It’s an Indian Summer beauty in the Big Apple today.
Hughes and co. tonight.
[Picture by Bags]
Part One of “The 10th Inning,” Ken Burn’s two-part follow up to “Baseball” aired on PBS last night. “The Bottom of the 10th” is tonight.
I reviewed the show for SI.com. There’s a lot of good stuff in there. The Yankee Dynasty is represented nicely though I’m sure most of you wanted more (and there’s no sugar-coating Ken’s allegiance to the Red Sox, though it should also be noted that co-writer, producer and director, Lynn Novick, is a Yankee fan). The focus is on the ’96 Yanks, not ’98, a fair choice in terms of drama, though they didn’t mention Frank Torre.
There’s a ton on the Sox in “The Bottom of the 10th,” but Burns is never vicious–he doesn’t show the infamous slap play by Alex Rodriguez, for instance. I’d forgotten that David Ortiz won both Games 4 and 5 in ’04, man, totally blacked that out. This was the first time I’ve watched replays. Ortizzle’s name is noticeably missing from a list of stars associated with taking PEDS (Manny’s on it).
The baseball stuff is good. Plenty to debate, of course, but that’s fun part. Jonah Keri will be pleased that the ’94 Expos made the cut. I didn’t know from Mike Barnicle before watching the show and enjoyed his talking head interviews, even if they were ham-handed in spots. Then I read up on him and feel guilty for liking him so much.
But something felt off with the filmmaking. The Florentine films style—panning and fading over still photographs–is commonly known as “The Burns Effect.” I was talking to a friend recently who said, “How can you not jump the shark after you become a pre-set on iMovie?” I get his point but the Burns style doesn’t bother me because it works. You don’t look for every artist to be innovator, after all. I wouldn’t want Elmore Leonard to be anything but Elmore Leonard.
But I’m not sure that the Burns style is ideally suited to journalism. Nothing is more frustating than the music. In “The 8th Inning” and “The 9th Inning,” Burns used period source music as a character in the story. But here, over and over again, I was distracted by the music selections. I thought they got in the way of the story. Most of the tracks aren’t bad pieces of music on their own, but they just don’t have much to do with the topic at hand. And they have nothing to do with what was on the radio at the time.
Burns does use James Brown and Tower of Power. This record from The Incredible Bongo Band opens the show:
P.E. and The Beastie Boys and the White Stripes are used but otherwise, there’s too much smooth jazz and strumming guitars, where songs like “Nothing Shocking,” by Jane’s Addiction or the Red Hot Chili Peppers version of “Higher Ground,” or any number of radio hits would have been interesting choices. There’s cool cuts from the Red Garland Trio and Wynton Marsalis, but Burns misses out on using Metallica’s “Enter Sandman” in the Mariano Rivera segment, an oversight than can only be excused by budget considerations And even when music choices work thematically like with David Bowie’s “Fame,” they are obvious, not to mention dated.
But that’s me. And I expect fireworks from Burns and company every time out. Still, “The 10th Inning” is certainly worth watching.
I’m curious to know what you think. Charlie Pierce weighed in this morning, and here is the Times’ review (which borders on being mean).
Oh, and over at Deadspin, dig this memoir piece I wrote about working for Burns back in the spring of 1994:
Ken got a kick out of turning people on to the things that moved him. When Willie Morris appeared in episode five of Baseball, talking about listening to games on the radio, I asked Ken who he was, and that was my introduction to Morris and his classic memoir, North Toward Home. I found a copy immediately and the book made a lasting impression on me. Ken was an avid music fan and hipped me to Lester Young and Booker T and the M.G.’s. During our car ride north, I tried to get him to dig some rap records — I remember playing him “Passin’ Me By” by the Pharcyde — but he couldn’t get past the lack of melody. Then, he took out a cassette and played what he called the best version of “The Star-Spangled Banner.” It was Marvin Gaye, singing at the 1983 NBA All-Star Game, and Ken was right.
[Photo Credit: J. Parthum]
Here’s another one from Pete Hamill via the New York Magazine Archives. Let’s go back to 1987:
Once there was another city here, and now it is gone. There are almost no traces of it anymore, but millions of us know it existed, because we lived in it: the Lost City of New York.
It was a city, as John Cheever once wrote, that “was still filled with a river light, when you heard the Benny Goodman quartets from a radio in the corner stationery store, and when almost everybody wore a hat.” In that city, the taxicabs were all Checkers, with ample room for your legs, and the drivers knew where Grand Central was and always helped with the luggage. In that city, there were apartments with three bedrooms and views of the river. You hurried across the street and your girl was waiting for you under the Biltmore clock, with snow melting in her hair. Cars never double-parked. Shop doors weren’t locked in the daytime. Bus drivers still made change. All over town, cops walked the beat and everyone knew their names. In that city, you did not smoke on the subway. You wore galoshes in the rain. Waitresses called you honey. You slept with windows open to the summer night.
That New York is gone now, hammered into dust by time, progress, accident, and greed. Yes, most of us distrust the memory of how we lived here, not so very long ago. Nostalgia is a treacherous emotion, at once a curse against the present and an admission of permanent resentment, never to be wholly trusted. For many of us, looking back is simply too painful; we must confront the unanswerable question of how we let it all happen, how the Lost City was lost. And so most of us have trained ourselves to forget.
[Picture by Bags]
Peace to Jeremiah’s Vanishing New York for hipping me to the photography of Ted Barron. Here’s some of Barron’s work, featured recently over at Sensitive Skin Magazine:
Check it out.
Then dig Barron’s blog:
Andy Pettitte is a big man with a huge ass and strong legs, but watching him pitch, the word that comes to mind is: touch. Petttitte was everything the Yankees could have expected today, allowing one run over six innings on 79 pitches and he was a pleasure to watch, adding, subtracting–pitching.
It was a sleepy afternoon at Camden Yards with the Yanks leading most of the way. But the O’s rallied late, scoring once in the eighth and again in the ninth to force extra innings–Mariano Rivera allowed just his second home run of the year, this one to Luke Scott. It was on the second pitch of the at-bat, a cutter that was low but right over the plate, and Scott popped it over the tall right field wall. And like that, a seemingly casual win turned into a ballgame.
In the 11th, Alex Rodriguez led off with a pinch-hit walk against the lefty Mike Gonzalez. Eduardo Nunez replaced Rodriguez as a pinch runner, Ramiro Pena squared to bunt and took a strike. Then Gonzalez threw the ball away trying to keep Nunez close at first, a one-hoper into the stands. Joe Girardi replaced Pena with Marcus Thames who worked the count full and then waved over a slider for the first out.
Mark Teixeira pinch hit for Brett Gardner and was intentionally walked. Derek Jeter was next and he too was given a free pass, bringing up Fat Elvis, who has struggled as right-handed hitter. Berkman hit a high chopper to third base and as the Orioles started the 5-4-3 double play, it looked like even Fat Elvis would be able to leg it out. But he didn’t make it, out by a step. The play took forever to unfold and once Berkman was called out it was clear to this viewer that the Yanks were not going to win. Twelve runners left on base is too much.
At least it was swift. Scott led off with a bloop double then Ty Wigginton hit a rocket in the gap to end it. Final Score: O’s 4, Yanks 3.
Regrettable loss for the Yanks–aren’t they all regrettable, though?–as they blow a chance to gain another game on Tampa, who lost to the Angels.
Yanks, Rays, four games back home in the Bronx starting tomorrow. Then the Red Sox over the weekend.
Should be lively.
[Pictures by Bags]
Did last night happen? It sure am did. It was damp and chilly in the Bronx this morning but the sun was out and today is a new day. The city is sparklin’, and a win tonight puts the Yanks back in first place.
Hope is the thing called Nova. Today will be a better day, ya hear?
[Picture by Iyasu Nagata]
Peace to Brad for hipping me to this on-line collection of William Gottlieb’s photography. It’s wonderful.
Man, imagine going back in time to witness 52nd street during its heyday?
Yanks have been flat for a few days. Enough with that. Time to win a ball game.
Let’s Go Score Truck!
[Picture by Bags]
I love this day in New York. It is so still, so calm (you can even find a parking space!). But not for long, just a few precious hours more. Tomorrow, everyone will be back to work, kids will cram the subways again. But for now, neighborhoods are sleepy. From my apartment I can hear the subway in the distance, softly chugging along. There, the sound of a stray bird. And that’s it. Silence. Happiness.
The Great One

Ivan Nova gave up a long home run to the second batter of the game but the Yanks jumped on Brandon Morrow for two runs in the first, two in the second and one in the third giving Nova something he’s been unaccustomed to so far in his brief Major League career–a lead.
Then in the third inning Lyle Overbay lead off with a double that fell in the right-center field gap between Curtis Granderson and Austin Kearns. Aaron Hill hit the next pitch even deeper into the same gap for an RBI double. Pitch after that was a ball outside, so Jorge Posada went out to the mound and stood on the outfield side of his young pitcher, uphill so they could see eye-to-eye, and handed him the ball. Posada didn’t take off the face mask. His back was to the TV camera. Before he was finished speaking, Posada placed his right hand flat on Nova’s chest, and left it there for a good five count.
It was a simple, calming gesture, a throwaway really. But it’s that small stuff, those kinds of details, that I find so compelling these days when we’ve got so much access to the games and the players but such limited access to really knowing them as personalities, at least in the way that we knew recent generations of jocks and celebrities, through the print media.
Of course, watching Mariano smile in the ninth inning, enjoying a laugh and handshakes all around once again is one of the distinct pleasures I’ll ever know. It never gets old and I appreciate it each and every time, knowing it will not last forever, knowing the bulk of his great career is behind us now.
Nova wasn’t terrific in his fourth start, didn’t pitch long enough to get the win, one out away. The bullpen didn’t give up a run, Curtis Granderson had two more hits and three RBI, and Fat Elvis had a couple of hits too, as did lil’ Nunez and Pena. Robbie Cano doesn’t look himself, and John Flaherty was on to something when he suggested that this might be a decent time for him to get a couple of days off. Otherwise, it was another happy day in Yankeeland, an ideal way to kick off the holiday weekend.
Final Score: Yanks 7, Jays 3
Hoo-Ha.
Feels so good…ya heard?
[Photo Credit: AP Photo/Bill Kostroun, Bags]
Ivan Nova tries to stay souped-up against that formidable talent, Brandon Morrow this afternoon in the Bronx.
The weatherman says a big storm might blow into town. Jays in town for three day games.
Never mind the picnic, Let’s Go Yan-Kees!