Our man Glenn Stout is the latest writer to be interviewed by Chris Jones over at Son of Bold Venture. I love this bit:
CJ: As either a writer or an editor, you’ve had a hand in more than eighty books. Your blog is called verbplow. I get the sense that you must treat words like work, like a more manual brand of labor—that during the course of most days, you must sit down and force yourself either to read or to write something. How do you make yourself do it?
Glenn Stout: That’s funny you ask about that because just the other day I had this realization that all the things I’ve ever really liked to do are activities that require me to use my hands and my brain simultaneously. You are right that in a sense I do see writing as manual labor, and the metaphor in verb plow is intentional, but that doesn’t mean it’s not valued, or necessarily laborious, because there is also that “labor of love” thing. I love doing what I do and can’t believe I get to do this every day. Growing up the idea of becoming a writer was unimaginable. We didn’t have a lot of money. My parents didn’t read much. Words saved me. They took me away, sent me to college, delivered my life. Now I get to mine the language every day, and talk and work with other writers—that’s dreamland stuff.
I don’t see my work as a chore, and only rarely does it feel forced—I want to do this and by now it’s all a part of my life, like breathing. I spent a number of years doing actual manual labor and I have to say I learned as much about writing from pouring concrete and hauling steel as I ever did in any workshop, or any course. Manual labor teaches you to work in increments, to maintain, to stick to things, to finish what you start, and that’s what I do. On a practical level, I’ve been on my own, completely independent as a writer, mostly working on projects that I think have real value, for almost twenty years. I’m not on the faculty somewhere, on the staff of some publication, or living off a trust fund. For every second of the last twenty-one years I’ve always had book contracts to fulfill and deadlines to hit and either I take that seriously or I’m done, out of work.
Serving as Series Editor for Best American Sports Writing is like a part-time job at minimum wage, and is only a small part of what I do. People assume I’m incredibly disciplined, and in their terms, maybe I am, but I’ve never understood writers who say that they write 2,000 words a day, like punching a clock. I mean, good for them, but I don’t work that way, I can’t be that rigid. I think every writer has to discover that what works for others might not work for you. For me it’s like the old Earl Weaver line: “This ain’t football; we do this every day.” A significant part of doing anything stems from getting up early and putting your ass in the chair every day, and I do that. The rest is experience—learning how not to sabotage yourself.
Right on, Big Dog. Or as Woody once said, “Eighty percent of success is just showing up.”