Trying to maintain low expectations about the Yu Darvish bidding, I wondered what the Yankees could do with all that money when they don’t get him. It would be nice to get both Cespedes and Soler in the system as the Yankee outfield gets very thin very fast after this year.

Perhaps because I’m in the process of finding presents for the extended family and because there’s a lot of talk around the coffee machine this morning about the Mets terrible financial situation, I thought about how the Yankees could help their fellow New Yorkers.

The Mets need money. How much? More. When? Yesterday. So here is a Christmas gift to the Mets: $22,000,000.00. The Yankees trade A.J. Burnett straight up for Johan Santana.

The Yankees rid themselves of the annual Burnett headache. By ERA, Burnett was the second worst starting pitcher in baseball since 2010. But ERA can be misleading. Don’t worry though, by FIP, he was the third worst.

Johan Santana from one point of view, was even worse than Burnett. Santana broke down in 2009 and then again in 2010 and didn’t pitch at all in 2011. And he’s coming off surgery to repair the anterior capsule of his left shoulder – one of the nastiest surgeries a pitcher can undergo. His level of performance for the rest of his contract, the same gauranteed length as Burnett, is a total mystery.

In this deal, the Yankees would give the Mets the gift of 22 million dollars (Santana’s gauranteed $55 million over the next two year and while A.J. Burnett will get $33 million over the same time span) and a reliable innings eater (reliably bad, but hey, count that money again) for the gamble that Johan Santana can bounce back into something special, or at least into a shadow of something special.

I have no idea if Santana will be any good as he tries to come back. But if he gets on the mound and he’s among the worst pitchers in baseball next year, he can only be two or three rungs below where A.J. Burnett has taken up residence.

I know there are better ways to spend $22 million than on a roll of  the dice on Johan Santana’s recovery. If you can’t believe in a little magic during the holiday season though, when can you?

UPDATE: A report has the Toronto Blue Jays with the winning bid for Darvish.

Winning anecdotes about my two favorite Yankees in the same wonderful career retrospective?

And Happy Holidays to you, SI and Walter Iooss JR.

This has to be the Reggie shot he is talking about, right?

[Photos by Walter Iooss Jr.]

Where’s that bus? I don’t want to miss the train show.

Where’s that bus? There’s a cold rain falling.

I might fall asleep and miss my stop.

I’m thirsty and the water bottle is empty.

CC will throw the first pitch soon.

I need to make dinner for the boys.

I don’t want my wife to walk home in the dark.

He’s already held it in for so long.

I’m gonna end up in the first fucking row and my neck’s gonna be sore for a week.

Where’s that damn bus?

Technology exists underground, for most of New York, that tracks the trains along their route. Screens display the time of the next arriving train. And then the next one after that. No such service on the A Train. Nothing doing at the bus stops. You wait unknowing or you walk.

I guess the Blue Line doesn’t utilize that technology for the same reason that A and C Trains are the oldest, crappiest trains in the system. Nobody wants to spend any money on the A and the C. And I’m sure there is some preposterous reason why the MTA can’t develop an app that will track a bus as it inches through traffic as the frozen darkness descends upon your stop.

But c’mon, man. In this day and age, there’s no way we should be helplessly wondering where’s that bus.

So, have you heard enough holiday music yet?  Are you missing baseball enough?  If the answer to both questions is “yes”, please take a gander at my baseball name-oriented version of the “12 Days of Christmas”.

Enjoy!

Let’s all agree that before you write an article about trading Jesus Montero for a starting pitcher, that starting pitcher needs to be better than current free agent C.J. Wilson.

For the last two years, C.J. Wilson has been better than Gio Gonzalez in almost every way. Wilson pitched more innings, kept balls in the park at a better rate and walked fewer batters. They whiffed guys at close to the same rate, but Gonzalez jumped up in 2011 to claim a slight edge. That’s in raw numbers. When you look at the home road splits, it becomes clear we are talking about two different animals. Wilson is stellar outside the harsh environs of the Ballpark in Arlington. Gonzalez is ordinary once removed from Oakland and its acres of foul territory.

The main knock against Wilson is that he has walked 167 men in the last two years. Gonzalez has issued 183 free passes in 25 fewer innings.

Gio Gonzalez is five years younger than C.J. Wilson and still under team control for several years. His explosion in strikeouts in 2011 bodes well for his future. Those are huge points in his favor, no doubt. He’s projectible and cheap and certainly may be better than C.J. Wilson in a few years when Wilson gets older and Gonzalez is in his prime. But Jesus Montero is under team control for six more years. Which sounds better, Jesus Montero for six years and C.J. Wilson for whatever it takes to sign him? Or Gio Gonzalez for four years and whatever bat they have to sign to replace Jesus Montero?

The Yankees are not making headlines during the Hot Stove season, so the writers are left to make their own heat. Hey, I’d love to see Gio Gonzalez at the back end of the staff while he tries to get those walks down and learns to pitch to Death Valley in Yankee Stadium. But not at the cost of six years of a bat like Montero’s. Not when a better version of the same pitcher can be obtained on the free agent market.

Getting sick on a train is tough business. I’ve seen people pass out and throw up, usually in tight quarters. One time on a crowded train, a woman feinted into the unsuspecting lap beneath her. The person attached to the lap made a move to quickly give up his seat, but in his haste to make space he dropped her on the floor.

I’ve never been that kind of sick, but I’ve felt a fever creep over me in those hellish depths. It was winter, hat-and-scarf winter, and that icky warmth spread out from the center of my thick jacket. It traced the outlines of my shoulders and neck until it erupted in sweat down my back and out towards my hands.

I wrenched my scarf free. I would have left it for trash on the floor if there was enough space to let it fall. I jammed the wool hat in my bag and wedged the bag between my legs. I unbuttoned the jacket. Even the warm, dank subway car air was welcome inside the jacket.

I pivoted slightly so I could wiggle one arm free of its sleeve. And then the other. The jacket slid down into my arms and I folded it over and over until it looked more like a pillow. I tied the scarf around the jacket like a sweaty parcel. Then I reached down to reposition my bag over my shoulders.

I thought to myself, if there is snow on the ground when I get out of this subway, I am going to bury my head in it.

I stood there sweating for a few minutes, holding the jacket package and feeling eyes on me from all over the car. The train slowed down to approach 125th St. I had about a hundred blocks to go.

By 168th St, I was shivering.

 [Photo by Lesley Steele]

On Monday, the Hall of Fame could grow by as many as four. That’s the maximum number of candidates who could be elected by the Golden Era Committee. After giving careful consideration to the ballot, I’ve decided to pass on former players Ken Boyer, Tony Oliva, ex-Yankees Allie Reynolds, Luis Tiant, and Jim Kaat (a particularly tough choice), and longtime executive Buzzie Bavasi.

That leaves exactly four men who are deserving of making the grade in Cooperstown.

Ron Santo:

Of the ten men being considered by the Golden Era committee, there is no stronger candidate for election than the late Ron Santo. Arguably one of the five greatest third basemen of all time, and conservatively one of the ten greatest to play the position, Santo has long deserved enshrinement in Cooperstown.

Let’s consider just a few of Santo’s accomplishments. A patient hitter with a keen eye at the plate throughout his career, Santo compiled a lifetime .366 on-base percentage. With 342 home runs, he managed a .464 slugging percentage, despite playing a good portion of his career during an era in which pitchers held major advantages over hitters. Santo’s defensive accomplishments were only slightly less impressive. A five-time Gold Glove winner, the defensively superior Santo led the National League in total chances nine times and led the league in assists seven times. Those numbers indicate that Santo had good range, in addition to the soft hands and ability to start double plays that characterized his long tenure with the Cubs.

With 66 WAR, Santo compares favorably to Brooks (69) and comes within striking distance of George Brett (85) and former Yankee Wade Boggs (89), two offensive-minded third basemen.

Gil Hodges:

Based solely on his accomplishments as a player, or only on his managerial tenure, Hodges likely does not have the requisite resume for the Hall of Fame. But that’s not how the Hall of Fame election process is supposed to work. According to the rules for election, voters are encouraged to consider a candidate’s entire career in assessing his worth for the Hall of Fame.

As a player, Hodges was a fine all-round performer who hit with power, drew walks, and played a Gold Glove-caliber first base, as he contributed prominently to five National League championships for Brooklyn. During his peak, he slugged .500 or better over a span of eight consecutive seasons. As a manager, Hodges oversaw one of the great franchise turnarounds in major league history. He took command of a perennially poor Mets team that had won 57 games, immediately elevated them to a 73-win level, and then engineered one of the most memorable upsets in World Series history. Hodges also maintained the Mets at a level of better than .500 in 1970 and 1971, despite the team’s glaring lack of offense at a number of positions.

In looking at Hodges properly as a combination candidate, the argument for his Hall of Fame election becomes much clearer.

Minnie Minoso:

Like Hodges, Minoso requires more than a surface look to understand his worthiness for the Hall of Fame. He did not become a fulltime major leaguer until the age of 25, through no fault of his own, but because of the Jim Crow segregation that kept black players in the Negro Leagues or the Caribbean.

Over four Negro Leagues seasons, Minoso earned two All-Star game berths and led his teams to two appearances in the Colored World Series. If the game had already been integrated, Minoso might have spent those four seasons playing in the major leagues during his age 20 to 23 seasons.

Even without major league credit for his Negro Leagues years, Minoso’s numbers are impressive. A player in the mold of Enos Slaughter and Pete Rose, Minoso compiled a lifetime on-base percentage of .389 while providing value as both a left fielder and third baseman. Minoso led the league in hits and total bases one time each, in stolen bases and triples three times apiece, and in hit-by-pitches ten times. One of the game’s premier tablesetters, Minoso scored 100-plus runs five times, while topping 90 runs on five other occasions.

Charlie Finley:

Charlie O’s bitter and tempestuous personality will keep him out of the Hall, but an objective look at his accomplishments reveals a deserving Cooperstown candidate. Under the leadership of Finley, the A’s accomplished more during the 1970s than any other major league team, winning three world championships and five division titles. As the team’s owner beginning in 1962, Charlie Finley realized that he was a relative novice at baseball. He listened intently to his scouts—people like Joe Bowman, Dan Carnevale, Tom Giordano, Clyde Kluttz, and Don Pries—who told him which amateur players to pursue as free agents and which ones to draft. As a result, the A’s developed future standouts like Sal Bando, Vida Blue, Bert Campaneris, Rollie Fingers, Catfish Hunter, Reggie Jackson, Blue Moon Odom, and Gene Tenace.

In later years, a more confident and penurious Finley pushed out many of his veteran scouts and tended to ignore the advice of those he still employed. Yet, he still managed to exhibit a deft hand in making trades and signing bargain basement role players. In 1971, Finley made perhaps his best trade, sending an underachieving Rick Monday to the Cubs for Ken Holtzman, who would win 77 games over four seasons in Oakland. Finley also engineered the five-player deal that brought a young left-handed power hitter (Mike Epstein) and an important left-handed reliever (Darold Knowles) to the Bay Area. In 1973, the A’s might not have won the World Series without Knowles, who pitched in all seven games against the Mets.

After the 1972 season, Finley acquired a much-needed center fielder in Billy North for aging middle reliever Bob Locker. In his first four years with the A’s, North played a solid center field, stole 212 bases, and become both a capable leadoff man and No. 2 hitter. Finley also swung unheralded deals for key role players like Matty Alou, Deron Johnson, and Horacio Pina, who would fill important holes in the outfield, at designated hitter, and in middle relief, respectively, during the 1972 and ’73 seasons.

Then there is Finley’s impact as an innovator. He championed the cause for night World Series games, the use of the designated hitter, and interleague play, all before they were officially adopted. He also dressed the A’s in colorful green and gold uniforms, giving the team a unique brand and setting a trend for the game’s changing on-field appearance in the 1970s.

Bruce Markusen writes “Cooperstown Confidential” for The Hardball Times.

Anybody down with the McRib? It scares me, but there are devoted fans.

This, via the consumerist however, makes a McRib look like filet fucking mignon.

I know Taster’s Cherce is typically about food turn-ons, but it’s stuff like molded meat that can help us appreciate the good stuff all the more.

[Featured image via MSNBC]

The Yankees’ decision to sign journeyman Jayson Nix to a make-good contract might end up as inconsequential, or it might be a harbinger of a larger transaction to come. A utility infielder who can play both the infield and the outfield, Nix looks like he’s part of the Triple-A backup plan, but I wonder if there is more at work here. There have been rumors that the Braves and Yankees are talking about a deal that would send Eduardo Nunez to Atlanta as part of a package for Jair Jurrjens. If the Yankees do trade Nunez, they will need a new utility infielder. Ramiro Pena is clearly not the answer, and the organization has shown no confidence in minor league veteran Jorge Vazquez.

What kind of a player is Nix? He had a miserable 2011, hitting so poorly and striking out so frequently for the Blue Jays that they released him in mid-season. But he does have some power–he hit 26 home runs combined for the White Sox and Indians over the 2009 and 2010 seasons–and can play third base, second base or shortstop, in addition to the outfield corners.

So should the Yankees trade Nunez? He has loads of natural talent, but is very raw, and must find a way to cut down on his throwing errors. He could be a very good utility infielder, ala Randy Velarde or Luis Sojo, but I don’t know if he has enough patience at the plate to be an everyday player. In the meantime, Jurrjens is a very effective right-handed pitcher who has been good in three of his four full seasons. He’s a strike thrower who won’t turn 26 until January, with the one concern being his ability to stay healthy. If the Braves would be willing to part with the native of Curacao in exchange for a package of Nunez, Brandon Laird, and a middling prospect, I’d have to give some serious thought to such a trade…

* * * *

The Yankees’ wise decision to re-sign Freddy “The Chief” Garcia should not be interpreted as a sign that they will not pursue additional starting pitching; rather it’s part of a plan to stockpile as much pitching depth as possible for a long season. The reliable Garcia is an insurance policy, a No. 5 starter under a worst-case scenario, and possibly a long reliever. The Yankees still plan to pursue pitching via both the trade and free agent routes. If they can add someone like Mark Buerhle (free agent) or John Danks (trade), the rotation will look like this:

1) CC Sabathia

2) Ivan Nova

3) Buerhle or Danks or someone else

4) Phil Hughes

5) A.J. Burnett

Under this scenario, Garcia would start the season out of the bullpen and would be available as a long man and spot starter. The Yankees could then give Hector Noesi some more time to develop as a fulltime starter at Triple-A Scranton/Wilkes Barre. With Noesi, Dellin Betances and Manny Banuelos at Scranton, the Yankees would have exactly the kind of young pitching depth that Brian Cashman desires as mid-season insurance. But the plan depends on adding a starting pitcher of some pedigree, something that Cashman has not been able to do since signing Sabathia in 2009…

* * * *

Over at The Hardball Times, I’ve been writing a series of baseball card mysteries where I ask readers to assist me in identifying players on cards. One of the cards has proved particularly vexing: the 2001 Topps Golden Moments card featuring Bucky Dent’s historic home run against Mike Torrez. I’ve been able to identify most everyone on the card. There’s Dent himself (wearing No. 20), who’s being trailed by Chris Chambliss. The welcome wagon of congratulation includes Yankee trainer Gene Monahan, backup catcher Cliff Johnson and manager Bob Lemon (all in jackets). Behind Lemon is Jay Johnstone, the veteran backup outfielder. Behind Monahan is Willie Randolph, who was injured and unavailable to play in the tiebreaker game against the Red Sox.

That leaves one mystery man. Who is the player to the right of Randolph, the one right next to the gold Topps logo? Among our readers suggestions have been backup outfielder Gary Thomasson, first baseman/DH Jim Spencer, and backup catcher Mike Heath. Still others claim that this player has no number on the back of the uniform, which leaves open the possibility that it is not actually a player, or not a player who was eligible for that game against the Red Sox. Could it be a ballboy or a batboy?

Who in the world is it? At this point, I really have no idea. Perhaps someone at the Banter knows.

Bruce Markusen writes “Cooperstown Confidential” for The Hardball Times.

This is exactly what I would do if I was an astronaut.

[Photo via fffound.com]

When I’m trying to get to sleep, I solve little puzzles to wind down my brain. Lately, I’ve been working on how the Yankees could acquire the best player at every position. Quickly, it becomes logistically impossible. There’s no way to pry Tulowitski or Longoria or Kemp or Braun away from their current teams.

However, changing the criteria slightly to acquiring the best available players at every position, things become doable. Absurdly expensive, but doable.

At first base, Albert Pujols, that’s easy. Keep the rest of the infield. Cano is the best second baseman for me over the last two years anyway, and close enough to the best overall that there’s no reason to upgrade. Jeter is required to maintain the idea that this is indeed the Yankees we’re talking about. And Arod, even that close to dreaming I can’t imagine some other team wanting to deal with him.

In the outfield, Granderson and Gardner might be the best outfielders available for their spots. For the other outfield spot, I’d gamble on the Cuban star, Yoenis Cespedes, though I guess Beltran is the best established player available. For DH, sign Prince Fielder. Note, every acquisition at this point is just a matter of money.

Now the hard part. Catcher. Perhaps this is the result of a midnight haze, but I think the Yankees could get Joe Mauer with Montero and others (Nova, Banuelos, etc). Mauer is now ridiculously expensive, has never been an Iron Horse, and has, for the first, time, turned in a stinker of a season. I think that the Twins could be persuaded that his contract is no longer in their best interests.

So that lineup is now something like Granderson, Mauer, Pujols, Fielder, Arod, Cano, Cespedes, Jeter, Gardner. Teixeira will DH against lefties and have to learn how to play 3B again to back up Arod. Russell Martin will be the back up catcher. Swisher is the fourth outfielder. To back up Jeter and Cano, and eventually replace Jeter, sign Jose Reyes.

The rotation is even easier. Sabathia is back. Send the rest of the Yankees staff to the pen (figure Nova is headed to Minnesota in the Mauer deal) and sign Wilson, Darvish, Buerhle and Oswalt, or the four best pitchers according to you.

We already have the best closer and possibly the best set-up man in Robertson. At times, Soriano is among the top relievers in the game. Add in Heath Bell, I guess, if he’s any good. I am always asleep before I get to the bullpen, so this is not as well considered. The demoted starters will pitch in where they can. Too bad Pabelbon signed elsewhere.

The 2012 Yankees would cost around, what, $350 million? Why not? It’s not my money so I won’t lose any sleep over it.

[Picture via Onion Sports Network]

With mustard or without?

[Picture by Bags]

If you’re a Yankee fan who’s never heard of Mickey Scott, I cannot fault you for that. I remember Mickey Scott, but not as a Yankee. It was only after his death in late October that I realized his connection to the Yankee franchise, not to mention his ties to central New York.

Scott did not follow the traditional path to the major leagues. He was born in Weimar, Germany, to a military family that eventually settled in New York state. Scott grew up in Newburgh, located about 60 miles north of New York City. In 1965, the year of the first amateur draft, the Yankees took Scott on the 17^th round out of Newburgh Free Academy. Given the rough winter weather in much of upstate New York, relatively few major leaguers have come out of the state from locations north of the city. But the Yankees liked Scott’s live left-handed arm enough to counteract any concerns they had about the small sample size of Scott’s work.

The skinny southpaw quickly showed the Yankees that he had enough stuff and experience to pitch professionally. He pitched brilliantly at two stops in 1965, before putting in a full season at Single-A Binghamton in 1966. He won a league-leading 15 of 20 decisions for the Triplets, held NY-Penn League opponents to a 2.75 ERA, and led the league in strikeouts.

With his career on the verge of a breakthrough, the realities of the late-1960s put up a roadblock. Scott missed all of the 1967 season while serving the military during Vietnam. Like most of the Vietnam vets, he didn’t receive much credit or applause when he returned to civilian life.

Undeterred by the setback, Scott came back to pitch in 1968, returning once again to Binghamton. But the Triplets had now moved up to Double-A status as a member of the Eastern League, so Scott’s return to Binghamton actually represented an impressive jump for the 20-year-old lefthander. Scott lowered his ERA to 2.58 while allowing only 83 hits in 115 innings. Though not overpowering, Scott convinced the Yankees he was now a legitimate prospect.

The following summer, the 21-year-old Scott moved up to Triple-A Syracuse, another location in upstate New York. It was an impressive ascension for a 17^th-round draft pick. Like a lot of young lefthanders, Scott struggled with his first taste of Triple-A hitters. Now deeming him expendable, the Yankees traded Scott to the White Sox for Pete Ward, a combination first baseman/third baseman with some lefty power. Ward would last one unproductive season in the Bronx before calling it a career, while Scott would never pitch a game for the ChiSox.

In September of 1970, the Sox traded Scott to the Orioles. The Orioles switched him to the bullpen, where he used a devastating change-up to become the lefty relief ace for the Rochester Red Wings. He also became popular with teammates, who appreciated his upbeat nature and keen sense of humors. In 1972, Scott would finally make his big league debut for the pitching-rich O’s. Scott pitched well in 15 games, kicking off a journeyman career that would last five seasons and include stops in Montreal and California. Used mostly as a relief pitcher, Scott put up a 3.72 ERA in 172 innings.

Scott never pitched a regular season game for the Yankees, but that would not prevent an eventual reunion with the franchise. Appreciating his attitude and work ethic, the Yankees hired Scott to fill a number of duties, including a role throwing batting practice at Yankee Stadium. He threw BP to such notables as Thurman Munson, Reggie Jackson, Roy White and Graig Nettles.

When not in the Bronx, Scott returned to his residence in Binghamton, a place that became so special to him that he settled on it as his permanent home.  He opened up a bar called “Mickey’s Mound,” where the personable and outgoing left-hander often regaled visitors with stories of his life in both the majors and the minors. During the 1980s, Billy Martin moved near the Binghamton area and frequently visited Mickey’s Mound. There Martin and Mickey became good friends.

Though Scott no longer owned the bar, he seemed to be enjoying retirement in Binghamton. He kept himself in good shape, regularly visiting a local gym to keep his weight and conditioning under control. On October 30 of this year, Scott called his mother from his home in Binghamton and told her that he was heading outside to rake some leaves, a common fall chore in upstate New York. Scott never returned to the house. While on his front lawn, he suffered a heart attack. His body was found by two women who happened to be walking by. Scott was 64.

I didn’t know that Mickey Scott lived in Binghamton or had a bar there until I read stories reporting his death. As a resident of Cooperstown, I live only about an hour’s drive from Binghamton. I wish I had known about Mickey’s Mound back in the 1990s; I would have enjoyed saddling up to the bar, ordering a ginger ale, and hearing a few stories from Mickey Scott himself.

Sadly, I never had the chance. But I know that others did. And I would love nothing more than to hear some of those stories about Mickey Scott.

Bruce Markusen writes “Cooperstown Confidential” for The Hardball Times.

I’ve tuned into the Nathan’s Hot Dog eating contest a few times. I’d never consider joining an eating contest, but I like a good gross-out as much as the next guy.

Eating challenges, on the other hand, those intrigue me. The Old ’96er for instance. There’s a whole show dedicated to them on the Travel Channel. The few times I’ve been to places that offered a challenge, I was tempted to try it.

Up all night on Monday at a concert in Newark, I was empty this Tuesday at lunch. I ordered this:

That’s a Grand Slam from Go Go Curry. A chicken cutlet, a pork cutlet, an egg, two sausages, a fried shrimp all covered in a thick, brown curry. There’s a pile of shredded cabbage on the side. And underneath all that is a mountain of rice. With nothing on the line but my pride and my 12 bucks, I bid adieu to all but the rice. The rice just kept coming and I ended up leaving about a handful on the plate.

Maybe if I wasn’t headed back to work and if I didn’t have to play basketball that night, maybe I could have taken it down. But I was happy I left it there.

How about you guys – what was your biggest eating challenge?

Over at SI.com, our man Cliff looks at baseball’s award season:

NL Cy Young

To Be Announced: Thursday, Nov. 17

Expected Winner: Clayton Kershaw, LHP, Dodgers (21-5, 248 Ks, 2.28 ERA, 0.98 WHIP, 9.6 K/9, 4.59 K/BB, 5 CG, 2 SHO)

Deserving Winner: Kershaw

The pitching triple crown (league leads in wins, strikeouts, and ERA) has been won just 11 times since the creation of the Cy Young award in 1956, and every single time, the pitcher who won the it also won the Cy Young award. Justin Verlander will make it 12-for-12 when he picks up the AL hardware on Tuesday and it makes Kershaw the prohibitive favorite to be lucky 13 on Thursday.

There is an argument, however, that last year’s winner, Roy Halladay (19-6, 220 K, 2.35 ERA), was the best pitcher in the National League again this year. Halladay’s case rests on park factors and batting average on balls in play, neither of which is enough to distract from all of those bolded numbers in Kershaw’s stat line. Still, both pitchers threw essentially the same number of innings (Halladay led by the smallest amount possible, 233 2/3 to 233 1/3), and it was Halladay that led the league in ERA+ (again by a sliver, 164 to Kershaw’s 163). Halladay also had a league-best eight complete games, walked a league-low 1.3 men per nine innings, led the majors with a 6.29 K/BB ratio, and had less help from his defense and lucky bounces, with a .305 BABIP to Kershaw’s .274, doing all of that while pitching his home games in hitter-friendly Citizens Bank Park as opposed to pitcher-friendly Dodger Stadium.

It’s a compelling argument, but not an overwhelming one, which is why you’re unlikely to hear much complaint, even from Phillies fans, when Kershaw wins the award on Thursday.

I’m always amazed how quickly time goes by. Another example hit me last week, when I realized that it has now been ten years since former Yankee broadcaster Frank Messer died. He passed away at the age of 76 in November of 2001, succumbing to a combination of heart problems and an ongoing battle with lupus.

In many ways, Messer is the forgotten Yankee broadcaster. In contrast to Bill White and Phil Rizzuto, his longtime broadcast partners on WPIX TV and various radio stations, no one talks about Messer anymore. It’s understandable that fans who are younger than 35 don’t remember Messer; they likely would never have heard one of his broadcasts. But even fans my age (and older) have placed Messer in a far-away corner of their minds.

Messer was never as popular as Rizzuto or White, but he had a career that is worthy of note. A native of Asheville, North Carolina, Messer joined the Marine Corps and served in the South Pacific during World War II. After a successful tour of duty that ended in 1946, Messer entered the field of broadcasting and eventually went to work as a disc jockey for a country western radio station. His baseball career finally began in 1954, when he entered the broadcast booth for Richmond, a minor league team in the Triple-A International League. During his tenure in Virginia, Messer won the state’s “Sportscaster of the Year” Award three consecutive years.

In 1964, Messer earned a promotion to the major leagues, joining the Orioles as one of their play-by-play men. He also dabbled in football, working radio broadcasts for the NFL’s Baltimore Colts. In 1968, Messer switched affiliations when he joined the broadcasting crew of the Yankees, replacing former major league catcher Joe Garagiola. Messer teamed with Rizzuto and Jerry Coleman–both former Yankee players–as the team’s regular announcers. (And yes, I am shuddering at the idea of “The Scooter” and Coleman working the same broadcast booth.)

Prior to the 1971 season, the Yankees made a milestone change in the history of baseball broadcasting. They replaced Coleman with Bill White, a retired first base standout with the Giants, Cardinals and Phillies and a man with no previous connection to the Yankee franchise. White became the first African American to broadcast a major league team’s games at the local level. The trio of Messer, Rizzuto, and White would become synonymous with Yankee broadcasts over the next 14 seasons, splitting play-by-play and color duties on both radio and WPIX television.

Messer took on the role of Bud Abbott, playing straight man to the two former players. With Messer providing smoothly efficient play-by-play, Rizzuto and White became free to take on more colorful and often comedic broadcast roles, while also offering the perspectives of former star players. The trio became one of the most popular broadcast combinations of all-time, remaining a team until 1984, when Messer ended his tenure in New York.

Working amidst the popular three-man crew that announced Yankee games during that span, Frank Messer was unquestionably the least favored amongst the pinstriped faithful. Yet, that’s more of a tribute to the enormous popularity of Rizzuto and White than it is a genuine blemish against the record of Messer.

Rizzuto and White drew most of the attention, in part because they were former athletes with bigger names, and in part because of their tendency to toss barbs at each other. At times, they could provide hysterical listening. Messer supplied the basics needed in a solid television or radio broadcast. He had a pleasant voice, a smooth play-by-play style, and a small ego, the latter enabling him to accommodate the colorful storytelling of Rizzuto and the insightful analysis of White.

Although the Rizzuto/White combination provided the best listen of any of the three tandems the Yankees commonly used on TV, Rizzuto and White also worked well with Messer. They each had freedom to roam, thanks in large part to Messer’s understated style. Additionally, nine innings of Rizzuto and White might have produced overkill; Messer’s presence for six innings gave the broadcast balance and clarity, while also making listeners appreciate the entertainment value of the more dynamic Rizzuto and White.

Though it was not the principal part of his job description, Messer also added a dignified presence to the Yankees’ popular Old-Timers’ Day events. An articulate announcer and a skilled emcee, Messer elegantly performed his master-of-ceremonies duties in introducing Yankee greats during the seventies, eighties, and nineties. Although he didn’t match Mel Allen (something that few could have done), he nonetheless excelled in a humble, simplified way, enabling him to blend in so well with the festivities of the day. As great as Old-Timers’ Day remains, it’s not quite the same without the presence of Messer.

If there was a legitimate criticism of Messer, it was that he tended to stray far from controversy, which was in plentiful supply during the George Steinbrenner/Billy Martin/Reggie Jackson years. Messer usually treated Yankee conflicts with a see-no-evil attitude, if he didn’t ignore them completely.

On the whole, that’s a relatively small strike against a solidly professional play-by-play man who did such dutiful work in New York for more than a decade. He did the job, while never complaining about being the third wheel to Rizzuto and White. If nothing else, Frank Messer should be remembered for that.

Bruce Markusen writes Cooperstown Confidential for The Hardball Times.

[Photo Credit for featured image: Alex Alexander]

I wonder what they used for the Bantha fodder?

I was too young to appreciate Fisher in the gold bikini. Even to this day, that outfit does nothing for me. But this one…

I know this movie sucks in a lot of ways. But when Luke started wreaking havoc on the skiff with that green light saber, I’ve never been more thrilled in a movie theater.

Check out this guy who stumbled on them in Buttercup Valley.

[Photos by Mike Davis]

Sunday was Marathon Day. My wife Amelia was running so we went full out with t-shirts, posters and banners. At 124th St and 1st Ave, my older son sat on my shoulders and we yelled out to every runner we could while we waited for her to pass. The runners were psyched to get cheers, but when they came from the squeaky voice of a four year-old, their smiles were double wide. It’s a special day in New York, but I’ll let our runner explain how it feels from inside the ropes:

I am proud to live in New York City every day, but today showed me why ten times over. The support and enthusiam from EVERYONE, in EVERY Borough was just mind blowing and made me so proud to be a New Yorker!!!!

A helluva town.

By Jon DeRosa

Just like most other genres these days, successful horror movies spawn franchises. The studios have indulged lengthy strolls down Elm Street and at one point, seemed to have taken great care to make sure there was a fresh installment of “Friday the 13th” every time the calendar dictated.

I’ve never seen any of them, but does the number of times people wanted to sit through the same basic story to be scared in the same basic way tell us something of ourselves as a species? I’ll leave that for someone who watched those movies to decide.

In fact, to be a successful horror movie franchise, the film doesn’t even have to be a true horror movie. Both “The Evil Dead” and the “Scream” movies are horror-movie derivitives, distilling or reducing the elements of horror movies and packaging them up with laughs for a new twist.

“The Evil Dead” is a horror movie that has mostly discarded plot, writing, acting, sound, editing, cinematagrophy, and lighting. All that is left is gore, suspense and comedy. It’s poorly made but still spectacular – I challenge you to look away during a screening. The efforts appear earnest, and it’s hard to believe the people responsible for “The Evil Dead” (Sam Raimi and Rob Tapert) would someday create the best super hero fight on film (Raimi’s Doc Ock vs Spiderman on a skyscraper) and torment our hero John Schulian (Tapert).

That’s not to say the movie just a bucket of corn syrup dyed red and an eerie score. There’s a lovely moment where Ash, played by cult hero Bruce Campbell, holds a gift for his girlfriend, Linda, and pretends to be asleep. Linda wants to to grab the gift, but she suspects he’s faking. The camera catches just their eyes as she looks between him and the gift and Ash takes occasional peeks to see if his ruse is working. And then of course when Linda dies, Ash tries to bury her before she can turn into a zombie-monster. He’s too late, but she fakes him out with the same game, pretending to be dead while he digs her grave, sneaking peeks to see if her ruse is working.

When he slices her head off with the shovel, there’s an extra pang between the chuckles. The movie rightly has a devoted following for it’s knack of being bad in just the right ways. And now a remake? I wonder…

On the other side of the same coin are the “Scream” movies. These films are loaded with everything modern Hollywood does best, and then polished to a sheen. The derivative nature of “Scream” lies within the plot of the film as the psychotic killers and the hapless victims of the film are themsleves horror film fanatics. They know how horror movies work inside and out, and when they find themselves inside one, they keep track of what is happening like play-by-play commentators at a sporting event.

Most of them still die, but it’s a lot funnier when the victim does something stupid a few minutes after she discussed the universal stupidity of female horror movie victims.

Like Alex, I don’t seek out a lot of horror movies. However, consuming American popular culture for over thirty years ingrains horror movie formulae in the brain. So it doesn’t take an expert in scary movies to enjoy seeing them turned in on themselves in ingenious ways. And with all the laughs “Scream” and “The Evil Dead” bring to the table, suspense is such a potent ingredient that even these horror-comedies will take you to the edge of your seat before you’re rolling in the aisles.

By Bruce Markusen

This is the only Topps card that shows Matty Alou as a Yankee. Upon first look, most fans are struck by the enormity of the Yankees’ “NY” logo. But it’s not the actual Yankee logo; it’s been airbrushed onto the photograph, along with the Yankee pinstripes and the navy blue cap. The artist who did the airbrushing simply overestimated the size of the interlocking “NY.”

In the actual photograph that Topps used, Alou is wearing the colors of the A’s, with the Oakland Alameda County Coliseum providing the backdrop. Alou spent the latter half of the 1972 season with the A’s, and played a subtle role in helping Oakland win its first world championship, before being purged by Charlie Finley in a cost-cutting maneuver. Without any photos of Alou in Yankee pinstripes, the people at Topps opted for the old airbrushing route.

All these memories of this card come back to me with the news of Alou’s death. He passed away on Thursday at the age of 72, apparently from the effects of diabetes. This is particularly hard news for me because Matty Alou was one of my favorite players. Though he only played part of one season with the Yankees, he was a guy who left me with a boatload of memories from various points throughout his career.

Why did I like Alou so much? I think part of it has to do with his unconventional hitting style. He used a very unorthodox style at the plate–he swung a heavy bat, often hit off his front foot, and blooped a lot of singles to the opposite field–all of which made him intriguing. Ted Williams, the most scientific hitter in history, used to say that Alou broke every rule of batting, but somehow managed to succeed. And unlike Williams, Alou was an extremely aggressive hitter who didn’t walk all that much. But the man could hit singles with the best of them. Alou batted for a very high average, which coupled with his base stealing ability and the speed that allowed him to go first to third, made him a useful player.

Alou began his career with the Giants, where he had the privilege to play in the same outfield with his older brother Felipe and his younger brother Jesus. But Matty never found his way in San Francisco. It was not until he was traded to the Pirates, where he worked with manager Harry “The Hat” Walker on his hitting. The Hat completely retooled Alou’s approach, and to his credit, Alou openly accepted the advice.

The results were undeniable. In 1966, Alou batted .342 to lead the National League. In his next three seasons, he batted .338, .332, and .331. That represents one of the great four-year stretches a hitter has ever experienced. Alou was also a very good center fielder with range and a plus arm, making him a fairly complete package in Pittsburgh. All that he lacked was power.

By the time that Alou joined the Yankees in 1973, he was no longer the same player. Injuries robbed him of his arm strength, while slowing bat speed erased his abilities as a .330 hitter. But the Yankees felt he could help fill a void in right field. The Yankees were set in the other outfield spots–Roy White played left and Bobby Murcer starred in center–but right field had become a problem. Alou stabilized the position somewhat, though he lacked the arm or the ideal amount of power that once expects from a right fielder. He also made 40 appearances at first base, something he had done previously with the Cardinals. At five feet, nine inches, Alou looked odd playing first base; he could have used a phone book to stand on first base and corral high throws from Gene Michael and Graig Nettles.

Alou hit well for the Yankees, batting .296 with an on-base percentage of nearly .340. If the Yankees remained in contention, Alou would have lasted the entire season in New York. But the Yankees fell out of the pennant race, convincing them to try a late-season youth movement. So they sold Felipe Alou to the Brewers and sold 34-year-old Matty to the Cardinals, ridding themselves of two expensive contracts in the process. And that was it for Matty Alou in pinstripes.

As it turned out, Alou did not have much left in his hitting tank. He batted only .198 for the Padres in 1974, but he did not want to call it quits. So he headed to the Japanese Leagues, where he put in three seasons before retiring.

Alou was still playing in the Far East by the time the Yankees became good again and won back-to-pennants in 1976 and ‘77. Like so many of my favorite old players, like Johnny Callison and Walt “No-Neck” Williams and Jim Ray Hart, he did not last long enough to see the glory years in pinstripes.

But at least fun players like Matty Alou made those lean years of the early 1970s a little more bearable for a Yankee fan like me. For that, I will be ever grateful to Matty Alou. Rest in peace, Matty.