"A New York Treasure" --Village Voice

Monthly Archives: March 2015

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Bluebird, Bluebird, Through My Window

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The Yanks and the Jays play an exhibition tonight in Florida.

Brett Gardner LF
Alex Rodriguez 3B
Carlos Beltran RF
Mark Teixeira 1B
Brian McCann C
Garrett Jones DH
Chris Young CF
Stephen Drew 2B
Didi Gregorius SS

Game’s on TV. I don’t watch spring training baseball much but I’ll watch tonight because I want to see C.C. He’s been a fun guy to root for and I don’t know what he’s got left but I’m pulling’ for him, big-time. I mean, we only saw him 8 times last year. Miss the dude, you know? I like that he’s gained some weight back. You don’t want skinny Lolich or skinny David Wells.

Figure the Jays could be pretty good this year, right? And maybe even a little less douchy?–though you could argue Russell and Donaldson just up the douche factor. I’m curious to see them.

Whadda ya hear, whadday ya say?

Let’s Go Yank-ees!

Picture by Bags.

Afternoon Art

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Painting by Jessica Brilli.

Beat of the Day

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You act as if you just don’t care. You look as if you’re going somewhere.

[Photo Via: NYC Nostalgia]

Breaking Bad

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Unfortunate news for the Mets.

Man, it just feels like a matter of time before we hear something similar about Tanaka…or any young pitcher, really.

[Photo Via: Eddie Kranepool Society]

New York Minute

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Emily and I had dinner plans downtown on Saturday night. Even though it was raining in the afternoon we trooped around SoHo and the Village for a few hours running errands. Man, it was dead out. Even in SoHo with plenty of people on the street, it was so quiet. People just weren’t ready to be out yet I guess. We walked through the streets, through Washington Square Park, and enjoyed ourselves and the subdued mood.

Picture by Bags.

Beat of the Day

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Monday Groove.

[Photo Credit: Lennart Olson]

BGS: All-Pro

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Couple of W.C. Heinz gems for you.

1) John Schulian’s tribute to Heinz for Deadspin:

I never realized how many Bill Heinz stories I love until I read The Top of His Game. Some I would have loved earlier if I’d known about them or hadn’t been too lazy to root around for them in the library. But I didn’t, even though I sit here and tell you he was a friend and an inspiration to me. All I can do now is savor what he wrote and suggest that for openers you too might love his beautifully crafted 850-word newspaper columns on Beau Jack buying hats—”Ah want three. Ah want one for every suit”—as he waits to fight in Madison Square Garden, and on Babe Ruth, in his farewell to Yankee Stadium, stepping “into the cauldron of sound he must know better than any man.”

Bill, demanding craftsman that he was, thought “Death of a Racehorse” was the only one of his columns worth saving. But I’m glad his ode to Toughie Brasuhn, the Roller Derby queen, made it into the new collection because I doubt there’s a newspaper sports columnist in America today who’d be given the freedom to write about such an off-the-wall subject. And then there are the columns he constructed entirely of dialogue, harbingers of his best magazine work and even more so of The Professional. They weren’t written off the news or because they were on a subject that got a lot of hits. (Personally, I think only baseball players should worry about hits.) Heinz used dialogue as a device because it was a change of pace and, let’s be honest here, because he was trying to add to his authorial toolbox. So we get boxing guys and fight guys talking and Heinz listening without, he said, taking notes. Truman Capote made the same claim when he wrote the classic In Cold Blood, boasting that he could recall hours of conversation word for word. Somehow I believe Heinz more than I do Capote. I believe the distinct voices he captured on paper, and the oddball theories his largely anonymous characters spout, and the exotic world that rises up before the reader as a result.

It’s surprising how little time Heinz spent as a sports columnist—less than three years and then the Sun folded in 1950 and he took a giant step to full-time magazine freelancing. Judging by the contents of The Top of His Game, there wasn’t a magazine that wasn’t happy to have him—Life, Look, Colliers, Esquire, The Saturday Evening Post, Sport, True, even Cosmopolitan. Granted, it wasn’t Helen Gurley Brown’s Cosmo and Heinz wasn’t writing about sex and the single girl. But he was writing about boxing and a boxer’s wife for a distinctly female audience, and he delivered pieces that have stood the test of time.

And here’s one of Heinz’s classic magazine stories, “The Rocky Road of Pistol Pete”:

“Down in Los Angeles,” says Garry Schumacher, who was a New York baseball writer for 30 years and is now assistant to Horace Stoneham, president of the San Francisco Giants, “they think Duke Snider is the best center fielder the Dodgers ever had. They forget Pete Reiser. The Yankees think Mickey Mantle is something new. They forget Reiser, too.”

Maybe Pete Reiser was the purest ballplayer of all time. I don’t know. There is no exact way of measuring such a thing, but when a man of incomparable skills, with full knowledge of what he is doing, destroys those skills and puts his life on the line in the pursuit of his endeavor as no other man in his game ever has, perhaps he is the truest of them all.

“Is Pete Reiser there?” I said on the phone.

This was last season, in Kokomo. Kokomo has a population of about 50,000 and a ball club, now affiliated with Los Angeles and called the Dodgers, in the Class D Midwest League. Class D is the bottom of the barrel of organized baseball, and this was the second season that Pete Reiser had managed Kokomo.

“He’s not here right now,” the woman’s voice on the phone said. “The team played a double-header yesterday in Dubuque, and they didn’t get in on the bus until 4:30 this morning. Pete just got up a few minutes ago and he had to go to the doctor’s.”

“Oh?” I said. “What has he done now?”

[Photo Credit: Gayl Heinz]

Taster’s Cherce

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Thanks to This Isn’t Happiness for hipping me to this food fun.

Morning Art

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Portrait of Ezra Pound by R.B. Kitaj.

BGS: Redneck Rock

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Here’s a fun one for you–Robert Ward on Redneck Rock circa 1976 for New Times Magazine:

The bus floated through the Nashville streets and stopped at the James Thompson Motor Inn. I got out and walked with Tommy (the Outlaw) and Coe’s old friend, Bobby.

“It’s on the fourth floor.”

We climbed the steps and walked down a long motel corridor. Looking over, I noticed it was a good 75 feet to the parking lot. At the door, Tommy waited for me.

“Come on in, writer.”

“Sure.”

I felt frightened by his tone—soft, but mocking. I had assumed that there would be women, other musicians, and whiskey. But there was none of that. Instead, there were Outlaws, about 15 of them, sprawled around the room. I looked at their eyes, which were all trained right on my own. In the exact center of the group, like some ancient fertility god, David Allan Coe sprawled on a bed. On his lap was an ugly, trashed-out looking woman, who was laughing insanely.

Behind me the door snapped shut. “This here is the writer,” someone said in a steel-wire voice.

Everyone was totally silent.

“The writer who wrote that shit about David Allan not being an outlaw!” someone else said.

I felt my breath leaving me and tried to laugh it off. “Hey, c’mon, you guys. I didn’t write that stuff.”

A short, squat, powerful man, the same Outlaw I’d seen screaming at the Exit Inn, came toward me. “You wrote that shit, did you?”

He reached in his back pocket and pulled out a five-inch hunting knife.

“Hey, wait now,” I said.

[Photo Credit: George Tice, 1974]

Sundazed Soul

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It’s raw out there today. Thinking warm thoughts…

Picture by Bags

Eastward Ha

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This is so cool. 

Afternoon Art

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Picture by Bags. 

Beat of the Day

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Bob.

New York Minute

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This morning I was sitting on a crowded IRT train, headed for work. At 86th street I looked up and noticed a beautiful young woman standing not too far away. Dark looks, thick eyebrows. Her face was as inviting as a cherry tomato and I imagined that it might look more like a beefsteak tomato when she got older. How much work does she put into trimming her eyebrows, I wondered.

At the next stop a blonde haired Latina woman got on the train with her son, kid must be about 9 or 10 years old. They stood next to the girl with the face like a cherry tomato.

I remembered back to a book I read last year by a therapist who is also a Buddhist. The therapist told a story about a patient who objectified women like I was doing now. The patient tried to move past his lust and imagine what women’s lives were beyond his sexual fantasies. I am often conscious of trying to do this while I look on with admiration at a woman’s looks.

After a few stops a seat opened and the boy sat down. He wasn’t directly in front of his mother, who was still standing, but a seat away, still within reach. I got a better look at her now. She wasn’t nearly as pretty as the other woman but her figure was something else–full bossom, round hips and a zaftig bottom. I thought about my mother, who was a single parent raising 3 kids when I was that boy’s age. Mom was also full figured and beautiful though with a more European sense of style.

Then, I saw the boy reach over for her hands, trying to get her attention. I looked up and saw a tear rolling down the side of her face. The boy held her hand and said something but I couldn’t hear him because I had my headphones on. She looked away from him and up to the ceiling. I turned and looked at my shoes, not wanting to stare. For a moment, I thought about my mom and then myself as a kid.  I looked at the boy once more as I got up to leave the train at my stop. I wasn’t thinking about his mother’s tits and ass anymore.

Stretching Out

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More spring notes from the intrepid Chad Jennings.

[Photo Credit: NJ.com]

Hope Springs Eternal

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Over at the New York Review of Books, Frank Rich weighs in on Richard Zoglin’s new Bob Hope biography:

When Bob Hope died in 2003 at the age of one hundred, attention was not widely paid. The “entertainer of the century,” as his biographer Richard Zoglin calls him, had long been regarded by many Americans (if they regarded him at all) “as a cue-card-reading antique, cracking dated jokes about buxom beauty queens and Gerald Ford’s golf game.” A year before his death, The Onion had published the fake headline “World’s Last Bob Hope Fan Dies of Old Age.” Though Hope still had champions among comedy luminaries who had grown up idolizing him—Woody Allen and Dick Cavett, most prominently—Christopher Hitchens was in sync with the new century’s consensus when he memorialized him as “paralyzingly, painfully, hopelessly unfunny.”

Zoglin, a longtime editor and writer for Time, tells Hope’s story in authoritative detail. But his real mission is to explain and to counter the collapse of Hope’s cultural status, a decline that began well before his death and accelerated posthumously. The book is not a hagiography, however. While Zoglin seems to have received unstinting cooperation from the keepers of Hope’s flame, including his eldest daughter, Linda, he did so without strings of editorial approval attached. Hope’s compulsive womanizing, which spanned most of his sixty-nine-year marriage to the former nightclub singer Dolores Reade (who died at 102, in 2011), is addressed unblinkingly. And with good reason—it was no joke. At least three of his longer-term companions, including the film noir femme fatale Barbara Payton and a Miss World named Rosemarie Frankland whom Hope first met when she was eighteen and he was fifty-eight, died of drug or alcohol abuse.

[AP Photo via NPR]

New York Minute

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Man, it’s lovely out there, today. Positively springish.

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"This ain't football. We do this every day."
--Earl Weaver