"A New York Treasure" --Village Voice

Million Dollar Movie: The Devil and "Deep Blue Sea"

Come on, what else could I write about during Shark Week?

Deep Blue Sea opens with an homage to and ripoff of Jaws, as do roughly 90% of all movies about dangerous aquatic creatures. Which is fitting, since Jaws impressed and traumatized me at a very young age and gave me a so far life-long fascination with sharks. I used to check over my shoulder in the deep end of swimming pools, looking for fins; I still to this day scan the horizon only semi-ironically if I’m in the ocean above my thighs. The idea of huge monsters in the murk coming at your vulnerable body from below… it still gets to me more than just about any other horror trope.

That’s one reason I started watching Deep Blue Sea when I came across it on TV for the first but certainly not last time, a decade ago. Another reason, I’m only slightly embarrassed to admit, is the early scene featuring Thomas Jane is a bathing suit:

Hello, ladies.

Deep Blue Sea’s set-up is pretty simple: rich and famous executive Samuel L. Jackson is threatening to shut down the research of driven scientist Dr. Susan McCallister (Saffron Burrows… what? Her hair’s pulled back and everything!), so she flies him out to her floating lab to demonstrate how close she is to curing Alzheimer’s using protein from shark brains. (Indeed, the film’s conceit that a drop of shark brain fluid applied to dead human brain cells will cause them to completely regenerate and spark to life in 6.5 seconds is perhaps its most ridiculous moment of all, which is really saying something in a movie where LL Cool J kills a genius shark with an oven to avenge his dead pet parrot.)

At the lab, far out at sea, we meet the weekend skeleton crew: neurotic engineer Michael Rappaport, dour researcher Stellan Skarsgård, pixie-ish researcher Jacquelyn McKenzie, comic-relief cook LL Cool J, spunky control tower operator Aida “Janice Soprano” Turturro, and macho shark-wranger and ex-con Thomas Jane. Naturally, a huge storm arrives, just as Dr. Saffron Burrows’ rushed research is coming to a head – and as the experimented-upon sharks are acting less and less like fish, and more and more like evil masterminds.

Well, wouldn’t you know it, the sharks’ brains have been genetically engineered to many times their natural size, which made them smarter, “as a side effect.” When the storm hits, they turn the tables on the lab staff in a hurry. Their first assault gruesomely takes out Stellan Skarsgård and causes a huge helicopter crash (take that, Megashark!) that severely damages and floods the lab, kills Janice Soprano, and sets the brilliant demon-fish free to stalk the significantly less brilliant human characters.

The following scene (SPOILER ALEEEEEEEEEERT!) is by far the best in the movie, and almost single-handedly elevates it from so-bad-it’s-good empty calories to something a bit more. This Samuel L. Jackson speech, and its abrupt end, genuinely startled me more than a movie had in a very long time, and in a fun, wry, knowing way.

Obviously Deep Blue Sea is hardly the first movie to kill off what the audience thought was the main character much earlier than expected – see Psycho for the most dramatic example, decades earlier. But Deep Blue Sea gives you no previous hints that it’s going to be that kind of movie. Everything has gone according to the rulebook, and suddenly the rulebook is set on fire. And to do it in the middle of a big, dramatic speech about togetherness and cooperation – that’s just awesome. Sure, working together to overcome obstacles is great and all, but massive, vicious genetically engineered predators with rows of razor-sharp teeth will trump any amount of community spirit.

Dr. Saffron Burrows takes most of the movie’s blame for causing all the trouble by pushing nature (and pissed-off mutant sharks) way too far in her single-minded pursuit of an Alzheimer’s cure. “What in God’s creation…” wonders Samuel L. Jackson. “Not His,” says Stellan Skarsgård, “Ours.” He is, naturally, the first to die, though really it’s as much because he’s a smoker as because of his blasphemy.

This is what happens when you smoke, kids.

So the movie (like so many before it) posits that the Doc brought this misery on herself and her friends because she played God, but I tend to disagree. I think if you can really find a cure for degenerative brain illness, and the price of that is a few terrifying evil mutant sharks, you damn well go for it; the unforgivable mistake of the Deep Blue Sea crew was, rather, surrounding huge unnatural killing machines with freaking mesh wire fences. (Jurassic Park teaches the same flawed lesson about human hubris. I mean, go ahead and mess with nature – just don’t keep your only backup generator on the other side of the goddamn Velociraptor habitat! Common sense, people).

Deep Blue Sea was directed by Renny Harlin, whose spotty record includes the mega-flop Cutthroat Island as well as the minorly entertaining hits Die Hard 2 and the Long Kiss Goodnight. No one would really confuse him with an auteur, but he knows how to direct action and he keeps things taut. Meanwhile, the screenwriters are no one of any distinction. But somehow the movie has a spark of life and ingenuity and just sheer joy in its own stupid premise that elevates it above most similar summer junk.

For example, I have to give the film full credit for its handling of the obligatory leading-lady-in-her-underwear sequence, which often, in these movies, comes with only the flimsiest of pretexts. Here Saffron Burrows, having gone back to her quarters in a staggeringly stupid fit of determination to save her research, is attacked by a shark in neck-high water, stands on a desk, and takes off her wet suit to reveal her bra and panties… then stands on said wetsuit for insulation and fries the shark with a loose electric cable. I just can’t argue with that reasoning.

Fair play.

In the end, this movie is both saved and cursed by its self-consciousness. That’s what allows the writers to play with the rules of the genre so effectively at times, but it also stops the film from ever being particularly affecting – it never really lets you forget that you’re watching a movie, and a silly one. And so as entertaining as it is, Deep Blue Sea is never all that scary, or sad, or uplifting. It will not distract you from your popcorn.

Just as the movie opened in Jaws’ shadow, it closes there too – with a huge shark exploding in a fountain of blood and flesh, and two exhausted survivors (though not, I have to admit, the two I initially expected). Deep Blue Sea isn’t one fourth of the movie that Jaws is. But it connects to that same primal fear… and then adds hot people in wetsuits, and all manner of explosions, and ludicrous scientific jargon, and an original LL Cool J track. And I have now watched it at least four times.


1 Sliced Bread   ~  Aug 4, 2010 12:42 pm

wow, talk about Oscar snubs!

Sam Jackson either ad libbed the end of that speech, or he was only paid to stick around until page 37ish.

2 Emma Span   ~  Aug 4, 2010 12:49 pm

[1] Speaking of Oscar snubs, I can't believe Cool J didn't get a Best Original Song nom. "Deepest, bluest, my head is like a shark's fin!" SUCK IT RANDY NEWMAN.

3 Sliced Bread   ~  Aug 4, 2010 12:52 pm

[2] heh... clearly shoulda won Best Rap Parody in an Original Song

4 Chyll Will   ~  Aug 4, 2010 1:03 pm

From his Wikipedia page:

...20th Century Fox approached Harlin with science fiction/horror sequel Alien 3. After working on the trouble-prone project for a year, he left in 1990 claiming not to be satisfied with any of the multiple scripts that had been drafted and stating that he wanted to do something completely different. The next day the studio offered him rock-and-roll comedy The Adventures of Ford Fairlane starring stand-up comic Andrew Dice Clay. Studio executives were so impressed by the dailies on this film that they offered Harlin action sequel Die Hard 2 starring Bruce Willis, which he set to work on immediately. The two films were edited simultaneously and were released just a week apart after being shipped to the theaters as "wet prints". The former flopped but the latter was another commercial success for the director....

The reason why hacks stay in the mix is mainly because:
A.) They have important friends, and
B.) They make a lot of money for the right people.

That's a lousy lesson for budding directors like me to handle, but it's the truth.

5 Emma Span   ~  Aug 4, 2010 1:10 pm

[4] Harlin may be a hack in that he chooses lousy, pandering scripts, but I think his actual direction - at least here, and in The Long Kiss Goodnight and Die Hard 2- is workmanlike... not exactly inspired, but solid enough.

I've never seen Cutthroat Island, though, so maybe I'll have to take that back one day.

6 Scott G   ~  Aug 4, 2010 1:16 pm

Couldn't wait for Ms. Tutturo to exit this movie. Jaws is my all-time fav and this DBS was fun and hit on that primal fear. I found the movie "Open Water" to be very intense from that angle, as well

7 festus   ~  Aug 4, 2010 1:25 pm

You know, there's a longstanding debate (mostly taking place entirely in my brain) about whether LL Cool J is saying his "head" or his "hat" is like a shark's fin. I am usually on the hat side. 10 seconds of googling is inconclusive. Either way, it's a puzzling boast.

8 The Hawk   ~  Aug 4, 2010 5:11 pm

This is a truly shitty movie, and I did enjoy it pretty much. Does not make me guilty though!

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