Some more shots from Derek Jeter Day, 2011.
Here’s my scorecard.
A nerd at work.
And here’s when the wife took over…
“Ambulate to first,” that’s a walk. “Cue P.C. Richards,” that’s a strikeout. “Home Rupton,” that’s when B.J. Upton hit a home run. I like that one, Chris Berman, you paying attention?
And here’s a shot of the crowd when Jeter got his big hit:
A young Richard Diebenkorn channels Edward Hopper
Alex Rodriguez will have surgery today on his right knee and is expected to miss between 4-6 weeks.
It was the wise move but this one is going to hurt. I’m curious to see who the Yankees will pick up as a back-up for Eduardo Nunez.
[Photo Credit: N.Y. Daily News]
Yanks and Rays end the first-half of the season today.
It’s another hot one in the Bronx.
Let’s Go Yank-ees.
A little bit of Reggie in Derek’s performance today, huh? The man has a flair for the dramatic. He lived up the hype and then some. A magic moment for Jeter and Yankee fans everywhere. I was with the wife in the Todd Drew seats. Never forget it.
Man, it sure is hot out there.
Derek Jeter is two hits away from 3,000. Alex Rodriguez could be headed for surgery. He’d miss a month if he has it now or he could wait until the end of the season. Drag.
Yanks-Rays today:
Let’s Go Yankees.
[Photo Credit: Hygge and Sisu]
Reggie Jackson was my idol when I was growing up. He was more than just a Yankee and I stuck with him when he signed with the Angels. My favorite Yankees were Ron Guidry and Willie Randolph. Later on, I loved Dave Winfield and Rickey Henderson but Don Mattingly was my guy. Which is to say that there is something about the quiet guys that I’ve always admired. Derek Jeter is one of those guys.
But Jeter is more than just a Yankee too, he’s Mr. Yankee. You can argue that Mariano Rivera has been the most crucial Yankee of the past generation. He is the best short-closer of ’em all, but he’s not the public face of the franchise. Jeter is and it’s hard to write about him and not stumble into a field of cliches–he’s the modern Joe DiMaggio, polite but removed, guarded, plastic. He hustles, never complains, and “plays the game the right way.”
All of which is true but here’s what I’ll always remember about Jeter: he looks like he is having fun. He’s composed, the good student who knows enough to cut a joke when the teacher isn’t looking, not effusive like Jose Reyes, but I’ve rarely seen Jeter not enjoying himself on the field. The opposing players all seem to like him and he’ll chat with the catcher or the first baseman. He smiles–he’s no DiMaggio, he’s not Garbo–and he loves the competition of the game, the big moment. Here’s Tom Boswell:
Baseball has a name for the player who, in the eyes of his peers, is well attuned to the demands of his discipline; he is called “a gamer.” The gamer does not drool, or pant, before the cry of “Play ball.” Quite the opposite. He is the player, like George Brett or Pete Rose, who is neither too intense, nor too lax, neither lulled into carelessness in a dull August doubleheader nor wired too tight in an October playoff game. The gamer may scream and curse when his mates show the first hints of laziness, but he makes jokes and laughs naturally in the seventh game of the Series.
That’s Jeter. Doug Glanville, a former teammate, offers a sharp appreciation today in the Times:
Jeter’s career has been more like a plateau curve. He came on the scene at 20, made a near-instant impact, then stayed remarkably consistent and virtually injury-free year in and year out, cruising on a plane of excellence. In many respects, he spoiled us. When you progress on a flat line, outside observers are lulled into the tacit expectation that this is how it’s supposed to be. Players like this produce so deceptively that we miss the escalating work ethic required to stave off age, the sheer dominating focus it takes to be so steady at such a high level.
Now we are watching him slow down, finding out that not even Jeter can avoid the human condition. The fact that the Yankees won 14 of 18 games during his recent time on the D.L. is a reminder that even great personal accomplishment stands on shaky ground when it comes to a humming team machine. So Jeter has two ways to go. He could take his foot off the pedal and ride gravity down the gradual curve to the bottom. Or, it could end much as it began for him and he’ll go down as precipitously as he rose in the game, though his superhero status in the eyes of his supporters may grant him a parachute to soften the landing.
I was at the Stadium one day early in Jeter’s rookie year when I heard a girl yell his name: “Deh-rick Gee-dah.” She had a classic New York accent and she screeched his name again and again. I still here that voice in my head when I see him play. I appreciate that he takes his job seriously but is grounded enough to realize he’s playing a game. He’s never forgotten to enjoy the ride. And we’ve enjoyed it along with him. What more can you ask?
[Photo Credit: N.Y. Daily News]
Two deep…
George Kimball, far right, with Mike Tyson and Marvin Hagler, mid-'80s
By John Schulian
George Kimball was blessed with the kind of voluble charm you find in an Irish bar, and, brother, let me tell you he’d been in a few. No amount of drink, however, could rein in his galloping intelligence. It was as pure a part of him as his love of the language and good company, and when he spoke, I did what I’ve always done best in the presence of gold-star raconteurs: I listened. Even when we were on the radio hustling our book of great boxing writing, I did little more than provide grace notes. At least that’s the way it worked in the beginning. And then George’s voice began to turn into a sandpapery whisper. It was the chemo, extracting its price for helping to keep him alive.
Now I was the talker, just me by myself, trying to score points with the strangers on the air at the other end of the line. Again and again, I gravitated to the idea that there is something noble about prizefighters in their willingness to accept the fact that every time they set foot in the ring, they may be carried out on their shield. But it was always George I thought of, the truest nobleman of my lifetime.
The cancer doctors gave him six months to live six years ago, and it was as if he said, with characteristic Anglo-Saxon aplomb, “Fuck you, I’m too busy to die.” He went on to write books, essays, poetry, songs, and even a play. He edited books, too, and worked on a documentary. Somehow he also found time to get out to the theater and concerts and dinners. When we were collaborating long-distance – George in New York, me in L.A. – he surprised me more than once with the news that he had just landed in France or Ireland. He wasn’t simply collecting stickers for his suitcase, either. He was savoring the world that was slipping away from him and looking up writers he had always wanted to meet, like J.P. Donleavy and Bill Barich. And he made a point of staying in touch with them, for once he wrapped his arms around someone, he never let go.
It will be that way even now that he has breathed his last, too soon, at 67. Those of us who knew him–probably even those who have only heard about him–will keep the Kimball legend alive with stories about his wild times and all the nights he dropped his glass eye in a drink someone asked him to keep an eye on. There was a look that George used to get when he was on the loose back then, a look that is probably best understood when I tell you I first saw it in the Lion’s Head as he was trying to set a friend’s sport coat on fire. His friend was wearing it.
I went a long time without seeing George, and when we reconnected, he had changed without sacrificing either his relentless view of the world or his ability to laugh at the hash that mankind has made of things. He was like the record producer in Jennifer Egan’s sublime novel “A Visit from the Goon Squad,” who tells a bewildered young man how he survived the self-destructiveness of the rock and roll business: “You grew up, Alex, just like the rest of us.” So it was that George put booze and drugs behind him and let his work take center stage. His unfiltered Lucky Strikes were the only remnant of his old life. “What are they going to do,” he said, “give me cancer?”
The transformation remained a mystery to me until Bill Nack, as treasured a friend as he is a writer, sent word a few years ago that George had esophageal cancer. I wrote George a note of support and got in return the most startling letter I expect I ever will from a sick man. There were no euphemisms, just pure, raw, unadorned honesty. George was going toe-to-toe with death, and he knew that death would win, but he was damned if he wasn’t going to take the fight the full 12 rounds. Never if my life have I seen a greater example of a fighter’s heart, and that includes Ali and Frazier.
George was fighting for the money he would leave his wife and children, and for a body of work that said he counted for something in the world of sportswriting. He wrote incisively, relentlessly, memorably, and he threw himself into the editing of our Library of America anthology, “At the Fights: American Writers on Boxing,” with the same fervor. Here was a book that would give him the spotlight he yearned for. On that March day in 2010 when the bosses at LoA told us it had passed muster, George was so happy it didn’t matter that he was too sick to swallow his soup. He was a champion.
He wasn’t finished, though. Space limitations–yes, even a 517-page book has them–had confined us to non-fiction, so he tracked down a small press and Lou DiBella, a boxing promoter with a literary bent. Voila! “The Fighter Still Remains: A Celebration of Boxing in Poetry and Song Lyrics from Ali to Zevon” was born.
And still George wasn’t done. We had an abundance of fiction we hadn’t been able to squeeze into “At the Fights,” either, unforgettable work by Hemingway, Nelson Algren and Leonard Gardner, to name but a few, and George wasn’t about to let them lie fallow. Back to work we went, each of us digging up new entries along the way, George zeroing in on Walter Mosley, me on Harry Crews. We didn’t have a publisher, of course, not even a nibble, but we had a title, “Sweet Scientists: A Treasury of American Boxing Fiction,” and that was enough to sustain us for the time being.
I mailed everything I found to George, who promised that he would overcome his Oscar Madison tendencies and send me the manuscript in good shape. I shouldn’t have doubted him, but I did. I read the e-mail he sent to the woman who watches over his web site, the one in which he gave specific instructions about what to do after he was gone, and I knew the final grains of sand were going through the hour glass. But on Wednesday, shortly before noon, Federal Express delivered a box to my door, and inside was the manuscript George had promised, looking neat, even pristine. A few hours later, on the other side of the country, he was dead.
[Editor’s Note: George is remembered by his friends Charlie Pierce and Michael Gee. Here is a lovely piece by Glenn Stout.]
Mr. Jeter approaches a milestone as thunderstorms loom over the Bronx.
The Rays are in town for a four-game series that will end the first half of the season.
1. Jeter SS
2. Granderson CF
3. Teixeira 1B
4. Rodriguez 3B
5. Cano 2B
6. Swisher RF
7. Posada DH
8. Martin C
9. Gardner LF
Let’s Go Yank-ees!
[Photo Credit: Liviu Burlea]
Kostya Kennedy is on the Varsity Letters panel tonight. If you are downtown, be sure to fall through and hear him talk some Joe D.
The Enemy Within
By John Schulian
What a nightmare the Post’s copy desk was, its few capable pros outnumbered by drunks, burnouts, incompetents, and one hostile ex-marine. The worst of all, which is really saying something, was the slot man, who had covered University of Utah basketball for the Salt Lake Tribune during the Billy (the Hill) McGill era. I’d read every word he’d written when I was a kid and I thought he’d be an ally, maybe even a friend. Instead, he spent his time combing his vanishing pompadour and looking down his nose at writers. I don’t know that I ever met a bigger horse’s ass in the business.
One Sunday, after covering a Bullets game I swung by the office just in time to see page proofs. The slot man had rewritten the top of my story. Okay, you don’t like what I write? Fine. I don’t like a lot of what I write, either. But give me a chance to rewrite it in my own words. That’s why I called the office when I finished the piece, to see if there were any problems with it. The slot man hadn’t said a word then, and I wouldn’t have found out until I opened the paper the next morning if I hadn’t got lucky. The first thing I did was make the slot man take my byline off the story. That was my right, according to the Newspaper Guild. Then I sat down and wrote a new top for the story, and I wouldn’t leave until the slot man had signed off on it. Now he was pissed off. But I can tell you for a fact that I was more pissed off.
Things with the copy desk finally got so bad that when I wrote a piece that was supposed to be special in some way, I’d stay at the office until the first edition came up so I could check it. Nuts, huh? But maybe you’ll understand why I did it if I tell you about a long feature I wrote about spending the day of a fight with a heavyweight named Larry Middleton. Went to his pre-fight meal with him, hung around his overheated hotel room with him, watched him warm up in his dressing room, then go out and lose to Duane Bobick in Madison Square Garden. Last scene of the story: he’s out on the street hunting for a pay phone so he can call his wife in Baltimore and tell her what happened. When I dictated the story the next day–it was still the typewriter era at the Post–the girl getting it all down told me it sounded just like a short story. Made my day. But when I came home a couple of days later–-no short road trips when you worked for George Solomon–I discovered that there was an entire section missing from my story. The section about the fight. Call me foolish, but I thought it was critical, seeing as how the fight was the reason for the story’s existence. Maybe it got sacrificed for reasons of page make-up. (Not an acceptable excuse.) Maybe it was incompetence. Maybe it was sabotage. There wasn’t anything I could have done to prevent because I was on the road. But I promised myself that when I was in town, I was going to do some serious lurking in that goddamned office.
George Solomon finally told me I couldn’t talk to the copy editors the way I did. I told him I was going to keep talking to them the way I did as long as they kept screwing things up. Poor George. You have to remember that he was still getting used to being sports editor, and I was one of the first real tests of his patience and managerial skills. I know he liked my writing and I think he liked me as a person-–we still trade e-mails occasionally all these years later-–but I also think I made him uneasy. I was the first writer he ever had who fought back loudly and passionately. You’d think it would have been different on what was considered a writers’ paper. But the Post was also a serious newspaper, a newspaper of record, and when you’re dealing with an animal like that, editors ultimately carry more weight than writers.
My salvation was a copy editor named Angus Phillips, who later turned to writing and did beautiful, even poetic work covering the outdoors. Maybe he was worried that violence would erupt or maybe he actually liked to read what I wrote. Whatever, when a story of mine came in, Angus would raise his hand and ask to handle it. If he had questions about the piece, he’d ask me. If he made changes in my copy, I trusted him enough not to argue. I believe this is known as mutual respect. You’d think someone at the Post would have thought of it before.
“Watermelon Slices,” By Wayne Thiebaud (1961)
Our good friend George Kimball died yesterday after a lengthy battle with cancer. He lived longer than anyone expected and there is much to celebrate about his life. But right now I just feel sad. He will be dearly missed. George was a real Man.
Albert Brooks: Patriot.
Memory Lane…
