"A New York Treasure" --Village Voice

Innnnteresting

It’s been an eventful offseason for the Yankees’ various relationships with Scott Boras. First he picked up Robinson Cano as a client – in time for Cano’s first really big payday. Then it was reported that Nick Swisher had switched to Boras, but that turned out not to be true (he actually went with Dan Lozano). And today Mark Teixeira told reporters that he’s dropping the man. From Marc Carig in the Star Ledger:

“Now that the contract is over with, I don’t want to be ‘Scott Boras client,'” he said. “I want to be Mark Teixeira, baseball player, helping this team win championships.”

Teixeira has contemplated a switch for more than a year, even hiring another agency to handle his off-field charitable efforts. Though their business association has ended, Teixeira said Boras will continue to collect his percentage of the first baseman’s salary.

“Scott did a great job getting me my contract,” Teixeira said. “I wanted to be in New York from the beginning, and everything that I’ve asked for has come through so far. And from here on out, there’s no reason to worry about the contract. It’s all about winning championships and helping out the community.”

Given how Alex Rodriguez’s relationship with Boras went, it seems that while Boras is clearly the most effective agent in the game for getting big money contracts, he’s not particularly sensitive to his clients’ other desires.

Now, a ton of baseball players talk about “helping out the community” and then just set up an unspectacular charitable foundation on the side and leave it at that, but the Yankees at the moment have a few players who seem to take it very seriously (most notably Sabathia, Granderson, and Swisher), and maybe Teixeira is really serious about doing a lot in that area. He’s such a carefully bland guy in interviews that’s it’s hard to get a sense of what he’s actually like, or what he really cares about – but I can’t write him off as entirely dull because on the field, he often reacts to opponents like a real red-ass. And it takes some guts to fire Scott Boras, I’d imagine. Anyway, another footnote in the Boras saga – one day, though maybe not til well after he’s retired, there’ll be a fascinating book written about that guy.

Schlub Love

Jeff Pearlman has a nice piece on Jay Horwitz, the vice-president of media relations for the Mets:

Jay Horwitz is, self admittedly, “a little bit of a schlump.” He’s wrinkled, he’s baggy, he’s disheveled. His glasses are slightly crooked. His head is a bit large for his shoulders. He talks with a thick New York accent. He’s lost or broken at least 10 BlackBerries over the past couple of years, including two that plopped into the toilet.

…when right-hander Anthony Young lost 27 straight decisions between May 6, 1992, and July 24, 1993, Horwitz saw each pitch; when Kenny Rogers walked Andruw Jones with the bases loaded in the bottom of the 11th inning of Game 6 of the 1999 NLCS, Horwitz charted the at-bat; when such unspeakably heinous busts as Vince Coleman and Kaz Matsui wore the blue, orange and white, Horwitz stood by their sides, believing—as he always does—that the Mets would be OK. “Jay is an optimist by nature,” says Bobby Bonilla, the former Mets slugger who credits Horwitz with helping him survive a rocky (to be polite) Big Apple run. “He sees the good, even when there isn’t much.”

[Photo Credit: N.Y. Daily News]

Beat of the Day

Clean Slate

 

George King on the improved fielding of Jesus Montero:

[David] Robertson’s eyes widened when asked about Montero, who went 0-for-3 and is 1-for-6 in two games.

“I first saw him when I signed here and it’s amazing how much better he has gotten,” Robertson said. “He sets up good, blocks balls in the dirt and stays down. He looks good.”

…“I like Montero, I think he is going to be a big-time player,” a scout said. “I know he is big (6-foot-4, 225 pounds), but he will be fine. All he has to do is just keep on catching.”

Switch My Pitch Up…

The Yanks played an exhibition game agaisnt the Pirates this afternoon. Chad Jennings has the tips; Michael Baron’s got the flix.

Here’s more from Jennings, on Phil Hughes.

Afternoon Art

“Woman with a Pearl Necklace,”  By Mary Cassatt (1879)

Million Dollar Movie

Hey, you movie lovers, do yourself a favor and head on over to Self-Styled Siren and peep For the Love of Film (Noir) Blogathon.

Beat of the Day

Taster's Cherce

Liz the Chef is spotlighted over at Food 52.

Her mama’s magno chutney looks tasty.

Tender is the Night

The good folks at Gangrey have reprinted Michael Paterniti’s loving 1999 Esquire piece on Thurman Munson:

[Ron Guidry] remembers his first start as a Yankee. He came in from the bullpen, nervous and wired, and Thurman Munson walked up to him and said: Trust me. That’s it. Trust me. Then walked away. As Guidry remembers it, everything after that was easy. Like playing catch with Thurman Munson. Thurman calls a fastball on the outside corner. Okay, fastball outside corner. He calls a slider. Okay, slider. Eighteen strikeouts a game. A 25-3 record. The World Series. Just trusting Thurman Munson. Can’t even remember the opposing teams, Guidry says, just remember looking for Thurman’s mitt. Remembers that very first start: Thurman Munson came galumphing out to the mound, told him to throw a fastball right down the middle of the plate. Okay, no problem.

But I’m gonna tell the guy you’re throwing a fastball right down the middle, says Thurman Munson.

Guidry says, Now, Thurman, why’n the hell would you do that?

Trust me, says Thurman Munson. Harumphs back to the plate. Guidry can see him chatting to the batter, telling him the pitch, then he calls for a fastball right down the middle of the plate. Damn crazy fool. Guidry throws the fastball anyway, batter misses. Next pitch, Thurman Munson is talking to the batter again, calls a fastball on the outside corner, Guidry throws, batter swings and misses. Talking to batter again, calls a slider, misses again. Strikeout. Thurman Munson telling most every batter just what Gator is going to throw and Gator throwing it right by them. After a while Thurman Munson doesn’t say anything to the batters, and Gator, he’s free and clear. Believes in himself. Which was the point, wasn’t it?

[Picture by Larry Roibal]

In the Boom Boom Room

Jane Russell, R.I.P

Baseball Player Name of the Week

I cannot believe that, until he appeared in a spring training game for the A’s on Sunday, I was unaware of the existence of minor league pitcher:

Josh Outman.

That’s right.

I learned via the inimitable Lisa Winston that there is also a minor league pitcher for the Padres named Will Inman. I’m not sure whether Inman and Outman have ever played against each other. If that ever happens in the future I hereby vow to liveblog the crap out of it.

In any case, the good news for Outman, at least in my fevered brain, is that he ought to have a leg up on previous pitcher Name of the Weeks like Kevin Slowey and Grant Balfour…

The St. Jetersburg Winter Palace

There’s a story in the Times today about Derek Jeter’s infamous new mansion – St. Jetersburg, as the locals have dubbed it. 30,875 square feet, two three-car garages, and no yard.  Right on the road with a six-foot fence for privacy. “Seven bedrooms, nine bathrooms, a pool, two boat lifts, a drive-through portico,” whatever that is.

 

I dunno, you guys.

With the caveat that Jeter has the right to do whatever he wants… this just seems strange,  doesn’t it?  Jeter’s spent his New York tenure living well – apartment in Trump Towers, famous girlfriends, tropical vacations, clubs – but he hasn’t typically been so over-the-top about it. If it’s possible to party with models in a classy sort of way, he generally has. And I admit I don’t know much about the etiquette of mansion-building… but isn’t this a little… tacky?

How big is The House That Jeter Built? Well, it is slightly smaller than an average Best Buy electronics store, and twice as big as the late owner George Steinbrenner’s 13,480-square-foot house in South Tampa.

Rodney Kite-Powell, curator for the Tampa Bay History Center, said Jeter’s house was bigger than all but two of the original 1920s-era apartment/hotel buildings originally built on Davis Islands.

Whenever star players are in contract negotiations, there’s always a moment where I think, “How the hell can $15 million a year (or whatever it is) not be enough for you?!” But it’s become clear over time that when you have that kind of money it just doesn’t seem like as much as one might think it would.  So I might say to myself, “Who would ever need that much space?! One boat lift really wouldn’t suffice?” But I guess it’s all relative, and when you get to that level, your perspective is different. Also, to be honest, I am not entirely sure what a boat lift is, but if it involves moving boats around in any way then I think my point stands.

Jeter won’t talk about this – the mansion, not the definition of a boat lift –  which is understandable, but I’m genuinely curious as to what his thinking was here.

And regardless: Can you imagine how much crap A-Rod would take, if he built this?

Oooo La La

Riding on the Metro…Picture taken outside of Brussels by my uncle with his iPhone.

Million Dollar Movie

I was taken with Mark Ruffalo’s performance in “The Kids Are All Right” last year and friends said, “If you think he was good in that, you have got to see ‘You Can Count on Me.'” I finally got around to watching “You Can Count on Me” over the weekend and they were right. Laura Linney and Ruffalo are both wonderful and give the kind of performances that are so believable you forget they are acting.

The movie, released in 2000, was written and directed by Kenneth Lonergan. It is tender without being sentimental. Lonergan shows the kind of restraint that I cherish–he never hits us over the head, never goes for the obvious, over-the-top emotion. He lets uncomfortable feelings hang and is confident enough to leave matters unresolved. It is so expertly directed that watching it, I was reminded that great directing is not just about technical wizardry, it is about serving the story, understanding pace and rhythm, and respecting the audience enough to fill in the blanks. This movie proves that you can be modest without being precious. I’d like to watch it again soon.

Afternoon Art

de Kooning detail…

New York Minute

Memory Lane

A friend of mine from high school lived across the street from me. Once a month or so we’d end up on the same subway car and kill the 40 minutes between 207th st and 59th st rehashing old high school stories and exchanging latest news on our mutual friends. He was the point guard and captain of the basketball team and I inherited those titles after he graduated even though only he bore the burden of actually being good at basketball. So we always had topics to cover.

I have tons of chances to reminisce over college experiences. My wife was in my graduating class. But high school has slipped away almost completely. When my friend moved, I realized this was probably one of my last chances to hear these stories.

One day, we were chatting and the third person in our A Train three-seater perked up and said, “I went to that high school too.” She was a few years younger than us, but she knew some of the people we knew.

And then I didn’t know what to do. Was she now in on the conversation? We had over 100 blocks to go – and, after a few niceties I just kind of settled back into the previous exchange. Now I feel guilty, like I should have included her more. But those few years of space made her just about as alien as everyone else on the train.

[Photo Credit: Infectedwithrage]

So This Is What It Feels Like To Go Insane

Last night I got home around 2 AM and still had some work to get done; this ad came on at about 3:30. You will note that it’s for a personal injury law firm and that it features a crudely drawn rapping, dancing squirrel.

I don’t think they should be allowed to air something like this at that hour. If it wasn’t for YouTube, which confirmed for me that this is a thing that exists, I might have checked myself into Bellvue.

1-800-VICTIM2 YOU CALL!

Beat of the Day

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"This ain't football. We do this every day."
--Earl Weaver