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Tag: michael lewis

Beane Counter

Read anything about “Moneyball” lately?

I haven’t seen the movie yet but I did read this article on Billy Beane in the New York Times Magazine.

And over at The Atlantic, Allen Barra has a critical essay on Michael Lewis’ book.

One for the Money

Jon Weisman on Moneyball:

There’s a level of sincere humility to the film version of “Moneyball” that might shock those expecting to see it cloaked in arrogance.

Next to the question about whether the material in Michael Lewis’ book was viable for a movie in the first place, the most common shot I’ve seen taken at the idea of the film, which I saw a screening of Monday, is “what’s the point?” Because Billy Beane’s Oakland A’s have never reached the World Series, much less won it, why would they worthy of the big screen?

Putting aside the fact that this criteria would eliminate about a thousand works of art – “Rocky,” “The Bad News Bears,” “Major League,” the entire history of “Peanuts” – note this well: The Billy Beane of “Moneyball” would share the same question. No one is more acutely aware of the A’s shortcomings than he.

But “Moneyball” does have a story to tell, a worthwhile and engrossing one. It is not a sermon. “Moneyball” is about faith in a calculated belief, and all the torment that comes when that faith is tested, and the unexpected kind of reward you can get for taking that test, no matter how it comes out. It’s a movie about a pursuit, not a coronation. It’s anything but a coronation.

It’s my belief that, while no movie is universally beloved, this approach opens the door for “Moneyball” to be accepted and enjoyed by those who took the book as a mockery of the game they love, by those who were entertained and embrace what was articulated in Lewis’ book, and by those who have no vested interest in the debate, or even the sport. It’s such a human movie – with Brad Pitt’s Beane a nuanced, multidimensional character, one with many faces – that it’s not easily dismissed.

Hell, I just want to see it for Phillip Seymour Hoffman chewing it up as Art Howe.

Money For Nothing

Variety reports that Sony Pictures has pulled the plug on Steven Soderbergh’s adaptation of Moneyball (thanks to Rob Neyer for the link).

Even in the climate of heightened studio caution, the turnaround news on “Moneyball” is surprising given that the project had reached the equivalent of third base. It was just 96 hours before the participants were ready to take the field, following three months of prep and with camera tests completed and cast and budget in place.

…Aside from actors like Pitt and Demetri Martin, Soderbergh is using real ballplayers — such as former A’s Scott Hatteberg and David Justice — as actors, and he also has shot interviews with such ballplayers as Beane’s former Mets teammates Lenny Dykstra, Mookie Wilson and Darryl Strawberry. Those vignettes would be interspersed in the film.While Soderbergh is confident his take will work visually, Columbia brass had doubts on a film that costs north of $50 million. That is reasonable for a studio-funded pic that includes the discounted salary of a global star like Pitt, but baseball films traditionally don’t fare well on the global playing field.

This is a shame but not a surprise. Back in the summer of 2003, I interviewed Michael Lewis and we talked about how difficult it would be to make Moneyball into a movie:

Bronx Banter: Have you sold the movie rights to “Moneyball” yet?

Michael Lewis: I didn’t have much hope that anyone would buy them. Because I can’t really see how you could make it into a movie—a good movie, anyway. What happens is, if somebody bought it for the movies, you’d have to create some sort of female role. They would just have to. You just have to twist so much. Having seen “Liar’s Poker” get bought for a lot of money, and then completely mangled in the creation of the script, and eventually never getting made. If they can’t make that, I can’t imagine how they can make this. There have been, oddly enough, some feelers from people who say they want to buy the rights. A lot of things sell, that shouldn’t sell, accidentally. That might happen, but I’d be really surprised if it ever became a movie.

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