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Tag: henri matisse
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Morning Art

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“Landscape Viewed from a Window” By Henri Matisse (1912)

Afternoon Art

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“The Piano Lesson” by Henri Matisse (1916)

Morning Art

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“Conversation” by Henri Matisse (1909)

Morning Art

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“Seated Pink Nude” By Henri Matisse (1935-36)

Morning Art

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“Flowers and Ceramic Plate” by Henri Matisse.

Morning Art

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“Anemones with a Black Mirror” by Henri Matisse (1918-19)

Afternoon Art

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“Sketch for Ulysses” by Henri Matisse.

Afternoon Art

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Matisse at age 83, 1953.

[Photograph by: Hélène Adant/Rapho]

Morning Art

Matisse.

Morning Art

“Studio Interior, Detail,” by Henri Matisse (1903-04)

Morning Art

“Still Life with Black Knife,” By Henri Matisse (1896)

Morning Art

Matisse at work.

Morning Art

“View of Notre-Dame,” By Henri Matisse (1914)

Morning Art

Henri Matisse

Afternoon Art

“Zorah on the Terrace, By Henri Matisse (1912-13)

Chit Chit Chatter

Yo, I was on Jesse Goyd’s Buckshot Boogaloo Podcast recently where we talked about Lucian Freud, Francis Ford Coppola and Mariano Rivera. Dig it.

Henri Matisse

Morning Art

I like to go to the Matisse room at the Modern and just sit in front of this picture for a good while.

Here’s John Richardson on the picture:

Few, however, have spotted that it is a baton in an artistic relay race that goes from Cézanne to the great period of Matisse’s that this show celebrates, to Cubism. In a letter Matisse wrote to a friend in 1914 was a sketch of a goldfish bowl on a table set off against the railings of his studio balcony. The sketch included the artist himself, holding a rectangular palette just as his hero, Cézanne, does in a famous 1885 self-portrait. In the course of working on the painting, however, Matisse did a vanishing act, whittling his image down to a vestigial scaffolding. All that remains is the palette with a thumb in it. I see this iconic white rectangle as the baton in the relay race of modern art. Trust Picasso to pick up on it, when, a year later, he came to paint his tragic, self-reverential Harlequin (which also belongs to MoMA). Seeing this late Cubist masterpiece, Ma­tisse hailed it as his arch-rival’s greatest work to date, because it owed everything to him. For years, nobody could figure out what he meant. The link? What else but Cézanne’s palette. Cézanne had passed it on to Matisse, who had used it to signify himself. Ma­tisse had then passed it on to Picasso, who had turned it into a barely perceptible self-portrait on a rectilinear canvas his Harlequin alter ego is clutching. Subsequent abstractionists would pass the baton from one to another until there was nothing left but a blank rectangle.

I love seeing all the under painting, you can see the work, and imagine Matisse busting his tail to resolve the picture to his liking.

Afternoon Art

Bags Grooves to Matisse at the Modern.

Afternoon Art

Interior with a Violin, By Henri Matisse (1917-8)

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