"A New York Treasure" --Village Voice
Category: Arts and Culture

Everybody Loves the Sunshine

Steve Lopez, one of the last big time, big city newspaper columnists left, has a new collection out. Here’s a review by David Kipen in the Los Angeles Times:

The other thing every columnist needs, and that a Los Angeles columnist circa 2011 needs maybe most of all, is the ability to mix clarity with outrage. If things don’t break just right in Sacramento, California may just careen over its own lovely cliffs this year and L.A. right along with it. The invaluable, angry service Lopez continues to perform is spelling out the fateful connections between the lofty characters he mocks and the exploited, defenseless ones he sticks up for.

…The career of a columnist like Lopez can have three distinct phases: first, when he still nervously re-reads his work every morning to make sure it turned out right; later, when he hits his stride and makes do with reading it onscreen the night before; and, last, when he doesn’t even read it himself before filing on deadline.

It’s tricky to gauge where Lopez falls on this continuum, since the new collection is arranged thematically instead of temporally. Lopez’s kickers can get a little lazy, but the specter of burnout — when even the best tend to pull a few too many columns out of the mailbag — still looks to be safely down the road. One hopes Lopez may yet scrape together the time to write some book-length L.A. fiction, to join his three well-received crime novels set in Philly and Jersey.

[Picture by Edi Weitz]

Afternoon Art

Great Comic Covers Week–jacked from 1979Semi-Finalist–continues.

When the Walls (Came Tumblin' Down)

Remember…

Tomorrow night at 10:00 p.m. on the National Geographic Channel:

Break it Down: Yankee Stadium

Million Dollar Movie

How good is Nick Nolte? I haven’t seen much of his recent work–although a quick trip to IMDb shows that he’s been busy–but I think he’s one of the most interesting, powerful actors of his generation. “North Dallas Forty,” “Under Fire,” “48 Hours,” “Life Lessons,” “Q&A,” “Down and Out in Beverly Hills,” “Weeds,’ “Affliction.”  That’s an impressive list. And he’s been ambitious too, stretching himself in roles like “Jefferson in Paris,” and “Lorenzo’s Oil.”

I’ll bet he’s got a Jeff Bridges Appreciation run in him too.

[Picture by Christopher Wahl]

Taster's Cherce

Breakfast…

Lunch…

And more (from the Full Moon Bakery)…

(more…)

Il Fait Chaud

Okay, maybe not beach hot, but still, it’s awfully warm today, ain’t it?

[Photo Credit: Unknown]

Beat of the Day

The One. The Only.

Next?

Over at The Yankee Analysts, EJ Fagan thinks it is time for Jesus Montero to replace Jorge Posada as the Yankees’ regular DH.

[Picture by François-Marie Banier]

And For My Next Trick…

Yes, Mr. Nova. A lot more. You may begin showing us more tonight, thank you very much..

We’ll be cheering: Let’s Go Yank-ees!

[Image Credit: Jahlal Drut]

It's a Bird, It's a Plane…

New York:  We Get the Money All Day Every Day.

[Photo Credit: Utopia Archive]

Beat of the Day

Listen to this…

[Picture by Hugues Erre]

Afternoon Art

Great Comic Book Covers Week…

Inspiration (and covers provided) by 1979 Semi-Finalist.

Taster's Cherce II

Mole Poblano. Friend or foe?

Taster's Cherce

Now dig this:

Duane Keiser’s Peel.

Super Fly

If you are not checking Craig Robinson’s Flip Flop Flyin’ on the reg…

…well, this is a reminder: peep, dont’ sleep.

 

Nine Lives

Here kitty, kitty…

What does catwoman have to do with the slumping Chicago White Sox? You got me. I just wanted an excuse to post this picture.

Over at PB, Cliff has the series preview. Lo-Hud has the latest not-so-good news on Phil Hughes.

Here at the Banter, we root, root, root for the home team.

Never mind the Meow Mix, forget the rain: Let’s Go Yank-ees!

[Photo Credit: Christina Ricci by Gas Station]

Afternoon Art

Great Comic Book Covers Week…

…lifted from the most excellent, 1979 Semi-Finalist.

Up Against the Wall

Tonight on American Experience a documentary about the Stonewall uprising.

Watch the full episode. See more American Experience.

This looks terrific.

Hold it Now…Hit It

“Licensed to Ill” is 25 years old. Over at New York Magazine check out this oral history of the Beastie Boys’ first album:

Adam Horovitz: That year was basically Mike’s house during the day, writing lyrics, going to the club, going to the studio, going back to the club. We would write and write and write, then read the lyrics out loud to see who liked what. And that’s kind of how we’ve always done it since then. Rick had a drum machine, and I used to go to his dorm room and make beats. I made the beat for LL Cool J’s first single, “I Need a Beat.” I bought an 808 at Rogue Music [the Roland TR-808 was one of the first programmable drum machines] with some of the settlement money.

Mike Diamond: We would start with the music, and then Rick would clean it all up. Rick had the ability to make things sound legitimate and bigger, to make it sound like a record.

Rick Rubin: Each one had a strong personality. When we came up with rhymes, we tried to cast them for the right character and the right voice.

Horovitz: It just sort of happened. It wasn’t like, “Okay I’m going to be like Melle Mel, you’re Kool Moe Dee.”

Diamond: We never broke it down like, “Okay, I’m the baritone.”

Chuck Eddy, music writer (who did a notorious Beasties piece in 1987 for Creem): They were smart, arty Jewish kids from New York, and they created these white-trash burnout characters with the help of Rubin. And they pulled it off. ­

My Vinyl Weighs a Ton

Over at Buzzfeed, check out 40 sad portraits of closed record stores.

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"This ain't football. We do this every day."
--Earl Weaver