"A New York Treasure" --Village Voice

Let Me Tell You How It Will Be

Over at Baseball Musings our old pal David Pinto suggests that the reason for the Yankees’ lack of spending could be because they don’t want to get hit with a major tax rate in a few years.

Come On Back Now, Y’Hear

Some lucky bastards have the whole week off. Others schlepped back to town today and will be back to work tomorrow.

We’ll be here for everyone cause that’s just how we roll.

[Photo Credit: Ermetiho]

Taster’s Cherce

My sister’s slammin’ Christmas cookies.

There she is–my twin!–to the right, pictured with the wife and the nephew.

Picks and Pans

Over at Salon.com, check out this gallery of the Muppets’ 20 greatest musical moments.

 

Merry Everything

Sippin’ egg nog and…

Nora’s Freezin’ on the Trolley

From the great Walt Kelly:

Deck us all with Boston Charlie,
Walla walla, Wash., an’ Kalamazoo!
Nora’s freezin’ on the trolley,
Swaller dollar cauliflower alley’garoo!

Don’t we know archaic barrel,
Lullaby lilla boy, Louisville Lou?
Trolley Molly don’t love Harold,
Boola boola Pensacoola hullabaloo!

Bark us all bow-wows of folly,
Polly wolly cracker n’ too-da-loo!
Donkey Bonny brays a carol,
Antelope Cantaloup, ‘lope with you!

Hunky Dory’s pop is lolly gaggin’ on the wagon,
Willy, folly go through!
Chollie’s collie barks at Barrow,
Harum scarum five alarum bung-a-loo!

Duck us all in bowls of barley,
Ninky dinky dink an’ polly voo!
Chilly Filly’s name is Chollie,
Chollie Filly’s jolly chilly view halloo!

Bark us all bow-wows of folly,
Double-bubble, toyland trouble! Woof, Woof, Woof!
Tizzy seas on melon collie!
Dibble-dabble, scribble-scrabble! Goof, Goof, Goof!

And from the Library of America’s site, here’s Washington Irving’s story, “The Christmas Dinner.”

Saturdazed Soul

Seeing is believing.

[Photo Credit: A Spoonful of Sugar]

You Work in the Park?

Best bit in the movie…

New York Minute

“Hold on for a second, I’ll get you a tissue,” I said to my son after I heard him sniffling on the couch.

I scanned the desk and there were no tissues. I headed to the kitchen, snagged two from the box and turned back. He was still sitting on the couch, but he now wore a devilish grin.

“Did you eat that booger?” I asked.

“No.”

“Is that the truth?”

“Boogers are hard.”

“What are you saying?”

“I didn’t eat a booger.”

“What did you eat then?”

“Snot.”

 

Taster’s Cherce

What makes the world a better place? Fresh bread. Everything about it. The smell, the feel, the taste. Nothing more simple but as deeply satisfying as a loaf of warm bread.

[Photo Credit: Minato]

Monkey Business

Friday Morning Smile.

[Drawing by Drew Friedman]

Beat of the Day

 

Speak, Memory. This is a song that played on the radio during the last years of my parents’ marriage. I don’t remember any specific memory, but when I hear the song–waiting on line at the drug store, through a car’s open window–I go back to the sadness of that time. It is a piece of my history, more lasting than the other fragments that I can barely remember: clothes, comic books, towels, silverware. A song is not a thing to own (and to risk losing) like a book or an album, it runs deeper. It doesn’t even matter if you like the tune or not. It’s there. And there is nothing to be done about it.

Morning Art

“Tell,” By Kurt Schwitters (1919-22)

Beat of the Day

 

First:

Flipped:

Remixed:

[Drawing from Wonton Art]

Taster’s Cherce

Awww, bacon, via Three to One.

Color By Numbers: Danks, but No Danks (for the Yankees)

Photo: Getty Images

The trade market was supposed to be the Yankees refuge from this year’s class of overpriced, and perhaps overrated, free agents. Brian Cashman has reportedly been kicking the tires on several young pitchers, but, at least at this point, the demands have been too extravagant. One of the names in which the Yankees were believed to have an interest was John Danks, but now even he is no longer eligible for consideration. After weeks of espousing a “rebuilding philosophy”, the White Sox did a semi-about face and signed Danks to a five-year, $65 million extension.

Beyond the disappointment expressed by Yankees’ fans, the Danks extension was greeted by two common reactions. The first was confusion, namely, why are the White Sox handing out lucrative contract extensions when GM Kenny Williams has repeatedly talked about being a seller this offseason? The second reaction was incredulity over the terms, especially when compared to two recent extensions for pitchers with a similar amount of service time (Chad Billingsley and Wandy Rodriguez). However, both of these responses seem to miss a key point. Danks is a uniquely talented young lefty.

At age 26, John Danks is not that much older than some of the prospects over which so many drool. The difference, of course, is the White Sox’ left hander has five full major league seasons under his belt, during which he has compiled a WAR of 19.2. Put in a historical context, only seven other left handers, age-26 or younger, had a higher WAR over their first five seasons, and most on the list that surround him went on to very successful careers (1,769 pitchers qualified for this screen). In other words, not only has Danks been pretty darn good, but the best may be yet to come.

Top-15 Young Southpaws, from 1901*
 
*Noodles Hahn’s career began in 1899, and his statistics before from 1899-1900 are excluded.
Note: Data is from first five seasons of left-handed pitchers age-26 or younger.
Source: baseball-reference.com

Although it should be noted that Danks’ performance has fallen off since his peak 2008 season, his peripherals are strong and, just as important, he is still relatively young. So, if his past performance and future potential are accurately depicted in the chart above, it’s easy to see why the White Sox would be willing to extend him even if in the midst of a rebuilding process. Talented young left handers are a very valuable commodity, and they tend to do very well in free agency. Had the White Sox allowed Danks to hit the open market after this season, there’s a good chance the then 28-year old would have commanded a contract well in excess of the extension he just signed. After all, the White Sox will be paying Danks over the next four years the same amount the Rangers just bid simply for the right to negotiate with Yu Darvish. And, if other teams agree that Danks’ contract is a relative bargain, the White Sox should have no problem trading him should the organization determine that its “retooling” will take longer than expected.

In contrast to my viewpoint, some have suggested that the White Sox were overzealous in their decision to extend Danks because Billingsley and Rodriguez, two pitchers who have been statistically similar, recently signed three-year deals for $35 million and $34 million, respectively. Off the bat, the comparison to Rodriguez fails because the Astros’ lefty was 32 when he signed his extension, or one year older than Danks will be when his new deal expires. Billingsley, however, is a good comparison, but since when does one contract define the market?

As mentioned above, there is every reason to believe Danks would have been a very popular free agent in 2012, which seems much more relevant than what Billingsley accepted last spring. Furthermore, a comparison of the two contracts requires that one look at risk in two ways. In addition to the increased exposure to injury and underperformance that comes from a longer-term deal, teams must also consider the risk of replacement cost. Assuming Billingsley and Danks perform up to expectations, which is the basis for offering an extension in the first place, both pitchers will likely command another lucrative contract when their current one expires. Should that scenario come to fruition, the White Sox will likely be enjoying Danks’ age-31 season at a discount, while the Dodgers are forced to re-extend Billingsley one year earlier (Los Angeles has a $14 million option for 2014). Although a myriad of variables must be considered, many based on conjecture, the possibility of Danks’ longer deal being more cost effective can’t be ignored.

Who knows how seriously the Yankees and White Sox discussed a deal for John Danks? For months, I have been advocating (and hoping) for such an exchange, but now it’s time to move on to another target. Without many attractive options remaining (maybe Gio Gonzalez and Matt Cain), however, the new question becomes just how far to look ahead? Yankees’ fans may not like to hear this, but it’s entirely possible this offseason is simply laying the groundwork for winters to come.

New York Minute

The sun is bright today and we haven’t seen any snow yet in New York. With only a few days before Christmas I’m sure there are some who’d like to see that change.

In the meantime, check out another wonderful photo gallery from our pals at How to Be a Retronaut.

[Photo Credit: Alfred Stieglitz]

Morning Art

“Woman Dressing,” By Elmer Bischoff (1959)

Million Dollar Movie

Over at Indie Wire, Peter Tonguette has a piece on Michael Kahn, Steven Spielberg’s longtime editor:

Even if he has worked in a particular genre before (as he has in the three Indiana Jones sequels), Kahn does his best to approach each film with a fresh set of eyes. “I try to forget what I have done in the past and drop it, so I’m not taking any baggage with me,” he said. “I don’t differentiate between one thing or another. The next thing I’m going to is like the first time I’m doing it. I find it fresh and new. There’s a phrase that I always use. It’s called ‘beginner’s mind.’ I come in with beginner’s mind, like it’s the first time I’ve done something and it’s brand new…. Each time I do a show, I try to forget everything that happened on the previous project. I come in with an open, free mind, like I haven’t edited before. I’m open to the director’s ideas because that’s the one you’re working with. With directors, I don’t talk too much. I listen. By listening and watching, that’s how I learn how to put it together and [understand] what the director had in mind.”

Beautiful.

[Photo Credit: Brian Krijgsman]

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"This ain't football. We do this every day."
--Earl Weaver