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Banter Battle 2011

Its time once again for Fantasy Baseball at the Banter. The third annual “Banter Battle” over at Yahoo is free, but restricted to returning owners, and new owners who pledge to NOT abandon their teams during the season. We had 20 teams last season, but four of them made NO moves at all during the year. Those four aren’t going to been invited back.  Sorry.

http://baseball.fantasysports.yahoo.com/b1

League ID: 78376

Password: sandman

There will be a live on-line draft on Wednesday March 23 at 9:30 Eastern.  You can pre-rank your draft if you can’t make the live draft.

Hope to see you there!

In Control

A.J. Burnett had a good outing today. Chad Jennings has the skinny.

Afternoon Art

Feast on this food and art coolness via food 52.

Beat of the Day

Profile in Courage

Bronx Banter Book Excerpt

Last week, I got a copy of Neil Lanctot’s new book, “Campy,” a biography of Roy Campanella. I was duly impressed by Lanctot’s previous effort, a meticulously researched book about the Negro Leagues and so I opened his new book book with considerable anticipation. The prologue was so striking, and so fitting for this space, that I immediately contacted Simon and Schuster for an excerpt. They generously agreed, so here is the prologue to “Campy.”

Please enjoy and then go to Amazon to buy the book. Looks like a keeper.

From “Campy,”

By Neil Lanctot

FOR SOME CITIES, a World Series game is an all too rare event to be savored and debated for years afterward. But for a New Yorker in 1958, the Fall Classic was a predictable part of the October calendar, as humdrum as a Columbus Day sale at Macy’s or candy apples at a neighborhood Halloween party.

The great catcher Roy Campanella was a veteran of the October baseball wars. Between 1949 and 1956, his Brooklyn Dodgers had taken on the New York Yankees five times, coming up empty all but once. On Saturday, October 4, Campy was returning to Yankee Stadium for yet another Series game, but everything had changed since the last time he’d set foot in the House That Ruth Built. The Dodgers no longer played in their cozy ballpark in Flatbush but in a monstrosity known as the Coliseum a continent away. And Campy no longer played baseball at all because a January automobile accident had left him a quadriplegic. For the past five months, he had doggedly worked with the staff and physicians at the Institute of Physical Medicine and Rehabilitation on Thirty-fourth Street in Manhattan to learn how to function in a wheelchair. He had now sufficiently progressed to leave the hospital on weekends.

His doctors had encouraged him to accept Yankee co-owner Del Webb’s invitation to attend Saturday’s game at the Stadium, although Campy was initially not so sure. He had not appeared in public since his accident, nor had he sat on anything except a wheelchair. Nevertheless, he set aside any lingering anxiety to make the early-afternoon car ride to the Bronx, where box seats behind the Yankee dugout had already been set aside for Roy, his wife, two of his children, and a male attendant.

When the family station wagon arrived at Yankee Stadium, Campy could not help but think of the times he had suited up in the locker room in the past. He had never liked hitting at the Stadium, but he had enjoyed his fair share of glory there, whacking a key single in the deciding game of the Negro National League championship game as a teenager in 1939 and a more crucial double in game seven of the World Series in 1955, the year the Dodgers finally bested the Yanks. Today, he would just be another fan.

Campy soon discovered his wheelchair was too wide for the Stadium’s narrow aisles. He had no choice but to be bodily carried by his attendant, two firemen, and a policeman. “I felt like some sad freak,” he later recalled. “It was the most embarrassing thing that ever happened to me. I felt ashamed.”

But the fans whose glances he so desperately wanted to avoid soon began to shout out encouragement. “Hi, Slugger!” one greeted him. “Attaboy, Campy!” yelled another. “Stay in there, Campy, you got it licked.” Before long, virtually every one of the 71,566 present realized that the fellow with the neck brace and “tan Bebop cap” being carried to his seat was three-time MVP Roy Campanella. “By some sort of mental telepathy thousands in the great three-tiered horse-shoe were on their feet and when the applause moved, like wind through wheat from row to row, I doubt if there were many there who didn’t know what had happened,” wrote Bill Corum of the Journal-American. “It was a sad thing. Yet it was a great thing too, in the meaning of humanity. No word was spoke that anybody will know. Yet it had the same effect as that moment when a dying Lou Gehrig stood on this same Yankee diamond and said … ‘I’m the luckiest man in the world.'”

Down on the field, the top half of the second inning took a backseat to the heartfelt hoopla in the stands. With the count 1-1 on Milwaukee’s Frank Torre, Yankee pitcher Don Larsen stepped off the mound as the players in both dugouts craned their necks to see what was causing the commotion and then began to join in the ovation themselves. Upon spotting Campy only a few yards away, Yankee catcher Yogi Berra flipped his mask and waved, while home plate umpire Tom Gorman offered “a clenched fist in a ‘keep-fighting’ gesture.”

Campanella, who had vowed beforehand that he “wasn’t going to cry,” struggled to keep his emotions in check. He smiled back at Yogi (who “kept looking back and hardly could resist the temptation to run over and shake Campy’s hand,” said one reporter) and winked at the mob of photographers who gathered at his seat. For the rest of that warm October afternoon, he tried to focus on the game, even trying to eat a hot dog without success, but he could not stop thinking about the outpouring of love he had just experienced. “It’s hard to explain the feeling that came over me. I don’t believe any home run I ever hit was greeted by so much cheering,” Campanella said later.

It was the first time he had received such applause in a wheelchair, but it would not be the last. For the rest of his life, his presence, whether in a major league ballpark or in front of a Manhattan deli, would evoke similar responses. He was no longer just a ballplayer but a symbol of something much more.

© 2011 Neil Lanctot

Taster's Cherce

Oh, yes, please.

David Lebovitz, again and again.

Write On

We listened to some of Steve Earle’s records last week. Yesterday, I caught a piece in the L.A. Times about Earle’s first novel:

It took eight years, on and off, for Earle to finish “I’ll Never Get Out of This World Alive,” writing between tours and recording sessions, backtracking and revising when necessary, getting back in the groove. “I hope it’s like the Huck Finn effect,” he jokes. “Twain stopped writing in the middle of the book and went on a lecture tour, and the difference between the first and second halves make it the great American novel.”

But more to the point is how the novel ties into the larger pattern of his career. In late April, Earle will release his 14th studio album, also called “I’ll Never Get Out of This World Alive” and equally focused on issues of life and death.

“They were written at the same time,” he declares, “so it shouldn’t surprise anyone that they’re about the same thing” — and if this is the first time he’s tied two projects together so directly, it only highlights what he’s been doing all along. “I’ve always written stories,” he says. “My songs are stories. A lot of people wonder how to write a story in three minutes. With a book, you have to figure out what to prolong and what not to.”

Still, he admits, “Wrestling a novel to the ground was about 100 times harder than I expected. In the middle of it, I swore I’d never do it again. But now that it’s done, I’ve got another idea.”

[Photo Credit: American Songwriter]

Postcards from Peter

Say what you will about Peter Gammons, but I love him. There was a time, when Gammons was a regular on ESPN’s Baseball Tonight, when I encouraged my children to refer to him as Uncle Peter. (My wife, incidentally, was not a fan of this.) Sure, his Boston Globe columns could be long-winded–perhaps even elitist, if a baseball writer can aspire to elitism–and there were the nagging questions about the accuracy of some of his reporting, but it never really mattered that much to me. I’m not a journalist, after all, I’m just a baseball fan, and Gammons always gave me exactly what I wanted. Heck, I even liked his guitar-nerd habit of dropping in bits about the Moody Blues or Third Eye Blind.

Anyway, like him or not, he’s got an interesting column about the Yankees over at MLB.com. In a nutshell, Jeter’s working hard, Ruben Rivera was a bust, Jesus Montero is the real deal, and Joba (gasp!) looks like the old Joba. Enjoy.

[Photo Credit: Justine Hunt/Boston Globe]

Million Dollar Movie

Here’s Kim Morgan on “Taxi Driver.”

[Photo by Steve Schapiro]

Leaner, Faster, Strong

Dear Alex, please don’t break.

In the Daily News, John Harper has a piece about Alex Rodriguez.

Rainy Sunday

Ted Barron captures Robert Frank taking Tom Waits’ picture…from the New York Times.

Diggum, Smack

Brunch at Tipsy Parson in Manhattan.

Fabulous fatness. Mmm, mmm, good.

Gone But Not Forgotten

WFAN regular, Doris from Rego Park.

Leopold!

The Sun Will Come Out…Today

Another winter day filled with thoughts of summer…

[Picture by Bags]

Saturday Soul

Howdy, Stranger

The Yanks and Sox, together again.

Exhibition baseball tonight on YES.

The Hospitalized BBWAA Writer

Last Sunday evening, I was at work, editing down the AP obituary of Duke Snider to a word count that would fit our available space. There was one sentence that caught my attention, and I debated for a moment whether I should cut it, because I thought it was unclear:

Snider hit at least 40 homers in five straight seasons and led the NL in total bases three times. He never won an MVP award, although a voting error may have cost him the prize in 1955. He lost to Campanella by a very narrow margin – it later turned out an ill voter left Snider off the ballot, supposedly by mistake.

There are a few things that are odd there – why mention that the voter was ill? Do we not have his name, and why not? Why “supposedly” by mistake? Didn’t anyone ask?

Anyway, I decided to leave it in, after confirming the loose outline of events on Wikipedia – which said, at the time (it has since been amended), that a BBWAA writer in the hospital had mistakenly put Campanella down twice, in first and fifth place, when he’d meant to put Snider in one of those spots. If he had, Snider would have won the MVP. That still seemed odd (again, why mention the hospital? Did he die later and they couldn’t ask him? Then why not say that?), but fine. I finished editing it down, ate a sandwich  and went on to other work.

Joe Posnanski, on the other hand, wondered about some of those same things and then started digging. That response is one of the reasons why he is – for my money, and a lot of other people’s – the best sports writer going at the moment. He doesn’t simply accept things at face value. I also take his ensuing post on the subject as a good lesson about following up when something seems off. If a story doesn’t make sense, there’s probably a different story behind it – I should listen to those instincts and, more than that, follow up on them. (And also, for the love of god, never rely on Wikipedia. I know this – and I never do when I’m writing or reporting – but I often use it as something of a fact checker. Nine times out of 10 it’s accurate, but for anything work-related or important, that’s not good enough).

You should go read Posnanski’s whole post, but the general thrust is:

Here’s is what the box says happened: There was indeed a writer who put Roy Campanella first and also sixth on his ballot, just like Feller said. Whether this was done by a writer who was sick and/or from Philadelphia is not made clear, and is probably not important. The BBWAA could have invalidated the ballot, and that must have been considered. But they did not. And they also did not just give Campanella the top spot and erase the fifth spot.

What they did was this: They moved everybody below No. 5 up a spot — six to five, seven to six, and so on. And for the bottom spot they inserted, yep, our favorite Philadelphia relief pitcher Jack Meyer.

There’s more to it than that and plenty of context, but I don’t want to quote too much of Posnanski’s post – I want you to go read it.

I also want to see if we can’t get “a hospitalized BBWAA writer” to catch on as a description of something a little fishy. E.g., “Joba says the weight he added is all muscle? Yeah, I dunno, that sounds a little like a hospitalized BBWAA writer to me.”

Foot Fault

The foul ball that nailed Francisco Cervelli’s foot earlier this week has turned into a worst-case scenario, as further tests reveal a fracture.  Cervelli will miss a minimum of four weeks, with some estimates extending to eight weeks.

Paging Jesus Montero!

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"This ain't football. We do this every day."
--Earl Weaver