[Photo Credit: Marilynn K. Yee/The New York Times]
Monday
May 4, 2026
Since 2002
Royko: Stacked
Yesterday, I brought my Stacks show on the road to The Daily Beast. I’ll have a reprint there each weekend. First up, John Schulian’s great Mike Royko profile.
Dig:
They were drinking their dinner in a joint outside Chicago. It was just Mike Royko and his pal, Big Shack, and whatever their bleary musings happened to be that night three years ago. They probably never even gave a thought to the fact that they were in Niles, Illinois, which qualifies as a suburb and therefore should have been treated by Royko as if it were jock itch. But Niles is where a lot of the Milwaukee Avenue Poles he grew up with fled when they started finding themselves living next door to neighbors named Willie and Jose. So this was shot-and-a-beer territory after all. The only thing it lacked was a DO NOT DISTURB sign.
“Hey, you’re Mike Royko!”
It happens to him all the time even though newspaper guys are supposed to be bylines, not recognizable faces with bald heads, crooked smiles and ski-jump noses. How Royko, who is a baggy-pants character no matter what he wears, cracked the celebrity lineup is no mystery, though. Nor is it a tribute to the tiny picture of him that has decorated his column in each of the three Chicago papers he has worked for. The secret is words. The words that in 1971 paid off with a Pulitzer Prize for his newspaper commentary and a best-selling book called Boss, in which he dissected Mayor Richard J. Daley. The words that now appear, via syndication, in the Los Angeles Times, the New York Daily News, and 223 other papers. The words that always have originated in his hometown, Chicago, five times a week, year after year after year.
“I’ve read you all my life.”
Royko’s admirer was male, white, crowding 40, with a pretty wife who quickly made it known that she was a more voracious reader than her husband. Soon the three of them were so wrapped up in one another that they failed to notice Big Shack, all 220 pounds of him, lumber off to the can. But Big Shack is important to this story, first, because he is the source of it, and second, because he returned just in time to save Royko.
“The guy was choking Mike,” Big Shack says. “I guess his wife had gotten a little too friendly, and Mike, well, you know Mike. So there I was, peeling the guy’s fingers off Mike’s throat one at a time.”
Big Shack can laugh about it now.
“What can I tell you? In ten minutes Mike went from hero to bad guy.”
It wasn’t his maiden voyage.
Morning Art
“Still Life with Oranges” by Piet Mondrian (1899)
Sing it the Way You Feel it
A friend recently gave me Dead Boys, Richard Lange’s 2007 collection of short stories. I’ve read three so far and I’m hooked. He’s really good, man.
I like this from an interview with Lange over at Fiction Writers Review:
Q: You recently wrote about Samuel Beckett in an essay on literary last moments for the Mulholland Books website, saying, “[There] is something so profoundly sad, hopeless, and hatefully true in [his] meditations on loneliness, regret, and death. I believe in a universal melancholy, and Beckett has come closest to getting it down on paper.” How did he influence what you did with language and tone in Angel Baby?
Lange: Beckett is one of the big influences on everything I do. You read him, and you’re forever changed. The psychological bleakness he captures, the air of regret. But there are a thousand other influences at work in Angel Baby, too. Writers, musicians, filmmakers, painters. My work is an amalgam of all of them plus my own experiences, all tossed into a blender, then formed, battered, breaded, and fried. Melville, Zola, Hemingway, Carver, Mamet, Denis Johnson. Cormac McCarthy, Robert Stone, Taxi Driver, Badlands, Bonnie and Clyde, Dancer in the Dark, Tom Waits, Black Flag, Will Oldham, some guy I overhead at a Laundromat once, the desert in a certain light, the feel of the sun on the back of your neck when you’re miles from water. Every time I sit down to write, all that and more is there, and I write best when I give myself up to the maelstrom and stop trying to control things, when I trust my natural rhythms. That’s not to say that it’s easy or that great stuff just pours out of me. I work hard to find the right word, the right cadence, the right moments in a story to spotlight, but it starts with letting go, not bearing down.
Or as Robert Duvall said in Tender Mercies: “Sing it the way you feel it.”
And then there’s this, from Lange’s chat with George Pelecanos:
Pelecanos: One of the endorsement quotes on the back of Angel Baby includes the line, “Lange stands out as the greatest young crime writer of his generation, precisely because he doesn’t write crime—he writes literature.” Are the two concepts mutually exclusive?
Lange: Those are just marketing terms to me. I’m writing exactly what I want to write, and they can call it whatever they want in order to sell it. People have said I’m too literary for the crime crowd and to crime-y for the literary crowd. Everybody’s taste is different, and I’m not going to chase an audience. I like what I write, and that’s all that matters. I’ll probably have a short, shitty career because of that attitude, but it’ll damn sure be fun while it lasts.
[Photo Via: This is Los Angeles, I’m Yours; illustration by David Levine]
What’s Nu?
A snow storm is set to hit New York today. We’re still going to be relatively quiet here until early next week but I’ll have a couple few things fuh anyone who is around.
[Photo Via: This Isn’t Happiness]
Happy New Year
Heppy New Year to you and yours! With a little help from Matisse and Sun Ra…
“Happy New Year To You”–The Qualities
BGS: New Year’s
Here’s a treat from the legendary columnist, Jimmy Cannon. Originally published in 1951 and anthologized in Nobody Asked Me, But …: The World of Jimmy Cannon.
Dec. 31—Nothing will help you. You’ll get drunk and regret it with a belligerent pride. You’ll go for more money than you should. You’ll tip the captain of waiters a day’s pay to sit down close to the floor show which you’ll never see because they’ll have you out in the men’s room putting ice on your forehead when it goes on. You’ll tell the guys down at the shop about the hole the blonde’s cigarette burned in your tux. You’ll swear you’ll never do it again. It’s a pledge you’ll fracture in a year. You’ll bet you left your ring and wrist watch on the sink in the gents’ place. Your wife will contradict you and insist the cab driver rolled you when he lifted you out of the taxi. You’ll wear your eye black with the dashing pride of a company clerk showing off his Good Conduct Medal on the first furlough. You’ll be sick to your stomach.
On Saturday morning you’ll telephone your friends and describe your misconduct on the hazy night before and they’ll recite what they did. It will all sound like what happens in a hog pen at the end of a famine but it will make you proud when you relate it. It will please your wife that while you were hugging the hat-check girl the doorman leered at her with what she will confuse with desire as long as she lives. All of you know this before you start out tonight on our country’s biggest and ugliest drunk.
It will happen in farmhouses, cold-water flats, in mansions and in tenements, in apartments of all types, in houses in the countryside, in villages and in cities great and small. There will be parties in furnished rooms, in offices, in lodge halls rented for the occasion, in public places which include lunch carts and hotels.
There will be the commotion of frivolity in bars and grills, restaurants, night and country clubs, down in basements with a keg of beer tapped badly, and humid. The solvent will do it right and the bums will mooch the price of a demijohn of wine and sleep it off in doorways.
It is done unwillingly in many instances. The reason for it is economic. On all plateaus of our society being sober on New Year’s Eve lowers a man’s prestige.
The guy who can’t go to the office Monday morning and brag that he violated every dogma of indoor protocol will be considered obsolete and used-up. The junior clerks will identify this as a flaw and start scheming to grab his job before he is put on the pension and given the wrist watch for years of meritorious service.
New Year’s Eve is the time when people are deliberately rude. Normal politeness is rejected as eccentricity. I am a guy who gave up drinking for various reasons, including many defeats by guys a sick chorus girl could trim. I suffer most from sobriety on this night of mass boozing. I find myself to be the representative of conservatism at all functions pitched on this clamorous midnight. People treat me as though I were a spy among them who was there to witness their calculated gracelessness.
The most proper of my acquaintances have prepared for this night with a reluctant cunning. They protest they dread the torture of making spectacles of themselves. But they understand a man must get obnoxiously loaded on New Year’s Eve if he intends to stay socially acceptable for the next twelve months.
They cry they are being fleeced in the inns and cabarets. But they feel it is their duty to go broke getting drunk even when they have no affinity for alcohol. It is not only the amateurs and the semi-pros who do this but the real rummies.
The rummies stand against bars and control the wild impulses which whiskey instigates in most men. They preserve their dignity while under the influence of liquor every day of the year but tonight. Occasionally they knock themselves helpless with Martinis because this is the most ferocious drink ever made by man.
They go limp and their old ladies come down to the corner saloon and sweep them up like trash. On ordinary days such pass-outs shame them. They frequently go a whole hour without taking a peck at the bottle they conceal in their desk. They create alibis for these collapses and it seldom has to do with the drinking of whiskey. It is usually blamed on lack of food or an inept bartender who polluted their Martinis with the wrong brand.
On this night the saloon manners of the whole country change. Every one believes propriety is a weakness and succumbs as rapidly as he can to surliness, insensibility or the romancing of women.
Guys who can drain a quart of brandy without changing their position at the bar once have been known to put on paper hats after a tumbler full of champagne on New Year’s Eve. They throw confetti and wish people they despise a happy New Year. They roll around in the sawdust. They make passes at their best friend’s wife even when the lady doesn’t appeal to them.
On New Year’s Eve all those who drink act like demented children and a reveler is believed to be a failure at frivolity if he doesn’t insult all those who come in contact with him. But on this night it is the good drinkers I pity. The rummies suffer most.
Where & When: Game 29
Hello? Oh, welcome back to Where & When! It’s been a heck of a year for me, how about you? I’m guessing this will be the last game of 2013, and we’ve had quite a run here. I’m looking forward to the new year; more challenges and more wins in all walks of life. Let us look at the last challenge of the year:
Nothing too obvious like Times Square (although that would be kinda cool if we hadn’t already done it), but does require a bit of observation. I won’t give any clues for this one because they are obvious in my opinion. A Waialua Root Beer for the first with location and (closest) date, and a Waialua Cream for the follow-ups (keeping it in the family for the last part of the year). So, have at it, no peeking and I’ll see you on the flip side!
[Photo Credit: Michael Krieger]
"This ain't football. We do this every day."
--Earl Weaver
--Earl Weaver