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Daily Archives: May 3, 2010

Whistling Winn Dixie

The off-season acquisition of Randy Winn evoked much consternation amongst Banterites and associated Yankee fans. It wasn’t like Winn was a lifetime fourth outfielder. Through 2008, he had compiled a .288/.347/.425 line (102 OPS), with 104 homers and 193 stolen bases.

But here was a player who couldn’t add much punch to an impotent Giants lineup in 2009, posting a .262/.318/.353 line in 597 PAs, with a mere two homers and twice as many strikeouts as walks.

His range in the outfield, as he turned 35, was diminishing a bit from above average towards slightly above league-average. And now the Yanks wanted to add him as a 4th/5th outfielder . . . asking him to come off the bench for the first time in his career.

This season, he had started three games, and appeared in nine others, with one single and five strikeouts in 13 ABs. This was Winn’s first start since Curtis Granderson’s groin strain and DL stint Saturday.

Starter CC Sabathia endured very little trouble with the Orioles line-up, save for an opposite field line drive homer to Matt Wieters to lead off the 2nd. He struck out only two through his first four innings, but kept the ball on the ground, to the tune of nine groundball outs.

Orioles’ starter Jeremy Guthrie, who had faced Sabathia only last Wednesday, was also locked in early in the game, allowing only two walks and a single in the first three innings.

Alex Rodriguez led off the bottom of the 4th with a single to left. Robinson Cano flied out to left and Posada grounded out to second (A-Rod moving to second on the out). Nick Swisher, who owns Guthrie (now 13-24 lifetime) laced a long single off the right field wall, scoring Rodriguez to tie the game.  Brett Gardner was fooled on a change-up, but managed to punch a single up the middle.

Winn then stepped to the plate. With an 0-1 count on him, he plastered a 91 mph fastball deep into the Yankee bullpen . . . his first homer in 491 at-bats.  That would be all Sabathia needed in a 4-1 win in a tidy 2:29.

CC sailed through eight innings (106 pitches), assisted by two double plays.  There were only two flyball outs against him all night. He didn’t have his best stuff, striking out only two despite throwing 69 strikes out of those 106 pitches.

The only drama after the fourth inning took the form of Yankee injuries.  Jorge Posada took himself out of the game after the fifth inning, citing tightness in his right calf. This was the same leg he got plunked in last week, so the possibility of a cascade injury may be there.  [Late news from Mark Feinsand: MRI reveals mild calf strain.]

With a three-run lead heading to the ninth, the (heretofore unknown) other injury came into play, as it turned out NOT to be Mariano Rivera time. Joba Chamberlain came on to finish it out. Joe Girardi later revealed that Mo had awoken Saturday to stiffness in his left side (after pitching Friday night). Rivera threw a bit during pre-game, and said he felt better, but not 100%. Girardi stated he would like to hold him out at least one more day.

Otherwise, the big news from the game was the red-hot Robinson Cano Nick Swisher. Prior to this game, Swisher had gone 16-45 (.356) with three homers and 11 RBI in his last 11 games, raising his average from .200 to .282. Michael Kay mentioned during the broadcast that Swisher had been working with hitting coach Kevin Long on “quieting” his stance, allowing the bat to rest on his shoulder with less wiggling prior to the pitch. It seems to be paying off, and facing Guthrie didn’t hurt either, as Nick added two singles and a double.

With the win, the Yanks moved to within one game of the idle Rays, with AJ Burnett set to face Brian Matusz Tuesday night.

Baltimore Orioles II: You Ain’t So Tough

When the Yankees arrived in Baltimore a week ago, the Orioles were 3-16 and I wrote that they weren’t that bad. This week, the O’s arrive in the Bronx coming off a three-game sweep of the Red Sox and have won five of their last seven games (four against Boston and one against the Yankees last Tuesday), and I’m here to say, the Orioles aren’t that good (I also believe the Red Sox aren’t that bad, but I’ll save that for Friday’s series preview).

Nothing has changed about the Orioles other than their luck.While the Yankees were in Baltimore last week, Alfredo Simon was called up and installed as the closer, with Kam Mickolio returning to the minors. Since then, the O’s have made just one roster move, sending former closer Jim Johnson to the minors in order to return Brad Bergesen to the fifth spot in the rotation. The Yankees won’t face Bergesen in this series and they’ve already seen Simon. Nothing has changed about the Orioles. (Incidentally, I noticed I forgot to fill in the “Who’s Replaced Whom” section in my O’s post last week, so I’ve included the full 2009-to-2010 comparison below).

The O’s swept the Red Sox by outlasting them. Two of the games were decided by one run in ten innings, and the other had a final score of 12-9. I like the Yankees chances of winning a slug-fest with the O’s, but with CC Sabathia, A.J. Burnett, and Andy Pettitte lineup as the Yankees starters in this series, I don’t see one developing. The O’s counter with Jeremy Guthrie, Brian Matusz, and David Hernandez. Hernandez, the only one of the three the Yankees didn’t see (and beat) last week has been a five-inning, keep-you-in-the-game sort of pitcher in the early going, but has walked nearly as many men as he’s struck out and gives up a ton of fly balls, which is a recipe for disaster when facing the Yankees in the Bronx. Matusz vs. Burnett Tuesday night looks like the O’s best chance of a win on paper as Matusz has been solid (three straight quality starts including his loss to the Yankees last week) and I always feel like Burnett is due for a stinker, no matter how well he pitches (and he flat-out dominated the O’s in Baltimore last week, allowing just three singles and a walk in eight shutout innings). Tonight, CC Sabathia faces Jeremy Guthrie for the fifth time since joining the Yankees. Sabathia is 3-1 those matchups thus far, including last Wednesday’s 8-3 Yankee win in Baltimore.

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Afternoon Art

Fumee d’Ambre Gris (Smoke of Ambergris), By John Singer Sargent (1880)

Beat of the Day

One Time…(this record is smokin’ hot)

Two Times (tighter than the jaws of a gator)…

Texas Two-Step, Part Deuce: The Ballad of Crew Slammer

Jimmy Cannon: Sportswriter.

Riding the Harper’s Magazine bandwagon today. They’ve earned it. Just published a terrific collection called Rules of the Game: The Best Sports Writing from Harper’s Magazine. Lots of good stuff in there including Pete Axthelm’s memorable essay The City Game (which became an excellent book), Pat Jordan on the shady baseball prospect Toe Nash, another good baseball essay by Rich Cohen, and a spot-on piece on sports writing by the critic Wilfrid Sheed, a guy who is real hit or miss for me.. Also work from Mark Twain, John R. Tunis, Shirley Jackson, Tom Wolfe, and George Plimpton. It’s the goods.

Harper’s has also made Gary Cartwright’s memorable recollection of his days at the Fort-Worth Press (included in the book), Confessions of a Washed-Up Sportswriter, available for us all on the Internet. Whoopee!

Here we have a first-hand account of Shrake and Jenkins, Blackie Sherrod and the Forth-Worth Press in the Fifties:

I did not know it at the time, but The Press sports staff was ten years ahead of the game. In 1955 The Press was perfecting what most, but not yet all, sports staffs believe they have just created: a competitive art form. Significant television competition was years away, but already The Press was rebelling against the stiff, bleak who/what/when/where architecture of its predecessors, exposing myths, demanding to know why, and treating why as the only question. It was funny about 1961 when Newsweek devoted its press section to the wry progressive sports editor of Newsday, Jack Mann. Newsday hired good, creative writers. They worked as a unit, pruning cliches from wire copy, pepping up hard news by tracing angles all over the country, barreling over dogma where they confronted it. Was Yogi Berra a lovable gnome, like it said in Sporting News? Did he sit around reading comic books and eating bananas? Or was he a noncommunicative boor whose funniest line was, “How the hell would I know?” Newsday, the magazine pointed out, demanded an answer.

There was no way for Newsweek to know it, but sports editor Blackie Sherrod had been preaching a better anarchy at The Press in 1950. Sherrod surrounded himself with such men as Dan Jenkins and Bud Shrake, now well-known and excellent writers at Sports Illustrated, not to mention the irresponsible Crew Slammer. He let them write from the gut.

Cartwright recalls the early days with great fondness but he doesn’t romanticize the sports writing profession:

…Let me make one thing plain: most sportswriters have no business in journalism. They are misfits looking for a soft life. The worst sportswriters are frustrated athletes, or compulsive sports fans, or both. The best are frustrated writers trapped by circumstances. Westbrook Pegler called sportswriters “historians of trivia,” but Pegler learned his craft by writing sport. Scotty Reston, Heywood Broun, Damon Runyon, Ring Lardner, and Paul Gallico wrote about sport. Winston Churchill covered cricket during the Boer War. TheNew York Times‘ John Kieran was a sportswriter, but he was much more. When students at Yale protested that a sportswriter had been invited to address them, Kieran delivered his speech in Latin.

Sportswriting should be a young man’s profession, No one improves after eight or ten years, but the assignments get juicier and the way out less attractive. After eight or ten years there is nothing else to say. Every word in every style has been set in print, every variation from discovery to death explored. The ritual goes on, and the mind bends under it. Ask a baseball writer what’s new and he’ll quote you the record book. Baseball writers are old men, regardless of age.

…There is no spectacle in sport more delightful than witnessing members of the Baseball Writers Association, who invented the box score, trampling each other at the buffet table. The first time I actually saw Dick Young, the New York Daily News‘ very good baseball writer, he was smearing deviled egg on the sleeve of Arthur Daley’s sport coat and discussing Casey Stengel’s grammar. Ben Hogan was rude and gruff but he impressed me when I learned that the caviar at his annual press party cost $45 a jar. Tony Lema had a genius for public relations at least as great as his genius for golf. Champagne Tony! I covered his funeral. It was an assignment that I did not want, but I was there, thinking that it may be years before I taste champagne again. They served some on the flight home. Bear Bryant used to insist that the way to handle a sportswriter was with a fifth of Scotch. Sportswriters deplored this attitude, but no one ever thought to sue Bear Bryant.

This was the title piece of Cartwright’s collection of his best work, Confessions of a Washed-Up Sportswriter (including Various Digressions about Sex, Crime, and Other Hobbies). If you can ever find a copy of that on the cheap, get it, it also features a wonderful piece on Candy Barr, the famous Texas stripper, and a vicious story about dog fighting that would make the dudes at Deadspin moist. Cartwright regarded it as the best piece he ever wrote even though it was rejected by Playboy, Sports Illustrated and Esquire. It was his favorite, anyway. Probably worth signing up for Texas Monthly (it’s free) for the Cartwright archive alone.

Kudos to Harper’s here. They are doing a real mitzvah and other publications like Rolling StoneEsquire, GQ, and The New Yorker could take notice and make some of the gems from their vaults available to us on occasion. Share the wealth, just a little taste, good Internet karma and all that. A little love goes a long way.

[Life picture of Jimmy Cannon via A Continuous Lean]

Taster’s Cherce

Diane hipped me to this piece in the Chicago Sun-Times on the current state of food photography. It’s a good ‘un.

[Photo Credit: Last Night’s Dinner]

Texas Two-Step Part One: Permanent Press

Got a treat for you from the good people at Harper’s Magazine. They’ve taken Edwin “Bud” Shrake’s classic piece “In the Land of the Permanent Wave” out from behind the pay wall and made it available for all. If you’ve never read it before, do yourself a favor and check it out:

For about five hours I had been drinking Scotch whiskey and arguing with a rather nice, sometimes funny old fellow named Arch, who was so offended by my moderately long hair that he had demanded to know if I weren’t actually, secretly, a Communist. “Come on now, you can tell me, hell, I won’t hate you for it. Wouldn’t you really like to see the Communists take over this country?” Arch had said, placing his bare elbows on the table and leaning forward to look trustingly at me, as though he was certain that if I had one virtue it would prove to be that I would not lie to him about such an important matter. Arch was wearing a jump suit; swatches of gray chest hair, the color of his crew cut, stuck out where the zipper had got caught in it when last Arch had excused himself from the table. We were in the guest lodge of a lumber company in a small town in East Texas. Arch is an old friend of the president of the company. Sitting around the table or nearby were my wife, a State Senator in town to crown a beauty queen at a “celebration” the next evening, a U. S. Congressman who had come down from Washington to make a speech between the parade and the barbecue the following noon, a lumber lobbyist who is mayor of still another town owned by this same lumber company, and I think one or two more people but my memory of that evening has a few holes in it.

Willie Morris ran Harper’s during the magazine’s heyday in the Sixties. He said that Shrake’s story, along with Seymour Hersh’s devastating account of the My Lai Massacre, were his two favorites.

In his memoir, New York Days, Morris recalled Shrake as:

…a large, tall Texan with a blunt exterior that disguised a lyric but misdoing heart. This piece was infiintely less ambitious than “My Lai,” but struck a chord in me that I have never quite forgotten, having to do with how clean, funny, and lambent prose caught the mood of that moment in the country and mirrored with great felicity what we were trying to do at Harper’s. To me few finer magazine essays have ever been written.

The genesis of “The Land of the Permanent Wave” was itself a germane story of the magazine business of that era. Sports Illustrated sent Shrake down at his insistence to do a piece on the beautiful and haunting Big Thicket area of East Texas. This was about the time a Texas lumbering company was becoming a major stockholder in Time Inc. Shrake’s story on timber choppers and developers ruining the Thicket was not happily greeted at SI. Andre Laguerre, the managing editor later to be dismissed by the money men, broke the news to the writer at their daily late afternoon gathering in the bar around the corner from the Time-Life Building where many of their editorial decisions took place. It was the only SI story Shrake ever wrote that the magazine would not print and Laguerre embarrassed. Shrake got his permission to rewrite it and give it to Harper’s. He sat down and changed the main angle of the story from the mercenary destruction of the Thicket to his and his young wife Doatsy’s travels through Lufkin and down to the Thicket, about permanent waves and long hair in the Sixties and cowboy hats and rednecks and cops and the fumes from the paper mills.

This story speaks to that time and place as well as a movie like Easy Rider, but it is not at all dated (the same can’t be said for Easy Rider).

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The Light

All he wanted was for his wife to live long enough to see their daughter’s sixteenth birthday. The girl’s birthday was early last month and the wife, whose body had been ravaged by ALS, was alive to see it. They are our downstairs neighbors; the girl sits for our cats when we are away. You’d be hard-pressed to find a sweeter family.

My wife Emily spent hours with them helping navigate insurance claims. On occasion, I made them food. The girl and her mother watched The Oscars with us a few months ago. By that point the mother wasn’t really able to communicate–she made noises but even using a keypad had become too much.

About three weeks ago I saw the husband and he said the end was near. I didn’t tell that to Emily. In fact, I avoided bringing them up entirely. But last week, I mentioned what he’d said and Emily said that he had said as much other times before. “We would have heard something from them…” she said.

* * *

Last night I was in bed reading a 1985 GQ profile on the great columnist Mike Royko written by my pal John Schulian. It was an entertaining look at the world of the big-city columnist that no longer exists. Royko was a son-of-a-bitch of the first order. (“I don’t know who the best is—maybe some guy in Peoria,” Royko said. “But day in, day out, you gotta chase me; I ain’t gonna chase anyone.”) But the end of the piece reveals a tenderness in the man, whose wife died in 1979 at the age of 44:

“I couldnt live with my grief,” Royko says. “I thought I might drink myself to death.”

When he lost his taste for that, he tried to end it all with work. Once again his days stretched to twelve and fourteen hours, lonely seances in the out-of-the-way place where the Sun-Times editorial writers dwelled, a place where reporters he never trusted couldn’t watch him suffer.

Five years have passed since then. To the outside world, it seems the tragedy has been put to rest, for there are still Royko columns condemning San Diego as a nest of John Birchers, and there are still stories coming out of Billy Goat’s about the female bottoms he has patted. But Royko knows the truth, and it has nothing to do with appearances.

“You lose a wife, you never really come out of it,” he says. “What happens is, you become different.”

He lights a cigarette and takes a puff.

“I don’t think my life has had a hell of a lot of meaning since Carol’s death. Since she died, I’ve never been sure what the hell I’m about. I could accept dying tomorrow because I don’t think I fill any great importance to anybody. My life has lost its structure.”

The cigarette is forgotten now, left to burn untended.

“I still know who I am. I’ve been who I am for so frigging long. I’m Royko the columnist. When Carol was alive, I was so much more.”

Maybe that’s smoke getting in his eyes.

I placed the article on my night table and reached over  to turn my BlackBerry off for the night when I saw that I had an e-mail. It was from the husband downstairs. His wife died earlier in the day. She was 51.  

Emily was in the bathroom washing up. I debated whether or not to tell her but in the end I told her. Like me, Emily was broken up.I gave her tissues to dry her tears. We remembered the wife over the past few years and finally we turned out the lights. But we could not close our eyes. The sound of rain pattered off the air conditioner and we lied there in the dark, eyes wide open for what seemed like a long time.

[Photo Credit: Emily Shapiro]

Picture Poifect

My five-year-old nephew made it through half the game on Sunday, ate a hot dog, ice cream and cotton candy before he over-heated and crashed. When he got home he got to drawing. My brother sent me these two pictures last night with the following note:

“These were rendered after a great deal of crying. I told him that comics are always drawn in pencil first, so they can erase their mistakes. That seems to have made an impression.”

From my nephew: “The first is just Ny yankees. A fan cheering.” 

Here is a picture of Derek Jeter: “I tride to dro yankees. I could not dro it but then aftr a litul while. I could draw it if you ceep pprac tising you will get beter.”

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"This ain't football. We do this every day."
--Earl Weaver