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Morning Art

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Lego Art by Marco Sodano.

Hope Is the Thing With Ducats

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Here’s a Friday baseball open thread fuh ya. While there is word that things aren’t going so smoothly for team Cano in Seattle Jon Heyman reports that the Yanks are close to signing our man Hiroki to a 1-year deal.

Cry Freedom

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Here’s the obit from the N.Y. Times. 

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[Photo Via It’s a Long Season and Ian Berry]

True Identity

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Strong work from Howard Bryant:

Even with a Harvard-educated black man occupying the White House, the conception of black masculinity still revolves around the primal, not the intellectual. The first skill any African-American man learns in navigating the white world is how to make white people comfortable. He must be nonthreatening. Before he can profit from the snarl, he must first soften them with a smile. These tactics predate Matt Barnes’ tweeting of the N-word; they predate the NFL, Jay Z and the Civil War.

Yet no matter the tactic, no matter how powerful or savvy a black man might be, manipulation of his image remains a shadow currency. LeBron James was the first black male to gain the cover of Vogue, in 2008. His portrayal conjured images of King Kong — it was him roaring at the camera with a white woman, Gisele Bundchen, in his arms.

These old constructions, very much alive, were returned to light by Jonathan Martin and Richie Incognito. Here was a case in which a white man used racial slurs to a Stanford-educated teammate who comes from a two-parent, Harvard-educated home. And more than anything else, the root issue was the eternal difficulty this country has in allowing black men to live in full dimension. Martin didn’t look the part. He didn’t conform to the accepted code of black masculinity, exposing the fault line that has always run underneath the American soil, transformative president or not.

On the Dolphins, Martin wasn’t seen as a real man. Uncomfortable with the strip clubs, he wasn’t trusted as one of the boys. And because he represented the images of scholarship and manners, of dignity and higher education — reputable qualities generally associated with white mainstream America — he was inauthentic in the eyes of black players, but no more authentic in the eyes of whites. His teammates preyed on Martin’s economic class and demeanor, viewing each as weakness, his education as a mimicry of whiteness. (It’s telling that John Elway and Andrew Luck, also Stanford grads, have never been accused of being soft.)

[Image Via: The Starting Five]

Fear and Loathing

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What scares you?

Picture by Elizabeth Fleming.

Taster’s Cherce

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I’m as into trying new things as the next guy but some products don’t need to be messed with. I haven’t tried a homemade ketchup yet that bests Heinz, have you?

[Image Via: Hand-Cad]

 

Beat of the Day

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Coolin’.

[Image Via: La Vida En Fotographia]

Boston to New York

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Here’s our pal Leigh Montville on Ellsbury as a Yankee:

Ellsbury’s departure fits somewhere in the middle between Boggs and Damon. Like Damon, he is a more than competent centerfielder, romanced directly off a character-driven, long-haired world championship team. Unlike Damon, he was not the favored face. That belonged to David Ortiz, no argument. Ellsbury was in the second line of stars, high on a long list. Little kids loved him because of his size. Purists loved him because of his speed, his ability to steal a base and track down fly balls. Girls loved him because of his good looks. He was good, good, good, but not break-the-bank good.

There was a curious, season-long disconnect to close out his time in Boston. Despite all the good things he did during the championship run, there always was the sense he was going to leave. He was in the last year of his contract. His agent was Scott Boras, the same no-prisoners negotiator Johnny Damon used. The centerfielder would want the big years and the big money and the Red Sox would not outbid the other bidders. He was good, but not break-the-bank good. Everybody understood.

Unlike Boggs, Ellsbury’s departure would not be without sadness. He would have looked good in a Red Sox uniform for his entire career. Unlike Damon, though, his departure would not be a surprise. He never had promised anything. Everyone knew he was going for the top dollar.

The surprise — ah — would be the destination.

Million Dollar Movie

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Joel and Ethan’s latest is out. 

Also, there’s this:

Morning Art

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Picture by Harold Hollingsworth via Just Another Masterpiece.

Taster’s Cherce

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Rest in Peace, Judy Rodgers. In her honor, try this.

Step Up Front

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Our old pal Tony Clark will be named as the next executive director of the MLBPA. He is the first former player to hold the job.

[Photo Credit: Yahoo!]

Beat of the Day

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Boids…with a “Y.”

[Photo Credit: Rob Kalmbach]

Morning Art

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Photograph by Maurizio Di lorio.

Bright Lights Big City

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It’s less than 24 hours since the news broke–Jacoby Ellsbury is going to be a Yankee. So: Is this a good thing or not? He’s a fine player but he’s been hurt more than somewhat. Does this mean Cano is a goner or does it mean the Yanks know that Alex is in for a long suspension and hell with it, they’re going to sign Robbie as well?

We didn’t see this one coming, that’s for sure. But back to my pernt–it’s been less than a full day since we heard about this, which is more than enough time for people to weigh in on it.

Here’s the word from:

Ben Lindbergh

Dave Cameron

Albert Chen

Tyler Kepner

Jonathan Bernhardt

Mike Axisa

Michael Eder

I’ll update this as the reviews are filed today.

[Picture by Bags]

 

 

Houba

 Rockies Red Sox Baseball

Wow.

Afternoon Art

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Paintings by Robert Roth via This Isn’t Happiness.

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Taster’s Cherce

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Damn.

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"This ain't football. We do this every day."
--Earl Weaver