"A New York Treasure" --Village Voice
Category: Arts and Culture

There Ain't No Santa Claus on the Evening Stage

The passing of Don Van Vliet a/k/a Captain Beefheart this morning is news most people will react to with an unknowing shrug of the shoulders or a chuckle at his odd stage name. For the rest of us, this cuts deep.

Beefheart (along with his high school chum Frank Zappa) virtually invented avant-garde or underground rock music. At its heart, his music was based on the blues (the influence of Howlin’ Wolf on the Captain’s vocals is undeniable), but the blues was never a staid museum piece to Van Vliet – it was a living, breathing thing that he could mold, bend, even mangle to his liking. His early albums Safe as Milk and the double lp Trout Mask Replica (produced by Zappa) didn’t sell much, but found a home with adventurous and discerning listeners, including the famous or soon-to-be-famous, like John Lennon, Joe Strummer, Mark Mothersbaugh and Tom Waits.  Waits once said of Beefheart: “Once you’ve heard Beefheart, it’s hard to wash him out of your clothes. It stains, like coffee or blood.”  Beefheart continued through the 70s and early 80s with great albums, among them Lick My Decals Off, Baby, The Spotlight Kid, Bongo Fury (live, with Zappa & the Mothers), Shiny Beast (Bat Chain Puller) and what may be his best and most accessible album, Clear Spot.

Personally, I first heard Trout Mask Replica when I was 18 or 19, and I was never the same.  It was so weird and off-kilter to my ears, and yet oddly welcoming: as if he was opening a door to somewhere exotic, but slightly forbidding, seeing if you were game for the journey.  I’ve never regretted accepting the invitation. Matt Groening, creator of The Simpsons spoke of hearing Trout Mask at 15 and thinking:

“…that it was the worst thing I’d ever heard. I said to myself, they’re not even trying! It was just a sloppy cacophony. Then I listened to it a couple more times, because I couldn’t believe Frank Zappa could do this to me – and because a double album cost a lot of money. About the third time, I realised they were doing it on purpose; they meant it to sound exactly this way. About the sixth or seventh time, it clicked in, and I thought it was the greatest album I’d ever heard.”

Even though the Captain hadn’t made an album since 1982 (he’d retired to his other creative outlet, painting), the mark he left on modern music is as indelible as his album titles were indecipherable.  Thanks, Don…the dust blows forward and the dust blows back.

Million Dollar Movie

So many celebrity deaths lately. Blake Edwards, most popular for his work with Peter Sellers in the Pink Panther movies, passed away yesterday.

Here’s a You Tube highlight reel:

From “The Party”:

Mary Poppins is a Goin Off:

General Silliness:

The Book of Basketball and Staggering Casual Sexism

I meant to write a post like this a solid year ago, but I kept putting it off. It’s not directly baseball-related, and it has a decently high likelihood of inspiring an exhausting reaction. But then Bill Simmons’ “Book of Basketball” came out in paperback, and he has been on a mini-tour to promote it, and started a mini-multimedia-feud with Charles Pierce (who returned fire and then some), and Alex started pestering me to do it, and so I will.

Photo from doulikeme.wordpress.com

I’ve mostly found Bill Simmons to be an entertaining, engaging writer. His persona gets too over-the-top frat-boy for me at times (choose your own adventure with that last link), but I used to enjoy his columns even if I rolled my eyes often – anyone who spends as much time as I do on sports blogs is inured to a certain amount of that, and usually, if it doesn’t seem malicious, I brush it off easily enough. You can’t fight every battle and it’s no fun trying. Anyway, I got a kick out of Simmons’ baseball columns even though I often disagree with him there (even aside from him being a Red Sox fan) — but when it comes to basketball, he really knows his stuff. So when I visited my publisher last winter I was pleased to pick up a copy of the then-new “Book of Basketball,” and even more pleased to see that it had pushed Mitch Albom’s latest pap out of first place on the New York Times bestseller list.

The first really clear sign of trouble was this sentence and footnote (talking about going to Vegas, of course):

“I needed permission from my pregnant wife, who was perpetually ornery from (a) carrying our second child during the hot weather months in California, and (b) being knocked up because I pulled the goalie on her back in February.(1)
(1)The term “pulling the goalie” means “eschewing birth control and letting the chips fall where they may.” Usually couples discuss pulling the goalie before it happens… unless it’s Bridgette Moynahan. In my case, I made the executive decision to speed up plans for kid number two. This did not go over well. I think I’m the first person who ever had a home pregnancy test whipped at them at 95 mph. In my defense, I’m getting old and wanted to have a second kid before I wouldn’t be able to have a catch with them anymore. I have no regrets. Plus, we had a son. In the words of Joel Goodson, sometimes you gotta say, “What the fuck?” (pages 30-31)

What the fuck is right. I assume this is a joke — at least, it’s clearly supposed to be funny, but man did it fall flat with me. “Ornery” does not begin to describe my reaction if my husband, who’d very soon be my ex-husband, made an “executive decision” to stop using birth control without telling me. (Also, what the hell were they using that he could do this without her knowing? A valid question, though not one I care to dwell on).

A lot of reviewers noted “The Book of Basketball’s” sexism at the time. Writing in a discussion at New York Magazine’s Vulture Blog, here’s Tommy Craggs:

I’m glad Jonathan [Lethem] brought up the sexism, because, well, it’s pretty astounding (this from a guy writing next to the stripper pole at Deadspin HQ). Let’s just pass over the story about the “mediocre Asian with fake cans” and head straight to this little pearl, provided by Simmons’s buddy Bug: “Every time I watch Jason Kidd play, initially it’s like seeing a girl walk into a bar who’s just drop-dead gorgeous, but then when he throws up one of those bricks, it’s like the gorgeous girl taking off her jacket and you see she has tiny mosquito bites for tits.” Yeesh.

His take was followed by Ben Mathis-Lilley’s:

First, some thoughts on the book’s horrible sexism. In my notes on TBOB, I actually stopped bothering to copy down the most egregious comments and figured I’d just note when Simmons mentioned a woman for any reason other than evaluating her appeal as something to put a penis in. I’m open to correction on this, but I believe it was when he praised Meryl Streep’s acting somewhere around page 500.

The annoying thing about Simmons’s sexism in this book is that it’s not only abhorrent—we probably all look up to writers and artists and Shawn Kemps who have personal attitudes we don’t agree with—it’s intrusively abhorrent. I’m not a Puritan. I don’t mind battle-of-the-sexes banter or bachelor-party anecdotes and I’m not, presently, wearing pants. But Simmons gets into weird, pathological territory. Here’s a selection from one of his columns that the book prompted me to look up:


I flew to San Fran to hang out with my buddies Bish, Mikey and Hopper (the heart of the original Vegas crew) for a few days. The weekend started off with Mikey showing us a then-legendary porn scene–one where Rocco Siffredi randomly decided to dunk a co-star’s head into a toilet–which we analyzed like it was the Zapruder film for a good two to 10 hours. Then we flew to Vegas and gambled for three straight days, and every time someone got killed by a blackjack hand we made a variation of a joke about someone getting their head rammed in the toilet by Rocco. Vegas is the place where you beat the same joke into the ground, but this went to another level–flushing sounds, gurgling, “No, no Rocco, not again!” and everything else. It just never got old.


Jeez, man. Jeez. I didn’t realize guys like this had friends; I assumed they were all rapey basement loners. We reviewers and commenters seem to be in agreement that it’s not cool—so who’s out there egging him on? Am I misjudging the sleaziness of the American male?

Both of those writers did a good job of laying out the hostile tone that surfaces in this book dozens of times, though I should point out that both of them went on to mostly enjoy it otherwise. And I can see why – it’s easy reading, outside of this issue, and as I said the guy knows his basketball; he did a lot of research, put a lot of thought in, and his love of the game shines through. Unfortunately, so does his utter contempt for women, and I just couldn’t ignore the mounting pile of passages like this:

“There are three great what-ifs in my life that don’t involve women. The first is, “What if I had gone west or south for college?” This haunts me and will continue to haunt me until the day I die. I could have chosen a warm-weather school with hundreds of gorgeous sorority girls, and instead I went to an Irish Catholic school on a Worcester hill with bone-chilling 20-degree winds, which allowed female students to hide behind heavy coats and butt-covering sweaters so thick it became impossible to guess their weight within a 35-pound range.” (page 157)

“…Phoenix swapped Kidd to New Jersey for Stephon Marbury a few months after Kidd was charged with domestic assault. (36)
(36) Anytime “he smacked his wife, let’s get him the hell out of here” is the only reason for dealing one of the best top-ten point guards ever, I’m sorry, that’s a shitty reason. By the way, this footnote was written by Ike Turner.” (page 236)

(Yes, I know it’s a joke. I think it’s possible to pull off a funny joke about domestic violence — as George Carlin used to say, you can find some sort of humor in any topic. This is not that joke.)

“I’m springing one of my favorite theories here: the Tipping Point Friend. Every group of female college friends goes between eight and twelve girls deep. Within that group, there might be three or four little cliques and backstabbing is through the roof, but the girls get along for the most part and make a big deal about hanging out, doing dinners, having special weekends and everything else. Maybe two of them get married early, then the other ones start dropping in their mid-20s until there’s only five left – the cute blonde who can’t get a boyfriend because she’s either a drunk, an anorexic, or a drunkorexic; the cute brunette who only attracts assholes; the 185-pounder who’d be cute if she lost weight; the not-so-cute one with a great sense of humor; and the sarcastic chain-smoker with 36DDs who isn’t quite cute enough to land anyone but hooks up a lot because of the 36DDs. In this scenario, the cute brunette is the Tipping Point Friend – as long as she’s in the group, guys will approach them in bars, clubs or wherever. Once she settles down with a non-asshole, now all the pressure is on the drunkorexic and if she can’t handle it, then the girl with 36DDs has to start wearing crazy shirts and blouses to show off her guns.” (page 258)

“I wish WNBA scores would be banned from all scrolling tickers on ABC and ESPN. I’m tired of subconsciously digesting tidbits like “Phoenix 52, Sacramento 44 F” and thinking, “Wait, that was the final score?” before realizing it was WNBA. Let’s just run their scores on NBA TV with pink lettering. And only between the hours of 2:00 a.m and 7:30 a.m.” (page 262)

I could have picked out and transcribed a dozen more examples, but life is short. Taken one at a time, any of these could be shrugged off, but each one piles on the previous instances until they have so much cumulative bulk that they can’t be ignored. I read a lot of books that are written by men and for a largely male audience — in fact that describes many of my favorite books. But this book goes further: it’s not just not coming from a male perspective, it seems to have been written without the slightest hint that any woman could ever conceivably read it. I don’t know what Simmons is like personally, but with this book the Sports Guy persona that he’s constructed for himself has become downright toxic.

Simmons does have a number of female fans, and hey, to each their own. I would have liked to know what the rest of his NBA Pyramid looked like, but not enough to wade through 400 more pages of this stuff. In light of the above passages, reading Melissa Jacobs’ well done but not exactly hard-hitting interview with Bill Simmons on espnW, I found this exchange interesting:

MJ: Moving on to the great world of fantasy football and your “Fantasy Fixes” column, which outraged a lot of women. Do you still think women shouldn’t be allowed to integrate into men’s leagues?

BS: I don’t think it should be a law. I just personally like to be in a league with all guys. I like hanging out with guys in certain situations and I think we should be allowed to do that without it being sexist. Sometimes I like just hanging out with my guy friends. My wife likes hanging out with her friends.

MJ: But you’re not against other dudes, who don’t have a history of being in a league with their buddies, having integrated leagues?

BS: (laughing) You say integrated like it’s the 1960’s. Brown versus the Board of Education or something.

MJ: (laughing) I know. It’s quasi intentional.

BS: If it was one of my friends and he was in a league with girls, would we make fun of him? Yeah. Whatever. I don’t care. For me, we like to sit around and make fun of each other and, if we had a girl in our group we hung out with all the time, it would make sense. But just to bring in a random girl doesn’t make sense.

So… no close female friends, then? Shocking.

I have to say that, after all this, I’m still glad “The Book of Basketball” got Mitch Albom out of 1st on the Times list. But the enemy of my enemy is not my friend here. I wish I could have read more of “The Book of Basketball” without getting pissed off and grossed out, but there was, if you will, a Tipping Point Sexist Paragraph effect at play in this book. After a certain number of them go by, you can no longer see it as casual or unintentional or thoughtless – it’s flat-out unattractive, and I will not be approaching it in bars or clubs.

Beat of the Day

I haven’t thought about this tune in years but I started singing it in the shower the other night out of the blue:

Beat of the Day

Thank you for Soul Sides and Long Live La Murga!

Always Diggin

Maybe I ain’t got no soul

Haven’t you ever met a man that made you happy?

Sure, lots of times.

Beat of the Day

From the City of Brotherly Love…

Bonus Beat

Leave to Marty to elevate things to another level:

Beat of the Day

It’s obvious, I know, but fitting…

Final Lee?

Let’s hope today is the day for this putz, Lee. Go to Texas and leave us to get on with it.

In the meantime, bop your head to this:

It’s Only a Day Away

The Cliff Lee Drama promises to unfold shortly–tomorrow they say–and I for one am fed-up with all this waiting. I hope he signs with Texas, stay the bad guy (and I think he’s lock to go back). Look, if he comes to the Yanks, I’ll bellyache about the contract, because it’s insane, but I’ll be pleased that he improves the team in the short term. If he passes, I’ll be relieved and eager to see what the Yanks do next.

That said, this waiting game isn’t endearing Lee to anyone. Not that he does–or should–care.

It’s raining in New York this morning. The Jets play the Dolphins in the late afternoon game out in Jersey. I wonder if football players wake up bummed when they hear raindrops or if it just doesn’t matter at all to them as they gnaw on a slab of raw meat.

In the meantime, check out this loving appreciation of Vic Ziegel and Maury Allen by Harvey Ararton in today’s New York Times.

Araton gets props over here.

In the meantime, the Knicks are on early this afternoon. Yes, the Knicks. Amare has been so much better than I ever expected. What a nice surprise. It’s been awhile…

UPDATE: The first half of the Knicks-Nuggest game today at the Garden is enough to turn fair-weather Knicks fans like me back on. 66-65 Knicks at the half, a shoot-out. Lots of fun. Nene vs. Amare has been spirited, Amare came close to getting his second tech and tossed in the second quarter. Refs gave the Knicks a hometown call. Nene’s thrown down three dunks, the last one, emphatically! over Amare.

Can’t remember the last time I was actually excited about watching the second half of a Knicks game…

UPDATE: Knicks win a good one…that’s their 8th win in a row, something they haven’t done in 16 years.

Celts and then the Heat come to the Garden this week. Nice.

[Photo Credit: N.Y. Daily News and Nathaniel S. Butler/NBAE via Getty Images]

Stack Chedder: Is it Over Yet?

Cliff Lee is the object of the Yankees’ desire and Brian Cashman has not minced words in swooning over the star pitcher. Now that the Red Sox have signed Carl Crawford to a crazy deal the pressure is on for the Yanks to keep pace. I’ve gotten used to Lee as a nemesis and wonder if he’ll end up back with the Rangers or even the Angels though I certainly wouldn’t be surprised if he comes to the Bronx either.

The Yanks sound desperate to get him. The latest has them going to seven years. Is that knuts, a wild pitch, or just the price of doing business?

Speaking of wild pitch, dig this great marathon MC Serch and OC freestyle from the old Stretch Armstrong Show:

And if that’s not your speed, how about this:

Or, for those of you who speak Spanish:

Update: Chad Jennings with some Rule 5 fun.

Update: Over at Newsday, Ken Dawidoff breaks down Derek Jeter’s new contract.

Update: Joel Sherman has the details on several contract offers the Yanks have made to Cliff Lee.

Beat of the Day

Let’s take a quick break from Waiting for Godot with some good old meat and potatoes rock n roll:

Taster’s Cherce

Happy Chanukah for those of you who get down like that.

Windows warshed yesterday morning at my neighborhood spot.

Beat of the Day

Sticking with old Stretch Armstrong Show freestyles, here’s a good one from Q-Tip and Mad Skillz (I remember a lot of heads turned on Tip after hearing this cause it was like hearing Cosby trying to be Pryor):

Beat of the Day

Oh, hell yes. Classic late-night freestyle:

Beat of the Day

Taster’s Cherce

The Times goes Ghetto.

Million Dollar Movie

 

I like Ben Affleck more as a director than I do as an actor and “The Town” is an efficient, if implausible, entertainment. Affleck has good taste and the movie is well-cast, shot, and edited. Affleck is wooden as an actor and I just don’t buy him as a tough guy. That said, I would have liked to see him swap roles with Jeremy Renner who is largely wasted in the Johnny-Boy Nutzo role. Renner, at least based on his work in “The Hurt Locker,” would have brought so much more to protagonist than Affleck. Pete Postlethwaite and Chris Cooper are terrific in supporting roles.

Then there is “Winter’s Bone,” the critical darling of the summer. If you missed it the first time around, do yourself a favor and rent it. It is a chilling movie that features a sensational lead performance (one that we should be hearing about come Award season). Everything about the movie is sure without being over-the-top. This is one of the special movies of the year, the kind that gives you faith in the medium. And that’s word to Uncle Teardrop.

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"This ain't football. We do this every day."
--Earl Weaver