact that he chose to tell it at all, and in a way that Yankees insiders say is, well, unfaithful to the facts (a pack of lies,” one Yankee said) is why the Bronx is burning today.

“I think his ego’s gotten so big that he thinks he can do no wrong,” a Yankees source said. “And the Dodgers winning the division was the last straw. I think he truly believed he had the Midas touch, that he could do no wrong.”

Instead, Torre may have committed the one sin the Yankees find virtually impossible to forgive.

“The same thing he was so upset with Wells and Jose Canseco about, he did himself,” the source said. “He violated the sanctity of the organization, the sanctity of the clubhouse. He broke the trust we had in him.”

• Tyler Kepner was also at Sacred Heart University on Tuesday night to hear Joba Chamberlain and the Sox Jon Lester address a group of students.  Chamberlain responded to a question about his DUI arrest as follows:

“It ain’t hard to make a phone call,” Chamberlain said. “It ain’t hard to give someone else the keys. As a man, you have to fess up when you do something wrong. A lot of people would run from it, and I would never, ever run from it.”

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