"A New York Treasure" --Village Voice
Category: 1: Featured

Snap Happy

Photography was once an act of intent, the pushing of a button to record a moment. But photography is becoming an accident, the curatorial attention given to captured images.

Kottke curates a thoughtful post about the state of photography in an Instagram world.

Unchained Melody

Nice piece by Daniel Barbarisi in the Wall Street Journal about a bat boy and the pine-tar incident.

Unrelated, I found this photograph at Royals Then, Now & Forever. See the way Nettles is sliding his right foot? He did that before every pitch. When I played as a kid, up through high school, I copied that move too. If I stood on an infield today, without thinking, I’m sure I’d do it again.

 

Take Me Out to the Ballpark

Over at Curbed New York, Hana R. Alberts takes a look at New York City’s ballparks.

With a Whimper

C.C. Sabathia has toughed-out a lot of starts in the first half of this season. He’s been admirable, but it’s been a disappointing time of it for the Yankees Ace and he was horseshit today. His record is 9-8, ERA is over 4.00. A tough time.

The final score was 10-4 as the Yanks go into the All-Star break on a down note.

[Image Via: It’s a Long Season]

Keeping Cool

 

First half of the season ends with ol’ C.C. on the hill.

Ichiro Suzuki CF
Zoilo Almonte LF
Robinson Cano 2B
Travis Hafner DH
Vernon Wells RF
Lyle Overbay 1B
Eduardo Nunez SS
Luis Cruz 3B
Chris Stewart C

Never mind the HEAT:

Let’s Go Yank-ees!

[Photo Credit: An Extension of Me]

Sundazed Soul

“You’re The Picture”–Fats Waller

[Photo Via: Hypnagogia]

Poof!

Phil Hughes pitched a nice game but he’s Phil Hughes so it wasn’t enough, not with a team that has a tendency not to score runs. Two solo home runs and the Yanks were down 2-1 and then in the 8th inning Hughes gave up a 2-run homer. It was just too much as the Twins finally beat the Yanks. This one went 4-1.

[Photo Credit: Balakov]

Push it Along

It’s Phil “Trade Bait” Hughes on a muggy afternoon in the Bronx.

Brett Gardner CF
Ichiro Suzuki RF
Robinson Cano 2B
Vernon Wells DH
Lyle Overbay 1B
Zoilo Almonte LF
Luis Cruz SS
Alberto Gonzalez 3B
Austin Romine C

Never mind the humidity:

Let’s Go Yank-ees!

[Photo Credit: Camil Tulcan]

Saturdazed Soul

For a rainy morning.

[Photo Credit: The Absolute Best Photography Posts]

Who’ll Stop the Rain?

The rain never really did cease last night. Game started, it was raining, they called it during the fourth inning, and over an hour later when the tarp was removed it continued to rain. Hiroki Kuroda waited out the delay and then pitched one inning. And his team rewarded him by scoring a couple of runs in the bottom of the 5th to put him in line for the victory.

Turns out they were the only runs either team would score. Five Yankee pitchers combined for the shutout with Boone Logan getting extra credit for striking out the side in the 7th when two men were on base. Our man Mo put the Twins to bed in the 9th. Sweet dreams.

Final Score: Yanks 2, Twins 0.

[Photo Credit: Howard Simmons, New York Daily News]

Try a Little Tenderness

Here’s the word on Jeter.

Tonight gives our man Hiroki. It’s supposed to rain.

Brett Gardner CF
Ichiro Suzuki RF
Robinson Cano 2B
Vernon Wells DH
Zoilo Almonte LF
Lyle Overbay 1B
Eduardo Nunez SS
Luis Cruz 3B
Chris Stewart C

Never mind the setbacks:

Let’s Go Yank-ees!

[Painting by Elizabeth Patterson]

Million Dollar Movie

Or: “How Hollywood Ruined Our Best Football Novel”

By John Schulian

Long before he established himself as the Ring Lardner of the Pepsi generation, Dan Jenkins wrote about sports for the blighted Fort Worth Press. He had to rise at 4 every morning to put out the paper’s first edition, and the indignity of that, he claims with typical reckless abandon, made his hair hurt.

Twenty years later, Jenkins has yet to describe the pain of seeing what Hollywood did to Semi-Tough, his best-selling bellylaugh about professional football. He tried to say something not long ago in Sports Illustrated, the magazine where his typing skills came to light, but the most emotion he could muster was mild bemusement. The possibility exits, however, that he didn’t do any better because he was in shock.

You will know the feeling if you read the book and see the movie, which will descend on Chicago this Christmas season like a curse from King Herod. Billy Clyde Puckett, the halfback hero of Semi-Tough, would probably want to know where Herod played his college ball, but there are more important questions to be asked about the cinematic mutation Michael Ritchie, a certified hot-shot director, has given us. The biggest one is: Why did he bother saying he was making a movie of Jenkins’ novel?

Just about the only thing left from it are the title, the diary Billy Clyde is keeping during Super Bowl week, and the fact that he is forever being interrupted by his podnuh, Marvin (Shake) Tiller, the mystic wide receiver, and their mutual playmate, Barbara Jane Bookman. Out of a book that ran better than 200 pages in hardback, that is not what anybody in his right mind would call a whole lot.

Ritchie’s explanation is that he was intrigued by the conclusion of the book, which found Shake doing a fly pattern all the way to India, where he could commune with his guru and ride elephants. Because of that, Ritchie would up putting Burt (Billy Clyde) Reynolds and Kris (Shake) Kristofferson in a movie about the consciousness movement. If you aren’t familiar with the consciousness movement, the premise on which it is built is that nobody’s hemorrhoids are more important than yours.

Such thinking is very big in California, which leads the universe in sun-baked brains. Everywhere else, people who become that bewitched, bothered and bewildered are called “tutti-fruttis.” Indeed, that is how Ritchie depicts them despite his West Coast ties. The irreverence is not unusual, for he has thrown darts at politics in The Candidate, at beauty contests in Smile, and at Little League baseball in The Bad News Bears. But he is so obsessed with puncturing the inherent silliness of the me-firsters that he has forgotten that Semi-Tough is supposed to be about the NFL’s inherent silliness.

In the process, some of Jenkins’ finest ideas ended up on the floor of Ritchie’s birdcage. There is no mention of how Pete Rozelle used the commissionership as a springboard to the U.S. Senate. T.J. Lambert, the flatulent defensive end, is never shown making a sandwich of six Dallas policemen. “The Giants and the Cowboys got together and kept our arrest quiet,” said Billy Clyde, who watched the proceedings in amazement. “We got to play in the game. I think the Giants had to give up a high draft choice to the Cowboys when it was over.”

Nor did Ritchie try to stage the outlandish halftime show Jenkins imagined, the one in which “several hundred trained birds—painted red, white and blue—would fly over the coliseum in formation of an American flag” while Mickey Mouse and Donald Duck sang “God Bless America.”

Even when the director relied on the author, he managed to foul things up. One wonderful scene has the drunken Lambert dangling a 20th Century fox over a terrace railing by the heels because she looked askance at his idea of how well they should get to know each other. In the book, Barbara Jane Bookman talks Lambert out of mayhem; she can’t do the same in the movie because it would rob Shake Tiller of a chance to display his new-found calm. Apparently Ritchie isn’t so iconoclastic that he would try to level the consciousness movement and machismo with the same swing.

If Jenkins should take offense to anything, however, it is what Ritchie did to his rating system for feminine pulchritude. Originally, the system went from 10—which was, you should pardon the expression, “a Healing Scab”—to 1, and of course there never was a 1. For the pure Hollywood hell of it, Ritchie completely reversed the ratings. If he had left them the way they were, Jill Clayburgh, who plays Barbara Jane, would have been a lot closer to the truth when she insists, “I’m a 10.”

She is, however, just one of Ritchie’s casting mistakes. Kristofferson wanders through his role as Shake in such a daze that he must have been handed a fistful of Valium instead of the usual NFL Sunday afternoon supply of greenies. As Barbara Jane’s father, a pinko-hating oil baron, Robert Preston appears to be a Communist plot himself. Only Reynolds, as Billy Clyde, is palatable, if you don’t mind watching him portray Burt Reynolds. And just in case you don’t, remember that he had a stand-in for most of his rib-cracking football scenes. No premiums are paid for acting with pain.

As it turns out, the audience does all the suffering, which is no small achievement for a movie that Ritchie calls “a racy comedy.” His choice of words may be the funniest thing about Semi-Tough. When it was a book, it was enjoyably bawdy, almost “Tom Jones with a Jockstrap.” Ritchie’s adaptation, however, is merely smarmy, filled with the kind of double entendres that aren’t even good enough for TV.

Naturally, that won’t stop TV from buying this worthless hunk of celluloid. If you are smart, you will wait until then instead of wasting your money on it in a theater. When it comes to passing judgement on Semi-Tough, you see, there is no semi about it. It is totally terrible.

John Schulian is a former syndicated sports columnist for the Chicago Sun-Times. His work has appeared in GQSports IllustratedInside Sports, the Wall Street Journal, and the Los Angeles Times. He also wrote for the TV shows Miami ViceL.A. Law, and co-created Xena: Princess Warrior. He is the author of Twilight of the Long-ball Gods and Sometimes They Even Shook Your Hand, and co-editor of At The Fights.

And Now, We Wait…

..To hear what the MRI on Jeter’s quad tells us.

Seems Like Old Times

When Derek Jeter came to bat for the first time this season the Yanks were behind 3-0. He reached first by beating out an infield hit. Not exactly a Willis Reed moment, this being July and all. But what the hell? Hyperbole comes easy round these parts, especially when talking about Derek Jeter. He didn’t get another hit but drove in a run and was robbed of a single, too.

The Yanks caught up and then went ahead of the Royals, pounding out 8 runs. Kansas City didn’t score after the 2nd inning and the Yanks earned a series split.

Final Score: Yanks 8, Royals 4.

Smile…except it wasn’t all pretty. Jeter left the game early and will have an MRI on his quad.

Oy.

[Photo Credit: Rachel Bellinsky via MPD]

Backspin Like the DJ

 

Andy’s on the hill this afternoon.

Ichiro Suzuki CF
Derek Jeter DH
Robinson Cano 2B
Vernon Wells RF
Lyle Overbay 1B
Zoilo Almonte LF
Eduardo Nunez SS
Luis Cruz 3B
Austin Romine C

Never mind the formalities, Cappy’s Back:

Let’s Go Yank-ees!

[Photo Credit: Corey Sipkin, N.Y. Daily News]

Back in Business

The Return of The Captain.

Thuuuh Pitch

Dan Barry takes the mickey out of John Sterling in the New York Times:

J.S. Thuuuh pitch. And Gardner hits a fly ball deep to right-center field, Victorino back, back — home run! A Yardy! For Gardy!

S.W. Brett certainly got all of tha —

J.S. A Yardy! For Gardy! And the Yankees take a 1-0 lead.

Now Robbie Cano, the second baseman, settles into the batter’s box. A .294 batting average, with 20 home runs and 59 runs batted in. Robbie’s been struggling a little at the plate, but Suzyn, I ask you: how do you predict baseball?

S.W. You can’t really, it’s —

J.S. Exactly. You can throw the numbers out the window.

S.W. What?

J.S. Thuuuh pitch. High and outside, a hanging curve that never broke. That hanging curve brought to you by the State of Texas. We don’t hang ’em anymore, but we do the next best thing. Texas.

S.W. Actually, Jawn, I think that was a changeup that —

J.S. And Cano rockets one to right field. It is high, it is far, it is — gone! Home run! Robbie Cano, doncha know! It’s a back to back! And a belly to belly!

S.W. You know, Jawn, I’ve always wondered what that phrase means.

[Illustration by Chris Morris]

The Flip of a Coin

You remember what your algebra teacher told you about coin flips, don’t you? The coin has no memory. The probability of each result is always the same, regardless of what has come before. If a certain coin comes up heads, say, six times in a row, the odds on the seventh flip do not change. Only a fool would bet on heads thinking the coin was hot, and you’d be equally foolish if you bet on tails because it was due. A coin, after all, is just a coin.

More and more, these Yankees are starting to look like that coin. Remember when they won six straight and looked to be turing the corner as Mariano Rivera jogged in from the bullpen in the ninth inning of what would’ve been their seventh-straight win? And what about when they forgot how to win and lost three straight, the last two to the lowly Kansas City Royals? Recently it just seems like the Yankees are a .500 team, and the record bears that out. Since emerging from that soul-crushing four-game sweep at the hands of the Mets, the Yanks have come up heads just as often as tails — 19-19. At this point, perhaps they are who they are.

As depressing as that idea is, Wednesday’s game with the Royals was just the opposite. The other side of the coin, if you will. The Yankees scratched out a run in the first without benefit of an RBI as Brett Gardner made a daring dash home on a wild pitch that bounced only two or three yards away from Kansas City catcher George Kottaras. (Ichiro also tried to score on the same play when Kottaras’s throw skipped into the infield, but he was thrown out.) At the time the whole thing reeked of desperation. Gardner had no faith that anyone would drive him in, so he took a chance. Ichiro was thinking the same thing, so he took a bigger one. Heads you score, tails you’re out. 1-0 Yanks after one.

Iván Nova was on the mound for the Yankees, and after yielding two harmless singles in the top of the first, he mowed through the next twelve Royals hitters without allowing a base runner, allowing the Yankee offense to put a few things together. The first big moment arrived in the bottom of the third when Robinson Canó came to the plate with two outs and runners on first and second. Canó’s season has been up and down, but considering that he’s really the only frightening hitter in the lineup, it’s quite amazing what he’s been able to do — or what opposing pitchers have allowed him to do. Why he ever gets anything to hit, I’ll never know.

He got something to hit when Kansas City’s Wade Davis left a pitch out over the plate. Canó stayed with the pitch and drove it out towards the deepest part of the ballpark for a 419-foot home run to left center. It was the first home run by a Yankee starter in eight days, and the Yankees were up 4-0.

(That was probably the most important Canó moment of the night, since it essentially sealed the win, but there was a moment an inning earlier that will stick with me longer. With one out in the top of the second David Lough popped up a ball in the infield. Eduardo Núñez immediately began calling for it, as it looked to be heading towards the shortstop side of second base. But as the ball drifted across the bag into Canó’s territory, Núñez kept tracking it. As Canó realized Núñez wasn’t going to be called off the play, he brought his glove down and crossed his arms in mock indignation. After the out was made, he made a show of pointing out where the play had been made and playfully chided the youngster for overstepping his boundaries. It was the type of thing that of all sports happens only in baseball, and it was the type of thing that we used to see routinely from Derek Jeter — the stone-faced response to every single Hideki Matsui home run or the barely-controlled laughter each time Alex Rodríguez struggled with a pop-up. I can’t imagine Canó would’ve put on such a show had Jeter been the shortstop to wander into his domain, and perhaps Jeter’s absence thus far has allowed Canó to test his leadership skills a bit. Then again, it might simply have been two friends having a little fun. Either way, I enjoyed it.)

But back to our game. Those four runs exceeded the total production of the previous three games, but the bats weren’t done. They doubled that output in the sixth inning, and it only took four batters: Canó single, Vernon Wells pinch single, Zoilo Almonte walk, and a grand slam for Lyle Overbay.

But better than all that was Nova. He wasn’t just getting the Royals out, he was dominating them. He gave up a run in the eighth after walking Alcides Escobar with two outs and then giving up a double to Eric Hosmer, but that was it. Aside from those two mistakes, the last nine batters he faced went down like this: seven groundouts, a strikeout, and a fly out. He was great all night long.

Two years ago I wrote a piece in this space making several predictions about the future of the Yankees, and one of those was the development of Nova into the ace of this staff. I was recapping a game between the Yankees and the Reds that day, and after watching last night’s game with the Royals, I was immediately reminded of that night back in Cincinnati. Please note the similarities in Nova’s stat lines:

6/20/2011: 8.0 IP, 4 H, 1 ER, 0 BB, 7 K
7/10/2013: 8.0 IP, 5 H, 1 ER, 2 BB, 6 K

Last night’s performance, of course, comes on the heels of what he did his last time out, that complete-game gem against the Orioles. Even more important than that, it stopped a Yankee losing streak and gave them a much-needed 8-1 win. We can only hope that the coin won’t remember any of this tomorrow afternoon, and that the Yanks will come up with another win.

[Photo Credit: Kathy Willens/AP Photo]

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"This ain't football. We do this every day."
--Earl Weaver