Oh, man, the St. Mark’s Playhouse. Cue: Memories.

Over at Jeremiah’s Vanishing New York check out this interview with East Village photographer, Ann Sanfedele.

Crowded and muggy on the subway platform during rush hour yesterday when a train rolled into the station so I decided to wait for the next one. I stood back from the open doors and let people jam their way into the car. I looked inside the open door and saw Seth Gilliam, an actor I know as Ellis Carver from “The Wire.” He was looking at the ground, just another guy sweating in a crowded subway car.  When he looked up we made eye contact. I mouthed “Thank You” to him, pressed my palms together and bowed my head. When I opened my eyes and looked back at him he smiled and nodded. The doors closed and the train pulled out of the station.

When you are on a show like “The Wire” I’m sure you never really escape it. Anyhow, I didn’t say a word to him but I know he knew what why I was thanking him.

Museumuseum gives us a huge treat:

Sixth Avenue between 43rd and 44th street

by Todd Webb (April 23, 1948)

A New York minute in pictures brought to you by the great Saul Leiter.

In the spring of 1996, my friend Mike took me to A-1, a record shop in the East Village. I looked through a couple of crates of records and then started a conversation with a blond-haired kid who was hanging out talking music. An hour later we were still talking.

Mike had been looking through the $2 dollar bins on the floor and he came up with two steals: Ice Cube’s Kill at Will ep and BDP’s By All Means Necessary.

Right there, I knew the difference between a dedicated beat digger and me. I liked the music but didn’t have the stamina to go through the entire store for a bargain.

That fall, the Yanks won the World Series and I went to Los Angeles for four months on a job. The next time I went to A-1 the blond-haired kid, Jared Boxx, was working there.

It wasn’t long before he left with two co-workers to open their own record store, The Sound Library. And when the partners there split up, Jared co-ran Big City Records.

Now, The Sound Library and Big City are history but A-1 is still around.

And wouldn’t you know it but my friend Mike works there. Seventeen years after he first brought me in I stopped by to say hello. Bags came along with me and took some pictures.

DJ’s aren’t buying vinyl like they used to. And now A-1 sells a lot of rock albums. Mike said they can’t keep records by Blondie, The Talking Heads of Led Zeppelin on the shelf. He blames the video game Guitar Hero.

It was great catching up, hearing some music, and seeing my old friend.

Whadda ya want from me?

The Wife on 34th street last night. (It’s gotta be the shoes.)

Playing around. Picture by Leonard Freed, 1978.

A moment in time, captured by Gordon Parks (1952).

Brilliant in the warm sun, cool in the shadows. This picture by our man Bags speaks to what it’s like in New York today.

New York stories…from these two pictures by one of my favorite photographers: Elliott Erwitt.

Only Baseball Matters this morning on the 1 train.

Time after time.

NYC Time Lapse July 4th, 2009 from Possum Den Productions on Vimeo.

[Photo Via: Think Different]

Taking in the spring at Bryant Park.

Couple of weeks ago I was on the train and looked around and noticed that were only a few white faces. It wasn’t an unusual sight. It was common. I just happened to make a note of it and then moved on to whatever else was on my mind.

It’s one of the things you take for granted when you live in New York–and can be painfully aware of when you leave: diversity.

[Photo Via: Think Different]

Let’s Get Lost:

Lost in Manhattan from Gunther Gheeraert on Vimeo.

[Photo Via: mOrtality]

Heppy Boifdaze,

[Photo Credit:  Bron Stadheim]

Here’s our pal Mark Lamster on the Seagram building:

Though it now seems an implacable and timeless monument, a bronzed monolith standing resolutely behind its well-proportioned plaza, the tower’s existence was by no means ordained. In June 1953 Ms. Lambert was a 26-year-old recently divorced sculptor living in Paris, a self-imposed exile from her native Montreal and from her domineering father.

It was then that she reeled off a missive to her father, a response to his own letter outlining plans for a New York skyscraper. She was not impressed with the undistinguished modern box his architects proposed and let him know: “This letter starts with one word repeated very emphatically,” she wrote, “NO NO NO NO NO.”

Seven more pages followed, in which Ms. Lambert alternately scolded, cajoled and lectured her father on architectural history and civic responsibility. There was “nothing whatsoever commendable” in the proposed design, she wrote. “You must put up a building which expresses the best of the society in which you live, and at the same time your hopes for the betterment of this society.”

[Photo Credit: IPhoneography]

Street Photography by Matt Weber.

A real New York story by Corey Kilgannon in the Times:

Eli Miller, 79, New York City’s senior seltzer man, hoisted crate after crate of seltzer — weighing 70 pounds apiece — into his van and then draped himself over them.

“I’m running on fumes — the reason I work is, I just can’t stay home,” said Mr. Miller, who has been delivering seltzer in Brooklyn for more than a half-century.

He can afford to retire, but that would mean his customers, many of whom have been with him for decades, might have to resort to store-bought seltzer.

“I don’t want them to have to drink that dreck you buy in the supermarket,” he said, using the Yiddish term for dirt. “So I guess I’ll retire when Gabriel blows his horn.”

Seen. Sticker on a muni-meter on Bleecker Street, two nights ago.