Campbell Playhouse, 1939.
Orson Welles narrates “A Christmas Carol.” Lionel Barrymore as Scrooge.
Campbell Playhouse, 1939.
Orson Welles narrates “A Christmas Carol.” Lionel Barrymore as Scrooge.
Biography is a literary craft that, in the hands of gifted practitioners, rises to the level of art. Yet even its most exemplary practitioners are frequently left behind, like hunters on the trail of elusive prey, in the tracking of genius. Claire Tomalin’s biography is likely to be one of the definitive Dickens biographies in its seamless application of “the life” to “the art”—and what a perilous balancing act it is, in which, just barely, Dickens’s art isn’t lost amid a smothering welter of facts. “This may be more detail than one normally wants about anyone’s life,” Tomalin acknowledges. And indeed there is an inordinate amount of detail in this biography, particularly in regard to Dickens’s frantically busy social life, his scattered interests, and his grinding public career. (How many reading tours Dickens embarked upon before, finally, his “last farewell to the London reading public” in 1870! The reader begins to be as fatigued as Dickens.)
The problem with such assiduously recorded lives of great artists is that one is drawn to an interest in the artist’s life because of his or her accomplishments, primarily; the “life” in itself is of interest as it illuminates the work, but if the often banal details of the life detract from the work, the worth to the biography is questionable. Even an ordinary life, cataloged in every detail, will bloat to Brobdingnagian girth, distorting the human countenance. Only a very few encyclopedic biographers—Richard Ellman most illustriously, in his long yet never dull biographies of James Joyce and Oscar Wilde in particular—transcend the weight of their material, and make of it an intellectual entertainment commensurate with its subject.
[Photo Credit: Cecilia Majzoub via Film is God]
A Christmas Carol has remained popular and continually adapted for several reasons. The first is that it is a timeless, joyful story with themes that still resonate today; the second is that it’s in the public domain. Dickens’ classic has been reimagined (and sometimes mangled) so many times over by now that I don’t feel too bad about jumping in, with assistance from fellow Banterers/muppets Alex, Diane, Will, Jon, and Matt, with yet another version and a new cast.
Our protagonist this time is no cheapskate Scrooge, but Brian Cashman, an elf/businessman in the middle of a difficult offseason. This Christmas Eve, he’ll undergo a life-altering experience…
STAVE 1: MARLEY’S GHOST
There is no doubt that Marley was dead. This must be distinctly understood, or nothing wonderful can come of the story I am going to relate. If we were not perfectly convinced that Hamlet’s Father died before the play began, there would be nothing more remarkable in his taking a stroll at night, in an easterly wind, upon his own ramparts, than there would be in any other middle-aged gentleman rashly turning out after dark in a breezy spot — say Saint Paul’s Churchyard for instance — literally to astonish his son’s weak mind.
Scrooge never painted out Old Marley’s name. There it stood, years afterwards, above the warehouse door: Scrooge and Marley. The firm was known as Scrooge and Marley.
Marley: George Steinbrenner, of course.
Bob Cratchit: Joe Girardi, who will have to break it to his family that thanks to his bosss, they won’t be able to have a Cliff Lee or even a Carl Crawford for dinner this year.
Tiny Tim: head Bleacher Creature Bald Vinny.
‘A merry Christmas, uncle! God save you!’ cried a cheerful voice. It was the voice of Scrooge’s nephew, who came upon him so quickly that this was the first intimation he had of his approach.
‘Bah!’ said Scrooge, ‘Humbug!’
He had so heated himself with rapid walking in the fog and frost, this nephew of Scrooge’s, that he was all in a glow; his face was ruddy and handsome; his eyes sparkled, and his breath smoked again.
‘Christmas a humbug, uncle!’ said Scrooge’s nephew. ‘You don’t mean that, I am sure?’
Scrooge’s nephew Fred: Nick Swisher.
STAVE 2: THE FIRST OF THE THREE SPIRITS
It was a strange figure-like a child: yet not so like a child as like an old man, viewed through some supernatural medium, which gave him the appearance of having receded from the view, and being diminished to a child’s proportions. Its hair, which hung about its neck and down its back, was white as if with age; and yet the face had not a wrinkle in it, and the tenderest bloom was on the skin. The arms were very long and muscular; the hands the same, as if its hold were of uncommon strength. Its legs and feet, most delicately formed, were, like those upper members, bare. It wore a tunic of the purest white; and round its waist was bound a lustrous belt, the sheen of which was beautiful. It held a branch of fresh green holly in its hand; and, in singular contradiction of that wintry emblem, had its dress trimmed with summer flowers. But the strangest thing about it was, that from the crown of its head there sprung a bright clear jet of light, by which all this was visible; and which was doubtless the occasion of its using, in its duller moments, a great extinguisher for a cap, which it now held under its arm….
…’Are you the Spirit, sir, whose coming was foretold to me?’ asked Scrooge.
The voice was soft and gentle. Singularly low, as if instead of being so close beside him, it were at a distance.
‘Who, and what are you?’ Scrooge demanded.
‘I am the Ghost of Christmas Past.’
‘Long Past?’ inquired Scrooge: observant of its dwarfish stature.
‘No. Your past.’
The Ghost of Christmas Past: This ghost changes its shape as it moves through Ebenezer’s past; at one moment, it looks like Carl Pavano; at another, Mike Mussina; at times, it takes on the ghostly form of Sir Sidney Ponson.
Old Fezziwig (under whom Scrooge apprenticed): Gene Michael.
Belle, Scrooge’s former fiancee, who released him from their contract when he became too concerned with “gain,” and her joyful current family: Cliff Lee and the Phillies.
STAVE 3: THE SECOND OF THE THREE SPIRITS
It was his own room. There was no doubt about that. But it had undergone a surprising transformation. The walls and ceiling were so hung with living green, that it looked a perfect grove; from every part of which, bright gleaming berries glistened. The crisp leaves of holly, mistletoe, and ivy reflected back the light, as if so many little mirrors had been scattered there; and such a mighty blaze went roaring up the chimney, as that dull petrification of a hearth had never known in Scrooge’s time, or Marley’s, or for many and many a winter season gone. Heaped up on the floor, to form a kind of throne, were turkeys, geese, game, poultry, brawn, great joints of meat, sucking-pigs, long wreaths of sausages, mince-pies, plum-puddings, barrels of oysters, red-hot chestnuts, cherry-cheeked apples, juicy oranges, luscious pears, immense twelfth-cakes, and seething bowls of punch, that made the chamber dim with their delicious steam. In easy state upon this couch, there sat a jolly Giant, glorious to see, who bore a glowing torch, in shape not unlike Plenty’s horn, and held it up, high up, to shed its light on Scrooge, as he came peeping round the door.
‘Come in!’ exclaimed the Ghost. ‘Come in! and know me better, man.’
Scrooge entered timidly, and hung his head before this Spirit. He was not the dogged Scrooge he had been; and though the Spirit’s eyes were clear and kind, he did not like to meet them.
‘I am the Ghost of Christmas Present,’ said the Spirit. ‘Look upon me!’
The Ghost of Christmas Present: C.C. Sabathia.
Mankind’s children, Ignorance and Want: Kyle Farnsworth and Kei Igawa.
STAVE 4: THE LAST OF THE SPIRITS
The Phantom slowly, gravely, silently approached. When it came, Scrooge bent down upon his knee; for in the very air through which this Spirit moved it seemed to scatter gloom and mystery.
It was shrouded in a deep black garment, which concealed its head, its face, its form, and left nothing of it visible save one outstretched hand. But for this it would have been difficult to detach its figure from the night, and separate it from the darkness by which it was surrounded.
He felt that it was tall and stately when it came beside him, and that its mysterious presence filled him with a solemn dread. He knew no more, for the Spirit neither spoke nor moved.
‘I am in the presence of the Ghost of Christmas Yet To Come?’ said Scrooge.
The Spirit answered not, but pointed onward with its hand.
The Ghost of Christmas Future: Sergio Mitre.
STAVE 5: THE END OF IT
‘A merry Christmas, Bob!’ said Scrooge, with an earnestness that could not be mistaken, as he claped him on the back. ‘A merrier Christmas, Bob, my good fellow, than I have given you for many a year! I’ll raise your salary, and endeavour to assist your struggling family, and we will discuss your affairs this very afternoon, over a Christmas bowl of smoking bishop, Bob! Make up the fires, and buy another coal-scuttle before you dot another i, Bob Cratchit!’
Scrooge was better than his word. He did it all, and infinitely more; and to Tiny Tim, who did not die, he was a second father. He became as good a friend, as good a master, and as good a man, as the good old city knew, or any other good old city, town, or borough, in the good old world. Some people laughed to see the alteration in him, but he let them laugh, and little heeded them; for he was wise enough to know that nothing ever happened on this globe, for good, at which some people did not have their fill of laughter in the outset; and knowing that such as these would be blind anyway, he thought it quite as well that they should wrinkle up their eyes in grins, as have the malady in less attractive forms. His own heart laughed: and that was quite enough for him. He had no further intercourse with Spirits, but lived upon the Total Abstinence Principle, ever afterwards; and it was always said of him, that he knew how to keep Christmas well, if any man alive possessed the knowledge. May that be truly said of us, and all of us! And so, as Tiny Tim observed, God bless Us, Every One!
Phil Hughes makes his first start of the season tonight. But first, dig one of the most stunning opening sequences in movie history:
Next: Let’s Go Yan-Kees!