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The Good Fight

Tony Judt, the intellectual historian, passed away on Sunday of ALS. Judt wrote a series of poignant essays about living with ALS for the New York Review of Books.

From Night:

This cockroach-like existence is cumulatively intolerable even though on any given night it is perfectly manageable. “Cockroach” is of course an allusion to Kafka’s Metamorphosis, in which the protagonist wakes up one morning to discover that he has been transformed into an insect. The point of the story is as much the responses and incomprehension of his family as it is the account of his own sensations, and it is hard to resist the thought that even the best-meaning and most generously thoughtful friend or relative cannot hope to understand the sense of isolation and imprisonment that this disease imposes upon its victims. Helplessness is humiliating even in a passing crisis—imagine or recall some occasion when you have fallen down or otherwise required physical assistance from strangers. Imagine the mind’s response to the knowledge that the peculiarly humiliating helplessness of ALS is a life sentence (we speak blithely of death sentences in this connection, but actually the latter would be a relief).

Morning brings some respite, though it says something about the lonely journey through the night that the prospect of being transferred to a wheelchair for the rest of the day should raise one’s spirits! Having something to do, in my case something purely cerebral and verbal, is a salutary diversion—if only in the almost literal sense of providing an occasion to communicate with the outside world and express in words, often angry words, the bottled-up irritations and frustrations of physical inanition.

The best way to survive the night would be to treat it like the day. If I could find people who had nothing better to do than talk to me all night about something sufficiently diverting to keep us both awake, I would search them out. But one is also and always aware in this disease of the necessary normalcy of other people’s lives: their need for exercise, entertainment, and sleep. And so my nights superficially resemble those of other people. I prepare for bed; I go to bed; I get up (or, rather, am got up). But the bit between is, like the disease itself, incommunicable.

I suppose I should be at least mildly satisfied to know that I have found within myself the sort of survival mechanism that most normal people only read about in accounts of natural disasters or isolation cells. And it is true that this disease has its enabling dimension: thanks to my inability to take notes or prepare them, my memory—already quite good—has improved considerably, with the help of techniques adapted from the “memory palace” so intriguingly depicted by Jonathan Spence. But the satisfactions of compensation are notoriously fleeting. There is no saving grace in being confined to an iron suit, cold and unforgiving. The pleasures of mental agility are much overstated, inevitably—as it now appears to me—by those not exclusively dependent upon them. Much the same can be said of well-meaning encouragements to find nonphysical compensations for physical inadequacy. That way lies futility. Loss is loss, and nothing is gained by calling it by a nicer name. My nights are intriguing; but I could do without them.

May he rest in peace.

Brrrrrr, Stick ‘Em

The most impressive Jon Lester–who has struggled recently, not winning a game since before the All-Star Break–goes against Phil Hughes today at the Stadium. It’s a “must-win” for Boston.

Here’s hoping the Yanks can foil ’em.

Go git ’em, boys.

Taster’s Cherce

I tried this recipe for summer squarsh carpaccio a few days ago and it was really lovely.

From Rachel Ray

[Photo Credit: Last Night’s Dinner]

Million Dollar Movie

No, you don’t have to be a Gay man to love Mildred Pierce. This film noir is one of my wife’s favorites–a Lifetime movie as high pop art. Based on the novel by James M. Cain, good, old-fashioned Hollywood melodrama–featuring the most ungrateful daughter in screen history–has rarely looked this sharp:

Morning Art

There was a cool article about a series of new Blue Note 45 reissues in the Times yesterday:

There are two kinds of obsessive record collectors: those who buy original pressings of rare old LPs because they’re rare and old, and those who buy them because they sound good.

In the jazz world one record label has attained near-mystical status among the antiquarians and the audiophiles: Blue Note, especially the albums released in its heyday, from 1955 to ’67.

So many of those Blue Note records were bumpin’. And the cover art, well, could not be beat. Starting tomorrow, we’ll host a two-for-one Afternoon Art/Beat of the Day feature. But for today, just dig this boss cover:

Beat of the Day

Peace to Chyll Will for hipping me to this most gifted dude:

Sunday Gravy

Josh Beckett and AJ Burnett were all set for a Sunday Night Red Ass Bake-Off but Burnett has “tightness in his back” and has been replaced by Dustin “FBI Agent Alonzo” Mosley. Burnett is now scheduled to pitch Tuesday; Phil Hughes will go tomorrow afternoon.

Meanwhile, Lance Berkman is handling the Bronx Cheer in stride. According to Chad Jennings:

“Trust me, I’m booing myself,” [Lance Berkman] said. “I have no credibility here… I didn’t come up here to catch a break. I came up here to play well and win.”

…“As long as it’s not my wife or kids, I’m fine with it,” he said. “This is a big boy’s game and place to play, and if you can’t handle that, go home.”

I think the Big Puma is going to bust-out shortly…

Alex Rodriguez is penciled into the line-up though that is subject to change.

Yanks going for their second-straight win:

Let’s Go Yan-kees.

[Photo Credit: Food Network]

Nice Pitchin’, Hoss

This just in: Brandon Morrow is a Stud. Had a no-hitter going in the ninth inning today against the Rays. Morrow lost the no-no but won the game, 1-0. His line–nine innings, one hit, two walks, seventeen strikeouts.  Woof.

Here’s a piece my pal Rich Lederer had on Morrow not too long ago.

Don’t Call Me Richie

Saw this linked over at the Think Factory–a documentary is in the works about Dick Allen. This could be most cool.

Mornin’ Sunshine

Actually, the sun is nowhere to be found this morning in the Bronx. But here’s Glenn Gould playing Bach–The Goldberg Variations, 1-7. A nice way to start the day:

Ace of Cakes

Victor Martinez led off the second inning on Saturday afternoon at Yankee Stadium and CC Sabathia fell behind him, 3-1. On the Fox broadcast, Tim McCarver said that Martinez was probably looking for a fastball on the inside part of the plate. When Sabathia delivered just that, Martinez hit a home run over the left field fence. Adrian Beltre doubled and then Mike Lowell doubled Beltre home.

But that was the only scoring the Red Sox would do as Sabathia pitched eight innings and the Yankees beat the Red Sox, 5-2. Sabathia fell behind hitters in the early innings but found his way, throwing more off-speed stuff than gas. He had some help from the home plate umpire, Jerry Layne, who called some wide strikes, particularly to David Ortiz.

Perhaps the late afternoon shadows gave Layne as much trouble as it seemed to be giving the hitters. The Yanks tied the score in the bottom of the second when Curtis Granderson tripled home Lance Berkman and then Ramiro Pena, a last minute replacement for Alex Rodriguez who was accidentally struck by a line drive off the bat of Berkman during batting practice, grounded out but collected an RBI (Rodriguez is day-to-day).

Then, John Lackey went to work and looked impressive. The shadows were looking especially tough as Lackey cruised through the first two batters in the bottom of the fifth. But then four straight singles–Swisher, Teixiera, Cano and Posada–gave the Yanks the lead (man, does Cano ever look good swinging the bat these days). Pena’s RBI single in the sixth was the cherry on top. Mariano Rivera pitched a 1-2-3 ninth and the Yankees’ lead over Boston is back to six. Even better, the Bombers gained a game on the Rays, who were blitzed by the Jays this afternoon, 17-11.

So, for the moment, my nerves have settled. Curtis Granderson had a couple of hits, Pena had a nice game (despite making an error and looking uncomfortable at third), and even though Berkman went hitless, and got booed as a result, I think it’s just a matter of time before Fat Elvis starts hitting.

This was a game the Yanks had to have. AJ Burnett is on the hill tomorrow night and that won’t fill Yankee fans with confidence, but who knows? Maybe Burnett goes out and throws a gem. Hope is the thing with feathers, said Emily D. And that’s word to Todd Drew.

[Photo Credit: Mike Stobe/Getty Images]

Take Two

Yanks, Sox: Lackey, Sabathia.

Do it.

[Picture by Bags]

In the Name of the Father

Good piece by Pat Jordan on Dale Earnhardt, Jr in the New York Times Magazine this week:

Earnhardt and I were sitting on the sofa talking; his publicist sat on another sofa. We talked for two hours, while his publicist fidgeted, casting expectant glances at us. Earnhardt said nobody calls him Junior or Little E anymore, except his fans. “That’s off my back,” he said. He looked down at his hands while he talked. When I asked him why he races, he said: “I didn’t want to work for a living. What the hell am I gonna do with my life as Dale Earnhardt’s son if I don’t race? I was a mechanic in Dad’s dealership at 18, and those were some of my happiest days. But my name was Dale Earnhardt Jr., man. Working as a mechanic would’ve been a real pain. People saying: ‘What happened to you? You’re Dale Earnhardt’s son.’ ”

…What has been the hardest thing for him to deal with in his career?

He stared at his hands and said: “All my life I’ve been the smaller measure of the man. When my Dad died, I wanted to honor him. But I wanted to distance myself from him too. I wanted to get out from under being Dale Earnhardt’s son.”

Put Me in Coach

Say Hey: This is pretty nifty (peace to Baseball Think Factory for the link):

Up Your Wake

Let’s git on der good foot this morning, shall we?

Punchless Pinstriped Palookas Put in their Place (Red Sox Revenge, Part I)

Well, I’ve had a gnawing feeling about this weekend for a few days now. The Red Sox lose Kevin Youkilis for the season, the team is reeling, trailing the Yanks by six games coming into the series, and yet, all these signs did nothing to soothe me. In fact, they only encouraged my irritation. Which is how it goes for the true baseball neurotic, doesn’t matter that I root for the Yankees, doesn’t matter that they’ve got the best record in the baseball. Nuts is Knuts and I plead guilty.

Right on cue, Javier Vazquez came up small, serving up a 3-2 cookie to David Ortiz in the first inning that Ortiz promptly deposited over the center field fence. In the second, Vazquez and Francisco Cervelli let a harmless pop-up drop (Cervelli dropped it but Vazquez didn’t help matters any–they looked like a Benny Hill routine minus the laughs). Then Vazquez walked the ninth place hitter and the struggling Jacoby Ellsbury and when the smoke cleared the Sox had scored three more runs.

And Yankee Stadium was virtually silent–a mausoleum.

Mark Teixiera stayed back and waited on a curve ball in the bottom of the first and hit a two-run home run. After that, Clay Buchholz settled into a groove. Thanks to a throwing error by Marco Scutaro, the Yanks put runners on first and second with nobody out in the bottom of the fourth. Curtis Granderson, whose entire season appears to be fouling good pitches off and then bouncing out to second or popping out to center, smacked a line drive, hit in on the screws, right at Mike Lowell at first. Double play.

Alex Rodriguez fisted an RBI single to left the following inning, pulling the Yanks to within one run, but Vazquez, again, seemingly on cue, gave up a two-run home run to Ryan Kalish, who will later drink his first beer and pop his cherry with a 12th Avenue Jackie.

Vazquez pitched good enough to lose; Buchholz, good enough to win. Yankee fans sat on their hands. With AJ “Putting Out the Fire with Gasoline” Burnett and Dustin Mosley set to pitch two of the next three games, CC Sabathia cannot afford to lose  tomorrow. This could be a long, frustrating weekend at the bright, shinny mallpark in the Bronx.

Final Score: Red Sox 6, Yanks 3. The Sox now trail the Yanks by five games.

The good news? I get to feel righteous about being right, at least for one night. Wait, that’s not good news. The Rays lost, right, that was the good news.

Back tomorrow for more fun–especially since the game will be televised on FOX. Get ready for another four-and-a-half-hour affair to remember.

Afternoon Art

Joe D, By Bart Forbes

Taster's Cherce

Got a cousin who does well for himself in the food distribution business here in New York. A few months ago I ran into him on the street. He was with an older gentleman with white hair and a white beard. Goes, “Let me introduce you to Henry Fudge: best pork in the country.” I’ve had Fudge Farms bacon and pork chops. I don’t know enough to make any grand proclamations but I know that it sure am good.

Million Dollar Movie

Guest Writer: Ted Berg

I might be the wrong guy for this assignment because I don’t harbor any guilt over any of the movies I enjoy. Movies are made for entertainment, and pleasure is pleasure. Sure, a thought-provoking film might hold my attention after the credits stop rolling — entertaining me over a longer period of time — but a good blockbuster full of high-speed chases and tremendous explosions can provide a thorough and enrapturing aesthetic experience like few others.

I know a lot of European cinema supposedly developed in reaction to the escapism of Hollywood, but I don’t really understand the beef with escapism. I’ve seen a bunch of Italian Neorealist films, and nearly all of them bored me to sleep and not one featured a giant ape wrestling dinosaurs. Sure, Peter Jackson’s King Kong was a bit heavy-handed and hardly provoked introspection, but it held me in a vice grip throughout because, well, apes wrestling dinosaurs. And yeah, it might have lacked the subtleties of L’Avventura, but subtlety is for suckers. Give me movies that fully exploit the medium.

xXx opens with a suave dude in a tuxedo doing some spy stuff at an obvious bad-guy party featuring a Rammstein performance. His presence is too obvious and inexplicable in a mosh pit full off tattooed and pierced fire-breathers, and the leader-guy bad guys spot him swiftly and kill him handily. Then they light some drinks on fire to celebrate.

(more…)

State of Grace

Dig this short piece on the strange grace of players trading places by an Astros fan over at the most excellent blog, Pitchers and Poets:

Today, I’ve got my Berkman t-shirt on. It’s clean, and fits me well. And I look forward to see him wear Yankee pinstripes, odd as that may be to say. Great players should play on big stages, and though he’s past his greatest days, his swing is still pretty and he does well what the Yankees like in their players: getting on base and playing well calmly. Same, too, for Roy Oswalt, though he’ll be in the same league. He’ll show some new fans what he does well, and that’s something.

There is pleasure to be had in seeing something well-known and beloved in a different setting. You can’t stand still, after all. You’ve got to move forward.

[Photo Credit: Boston.com]

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"This ain't football. We do this every day."
--Earl Weaver