"A New York Treasure" --Village Voice
Category: Arts and Culture

Taster's Cherce

I loved to eat breakfast at my grandparent’s home in Belgium when I was a kid. I spent a few weeks with them during the summer, alternating years with my twin sister and younger brother. Bonmamon and Bonpapa lived in a farm house in a small village between Brussels and Waterloo. Bonmamon made sure that we visited all of our relatives during my stay there so we traveled around the country, but I preferred when we stayed home. The days passed leisurely and were based around lunch and dinner, and late afternoon tea. There was always the potential for something scary to be served at those big meals–and I was expected to eat what was put in front of me–but breakfast was safe. It consisted of a cup of tea, often Earl Grey, and fresh bread from a local bakery. At the time, there weren’t many quality bakeries in New York, not as many as you find today, so good, simple bread was something to cherish.

I ate slice after slice of bread, butter and jam. Bonmamon made all sorts of jams and jellies but red currant stood out. Maybe it was because it was sweet and tart. Back home in the States, my mom also made red currant jelly and to this day, I love it. Because of how it tastes, of course, but also because it takes me back to a far away place where they spoke French and I felt welcome, like I was home.

Our man in Paris, David Lebovitz tries his hand at Red Currant Jam.

Dig it.

Beat of the Day

The Tribe Called Kvetch documentary is coming in a few weeks…

As for me I’m a nocturnal animal:

Million Dollar Movie

In the latest issue of The New York Review of Books, Geoffrey O’Brien has a compelling piece on the new Terrance Malick movie, “The Tree of Life”:

Malick has never shied from grandiosity, and in The Tree of Life more than ever before he risks the humorless and overblown. Into what might in other hands have been the small-scale, melancholy tale—too elliptical even to be called a tale—of the not unusually eventful childhood of a boy in Texas, his two brothers, and his father and mother, he has managed to incorporate the creation of the universe, the origins of life on earth, the age of dinosaurs, and the prospect of future dissolution, with musical accompaniment by the powerful tonalities of Berlioz’s Requiem Mass. But he has made an audacious and magnificent film.

The extreme variations of scale are no afterthought in Malick’s scheme. To show the world in a grain of sand he must first establish what the world is. So he will walk us through the stages and conditions and outer boundaries of human existence, provide a basic introduction to annihilating and fecundating cosmic forces, move freely back and forth in time for lingering glances at birth and death and family and memory as if they were only marginally familiar phenomena, as if no one had ever done any of this before, in a movie at least—and indeed who ever did in quite this head-on fashion? He manages to make childhood (and The Tree of Life is beyond anything else a movie descriptive of childhood) seem a somewhat neglected condition, deserving of reexamination. He is continually trying out different ways of representing acts of perception: the perspective of a child looking up at the adult world, or looking down from some hidden perch, the abrupt rhythm of a child looking quickly at some terrifying outburst of adult anger and then looking away, the sheared-off gaps in editing that can mark a moment as a fresh eternity disconnected from what preceded it.

I have not seen the movie yet and Malick is the kind of filmmaker that drives me to distraction. But he always has something interesting to offer, especially visually, and I’m sure our pal Matt B has seen this. If he says it’s good, that’s enough of a recommendation for me.

Big Sexy (Italian Style)

Mama Mia.

Beat of the Day

I’ve posted this before but what the hell, it’s catchy…

Taster's Cherce

Fuh Breahfist.

I’m good to go.

[Photo Credit: My Recipes]

Million Dollar Movie

In less than a month, there will be a tasty Sidney Lumet Retrospective at the Walter Reade Theater in Lincoln Center. Put it on your calendar. Netflix is fine but doesn’t replace seeing a movie on the big screen.

Here’s the line-up:

The Film Society of Lincoln Center – Walter Reade Theater
165 West 65 Street, between Broadway & Amsterdam (upper level)

Tuesday, July 19
1:30PM FAIL-SAFE (111min)
3:50PM THE VERDICT (129min)
6:30PM 12 ANGRY MEN (95min)
8:35PM THE PAWNBROKER (116min)

Wednesday, July 20
1:00PM SERPICO (130min)
3:45PM NETWORK (121min)
6:15PM FAIL-SAFE (111min)
8:45PM THE OFFENCE (112min)

Thursday, July 21
No Sidney Lumet screenings

Friday, July 22
1:15PM 12 ANGRY MEN (95min)
3:45PM THE PAWNBROKER (116min)
6:15PM NETWORK (121min)
8:45PM THE VERDICT (129min)

Saturday, July 23
10:30AM THE WIZ (133min) **Movies for Kids
1:15PM THE SEA GULL (141min)
4:00PM RUNNING ON EMPTY (116min)
6:30PM DOG DAY AFTERNOON (130min)
9:00PM SERPICO (130min)

Sunday, July 24
12:30PM LONG DAY’S JOURNEY INTO NIGHT (174min)
4:00PM Q&A (132min)
7:00PM PRINCE OF THE CITY (167min)

Monday, July 25
1:00PM DOG DAY AFTERNOON (130min)
3:30PM THE OFFENCE (112min)
6:00PM FIND ME GUILTY (124min)
8:30PM BEFORE THE DEVIL KNOWS YOU’RE DEAD (116min)

Taster's Cherce

This Italian breakfast dish is similar to a bacon, egg and cheese on a roll. But oh, so much better. And it’s good anytime, not just in the morning.

Morning Drawing

Pictures by Richard Diebenkorn.

Beat of the Day

Word to Ron Darling.

Saturday Soul

Take me…

A Moment of Silence

Rest in Peace.

Morning Art

Okay, not only does Nicole Franzen run the dopealicious La Buena Vida food blog, but she also features beautiful photographs are her own site. Today is all about appreciating what Franzen brings to the world. It’s good n plenty on a rainy Friday in New York.

Taster's Cherce

Anyone been to the New Amsterdam Market? I haven’t but just read about it at a cool food blog, La Buena Vida. Looks like it’s worth the trip.

New Jersey Minute

It’s Your Density

I was born in New York. I grew up outside the city. Since I moved back over a decade ago, I’ve lived in four different neighborhoods around Manhattan. So naturally when I think of great bagels, I think of … New Jersey.

This is an opinion I usually keep to myself. But I think most bagels in New York aren’t anything special. Going on reputation alone, you’d think you could get a good bagel, like a good slice, just about anywhere in New York. Ever since the puff-pastry style bagel overwhelmed the marketplace, it’s been difficult to enjoy a dense, crunchy, chewy bagel in the city.

If I had to sacrifce either the thin, crunchy exterior or the dense, chewy center, I’d lose the crunch. Where I grew un in Bergen County New Jersey, you can still get both.

Maybe that’s part of the problem. In New York, the bagel is such a menu-icon, every place has got to offer you a bagel. From diners to delis. So that eats away business from the bagel-specific shops. There’s not one within walking distance of my current apartment.

I thought Tal Bagels on 86th street did an OK job of keeping their bagels de-flated, and I liked that they answered “no” if you asked them to toast it. At least eight years ago they answered that way. Now they probably serve you a bagel that looks like a beach ball and will gladly slide it on a belt toaster for you.

Beat of the Day

Good morning beat fresh direct from Jack Curry:

Million Dollar Movie

In the first bit here, you’ll see the old H&H Bagels in the background as Henry Winkler and Shelley Long cross 80th street and Broadway:

Morning, Sunshine:

Take the Pillow From Your Head and Put a Book in it

Here’s Margaret Atwood on what she reads:

I like to read at night before bed, too, though it can give you some pretty horrific nightmares–and a stiff neck, because of the position of your head.

Really, though, I will read anything at any time. If there’s nothing else available I will read airplane shopping magazines. You find out some pretty interesting things in there, actually. You think: “Somebody invented this. They actually sat in a room and invented it. And then they went out and raised the money and they manufactured it and now it’s in the airplane shopping magazine.” Boggles the mind.

I used to read the backs of cereal boxes but I’ve kind of exhausted their possibilities. Advertisement used to provide a lot more reading material than it does now‹ads have become too pictorial. They used to have a lot more print. They used to be more narrative. Story ads were still going strong in the forties, and to a certain extent in the fifties. I think it probably started to change in the sixties. They used to have little poems. They used to have quizzes.

I’m a reading junkie, I guess. It’s the fault of my upbringing. I was brought up in the north where there weren’t any other forms of media–other than print. I certainly learned my first French off the backs of cereal boxes. This is Canada: “Eh! Les enfants! Special offer. Collect the box tops.”

I think it’s curiosity that drives me to read. I don’t think “entertainment” quite covers it. It’s not that I’m indiscriminate in my appreciation–I like to feel that I can tell an apple from a pear, and I don’t expect from the pear what I might expect from the apple. In other words, if I’m reading Conan the Conqueror I’m not demanding that it be Middlemarch. They have different things to offer. But in some cases you get led to fine experiences through very devious pathways.

Taster's Cherce

Pass the peas pasta (like they used to say).

Smitten Kitchen wins, and so do we.

Afternoon Art

Amedeo Modigliani painted the best babes.

feed Share on Facebook Share on Twitter Share via email
"This ain't football. We do this every day."
--Earl Weaver