Here’s a fun one for you–Robert Ward on Redneck Rock circa 1976 for New Times Magazine:

The bus floated through the Nashville streets and stopped at the James Thompson Motor Inn. I got out and walked with Tommy (the Outlaw) and Coe’s old friend, Bobby.

“It’s on the fourth floor.”

We climbed the steps and walked down a long motel corridor. Looking over, I noticed it was a good 75 feet to the parking lot. At the door, Tommy waited for me.

“Come on in, writer.”

“Sure.”

I felt frightened by his tone—soft, but mocking. I had assumed that there would be women, other musicians, and whiskey. But there was none of that. Instead, there were Outlaws, about 15 of them, sprawled around the room. I looked at their eyes, which were all trained right on my own. In the exact center of the group, like some ancient fertility god, David Allan Coe sprawled on a bed. On his lap was an ugly, trashed-out looking woman, who was laughing insanely.

Behind me the door snapped shut. “This here is the writer,” someone said in a steel-wire voice.

Everyone was totally silent.

“The writer who wrote that shit about David Allan not being an outlaw!” someone else said.

I felt my breath leaving me and tried to laugh it off. “Hey, c’mon, you guys. I didn’t write that stuff.”

A short, squat, powerful man, the same Outlaw I’d seen screaming at the Exit Inn, came toward me. “You wrote that shit, did you?”

He reached in his back pocket and pulled out a five-inch hunting knife.

“Hey, wait now,” I said.

[Photo Credit: George Tice, 1974]

Papa Don’t Take No Mess.

[Photo Via: Neal Square]

Also, rest in peace Chet Flippo. Man, yesterday was a tough day.

Here’s a piece that Flippo wrote on Waylon Jennings for Texas Monthly back in 1975:

Jack C—-, the federal agent stationed at Gate 56 of the Dallas airport, signaled to his partner when he saw the pair coming, The signal meant “search” and that signal was followed by an announcement to the 23 passengers waiting for Texas International Airlines flight 925 to Austin: “TI 925 will be delayed momentarily due to transient passengers.”

Those transient passengers, the suspicious pair, carried no luggage, had paid cash for their tickets, and were similarly attired: rumpled leather suits, scuffed boots, and hair a little longer than is allowed in the VIP lounge just down the corridor.

Cowboy singer Waylon Jennings and the writer with him slowed down their loping run for the plane as Agent Jack stepped in front of them: “Please step this way… gentlemen.” Jennings carried no identification and Agent Jack was summoning his superior when a light bulb went on above his head: “Aren’t you . . . you’re Waylon Jennings , ainchoo? I thought you was an entertainer. Hell, yes, I see you over at Panther Hall. I go over to Panther and get drunk and raise heil ever wunst in a wile. Go right on through, gentlemen.”

Jennings laughed about it all the way to Austin.